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Materials & Techniques wove paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer Ivy Cottage, Shoreham
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
Samuel Palmer Study for "The Shearers"
Samuel Palmer, 1805–1881
Study for "The Shearers"
between 1833 and 1834
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
William Blake Jerusalem, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "The Traveller hasteth in the Evening" (Plate 16)
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Nutter Sunday Morning, A Cottage Family Going to Church
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
Henry William Bunbury The Damnation of Obadiah
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
John Crome Landscape with Oak Trees
Print made by John Crome, 1768–1821
Landscape with Oak Trees
ca. 1812
Thomas Rowlandson The Undergraduate's Room
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
Richard Dadd A Seated Figure on Horseback
attributed to Richard Dadd, 1817–1886
A Seated Figure on Horseback
undated
Richard Parkes Bonington Les Plaisirs Paternels
Print made by Richard Parkes Bonington, 1802–1828
Les Plaisirs Paternels
1826
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
E. J. Dumée The Discovery
Print made by E. J. Dumée, active 1790
The Discovery
1788
unknown artist Cloaked Man holding Hat
unknown artist
Cloaked Man holding Hat
undated
unknown artist Seated Man with Hat and Basket
unknown artist
Seated Man with Hat and Basket
undated
unknown artist Portuguese Boy (Madeira) January 25, 1868
unknown artist
Portuguese Boy (Madeira) January 25, 1868
1868
Robert Dighton A Jack in Office
Robert Dighton, 1752–1814
A Jack in Office
1793
Henry Morton Bodiam Castle
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
Richard Houston Mrs. Wodhull
Richard Houston, ca. 1721–1775
Mrs. Wodhull
1772
Robert Laurie Mrs. Baddely
Print made by Robert Laurie, 1755?–1836
Mrs. Baddely
1772
George Townly Stubbs Warren Hastings on his Arabian Horse
George Townly Stubbs, 1748–1815
Warren Hastings on his Arabian Horse
ca. 1796
unknown artist Man Standing (Madeira Jan 15/68)
unknown artist
Man Standing (Madeira Jan 15/68)
1868
unknown artist Horse, Man and Pig
unknown artist
Horse, Man and Pig
undated
Paul Sandby London Cries: A Milkmaid
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
Louis Philippe Boitard A Fisherwoman, Hands under Apron
Louis Philippe Boitard, active 1734–1760
A Fisherwoman, Hands under Apron
undated
Thomas Stothard Chinese Flower Seller
Thomas Stothard, 1755–1834
Chinese Flower Seller
undated
unknown artist Man with a Stick, Seen From Behind
unknown artist
Man with a Stick, Seen From Behind
1755
Henry Thomas Alken Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing the Down Leap
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Fall
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting into a Bog
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
James Ward Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
James Ward, 1769–1859
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
undated
Sir Alfred J. Munnings The Artist at his Easel
Sir Alfred J. Munnings, 1878–1959
The Artist at his Easel
undated
Henry Thomas Alken A Whipper-In and a Couple of Hounds Running Hard in Open Country
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
James McNeill Whistler Gants de Suède
James McNeill Whistler, 1834–1903
Gants de Suède
1890
James Gillray The Valley of the Shadow of Death
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
James Gillray Le Coup de Maitre
James Gillray, 1756–1815
Le Coup de Maitre
1797
Sir David Wilkie Johnny and His Pony
Sir David Wilkie, 1785–1841
Johnny and His Pony
1836
Leonard A. Pownall A Boy Playing Cricket: Standing, Seen From Back Side
Leonard A. Pownall
A Boy Playing Cricket: Standing, Seen From Back Side
undated
John Doyle ('H.B.') Barnaby Rudge and his Raven
Print made by John Doyle ('H.B.'), 1797–1868
Barnaby Rudge and his Raven
1841
George Cruikshank The Man at the Tiller
George Cruikshank, 1792–1878
The Man at the Tiller
undated
Henry Thomas Alken The Huntsman, Galloping to Left and Encouraging Hounds
Henry Thomas Alken, 1785–1851
The Huntsman, Galloping to Left and Encouraging Hounds
undated
Henry Thomas Alken The Death: Huntsman Holding Fox Aloft
Henry Thomas Alken, 1785–1851
The Death: Huntsman Holding Fox Aloft
undated
Henry Thomas Alken Rider Holding on to a Gray Horse After a Fall
Henry Thomas Alken, 1785–1851
Rider Holding on to a Gray Horse After a Fall
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
Samuel Alken Ferreting
Samuel Alken, 1756–1815
Ferreting
undated
Thomas Rowlandson The Runaway Coach
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
Francesco Bartolozzi The Fair Alsatian
Print made by Francesco Bartolozzi, 1728–1815
The Fair Alsatian
undated
Gwen John Little Boy with Hands Clasped, wearing a Hat, by Lamplight
Gwen John, 1876–1939
Little Boy with Hands Clasped, wearing a Hat, by Lamplight
ca. 1916
Robert Barnes The Beehive
Print made by Robert Barnes, 1840–1895
The Beehive
1854
Alfred W. Cooper Rabbits
Print made by Alfred W. Cooper, active 1850–1901
Rabbits
undated
Alfred W. Cooper The Deserted Nest
Print made by Alfred W. Cooper, active 1850–1901
The Deserted Nest
undated
Alfred W. Cooper The Young Squire
Print made by Alfred W. Cooper, active 1850–1901
The Young Squire
undated
Alfred W. Cooper The Farmyard (tail piece)
Print made by Alfred W. Cooper, active 1850–1901
The Farmyard (tail piece)
undated
Alfred W. Cooper The Burn
Print made by Alfred W. Cooper, active 1850–1901
The Burn
undated
Alfred W. Cooper By the Sea
Print made by Alfred W. Cooper, active 1850–1901
By the Sea
undated
Alfred W. Cooper By the Sea (tail piece)
Print made by Alfred W. Cooper, active 1850–1901
By the Sea (tail piece)
undated
Alfred W. Cooper The Farmer's Boy (tail piece)
Print made by Alfred W. Cooper, active 1850–1901
The Farmer's Boy (tail piece)
undated
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
William Camden Edwards Nicholas Hilliard
William Camden Edwards, 1777–1855
Nicholas Hilliard
1826