etching begun before 1861; impression printed in 1926
11
Joseph Mallord William Turner, 1775–1851
On the Washburn
ca. 1809–15
12
Print made by William Blake, 1757–1827
The Book of Thel, Title Page (Plate 2)
1789
13
Print made by William Blake, 1757–1827
A Little Girl Lost (Plate 44)
1794
14
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
15
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
16
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
17
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
18
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
19
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
20
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
21
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
22
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
23
Print made by William Blake, 1757–1827
The Book of Thel; Title Page (Plate 2)
1789
24
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
25
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
26
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
27
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
28
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
29
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
30
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
31
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
32
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
33
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
34
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
35
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
36
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
37
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
38
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
39
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
40
Print made by Richard Ansdell, 1815–1885
The Sentinel
1857
41
James Ward, 1769–1859
Studies of Geese
undated
42
unknown artist
The Purple Heron (Ardea purpurea)
Undated
43
unknown artist
Egyptian Vulture (Neophron percnopterus)
Undated
44
Unknown artist (Company style)
Asian Openbill Stork (Anastomus oscitans)
ca. 1800
45
unknown artist
Black-headed Ibis (Threskiornis melanocephalus)
undated
46
James Sowerby, 1756–1822
Eurasian treecreeper
undated
47
James Sowerby, 1756–1822
European Green Woodpecker
undated
48
unknown artist
Two Small Birds
undated
49
James Sowerby, 1756–1822
Two Tree Creepers
undated
50
unknown artist
Five Birds
undated
51
James Sowerby, 1756–1822
Two Birds on a Branch
undated
52
George Sidney Shepherd, 1784–1862
The Times and Evening Mail Office
1811
53
Print made by Richard Parkes Bonington, 1802–1828
Brackline
1826
54
Print made by Richard Parkes Bonington, 1802–1828
Ancienne Porte a Stirling
1826
55
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
56
Print made by Richard Parkes Bonington, 1802–1828
Glenfinlas
1826
57
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
58
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
59
James Duffield Harding, 1798–1863
Château Vilain sur la Riviere Dain, Franche Comte
undated
60
Print made by James Clark, 19th century
Cowdray Ruins
1824
61
Robert Havell, 1769–1832
Clifton Spring and Woods near Maidenhead
1818
62
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
63
unknown artist
A Man with a Basket and Child
undated
64
Print made by unknown artist
A Maiden Lady and her Family
between 1820 and 1840
65
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
66
Joshua Cristall, 1768–1847
Tarbert Castle
undated
67
William Simpson, 1823–1899
The Ganges
1863
68
James de Carle Sowerby, 1787–1871
Three Toucans
undated
69
Print made by unknown artist
St. Vincent's Rocks, Clifton (Hotwell House and Baths)
ca. 1840
70
Print made by Alfred Henry Forrester, 1804–1872
Why... Because..
undated
71
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
72
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
73
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
74
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
75
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
76
Print made by Alfred W. Cooper, active 1850–1901
Frost and Snow
undated
77
J. Hill, active 19th century
A Frigate in a Calm
1811
78
J. Hill, active 19th century
A Sloop of War in a Light Breeze
1811
79
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811
80
J. Hill, active 19th century
A First Rate after a Storm
1811
81
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
82
Hablot Knight Browne, 1815–1882
The Buxom Hostess
1879
83
Peter DeWint, 1784–1849
Pond with Willow Tree and Ducks
undated
84
Print made by William Angus, 1752–1821
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
undated
85
Print made by unknown artist
Hawes Bridge near Kendal
undated
86
Henry Thomas Alken, 1785–1851
The Death: Huntsman Holding Fox Aloft
undated
87
Henry Thomas Alken, 1785–1851
Foxhunting: The Toast
undated
88
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain," 1821: Owling
1821
89
Samuel Alken, 1756–1815
Stag Hunting - The Meet: a Hind Released From a Van.
undated
90
Samuel Alken, 1756–1815
Trying the Mare
1813
91
James Pollard, 1792–1867
Snipe Shooting
undated
92
James Ward, 1769–1859
Eagles
undated
93
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
94
Henry Heath, active 1824–1835
Ominum Gatherum No. 6
undated
95
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
96
Print made by Francesco Bartolozzi, 1728–1815
Virtuous Love
1793
97
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
98
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
99
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
100
Print made by Augustus Welby Northmore Pugin, 1812–1852