Materials & Techniques: wove paper / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: interior

Print made by Samuel Palmer, 1805–1881

Christmas

1850

Print made by Samuel Palmer, 1805–1881

Christmas

1850

John Henry Mole, 1814–1886

Study of a Cottage Interior

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Joseph Nash, 1808–1878

Levens, Westmoreland, The Small Drawing Room

1873

Thomas Rowlandson, 1756–1827

Interior of a Stable

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Thomas Rowlandson, 1756–1827

The Undergraduate's Room

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Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

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Print made by E. J. Dumée, active 1790

The Discovery

1788

Print made by Francesco Bartolozzi, 1728–1815

The Earl of Mansfield

1786

David Cox, 1783–1859

A Tudor Room with Figures, Possibly Hardwick Hall or Haddon Hall

mid to late 1830s

Benjamin Ferrey, 1810–1880

Halle au Blé, - Interior

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Print made by George Baxter, 1804–1867

Gems of the Great Exhibition No. 4: The Foreign Department

1852 or 1854

unknown artist

Church Interior

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unknown artist

Seated Woman

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unknown artist

Man (in 16th Century Costume) with Dogs

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unknown artist

Church Interior

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unknown artist

Man Asleep at Table with Dogs

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unknown artist

Interior of Stone Building

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unknown artist

Interior of Milan Cathedral

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John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith, 1766–1833

Hogarth Sitting to Roubiliac for His Bust

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith, 1766–1833

The Eleventh Hour

1817

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

T. J. Rawlins, active 1837–1840

The Hazard Room at Crockford's

1837

Thomas Rowlandson, 1756–1827

Viewing at the Royal Academy

ca. 1815

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

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Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

undated

Thomas Rowlandson, 1756–1827

Breakfast before the Hunt

between 1785 and 1790

James McNeill Whistler, 1834–1903

The Long Gallery, Louvre

1894

John Eginton, active 1763–1800

The Affectionate Daughter

1792

Thomas Stothard, 1755–1834

February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

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William Mulready, 1786–1863

Sketch of Two Figures in an Interior: One Seated, One Standing

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Thomas Shotter Boys, 1803–1874

The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852

1852

Print made by Ebenezer Challis, active 1837–1859

The Baron's Hall

1844

Charles Samuel Keene, 1823–1891

The Queen's English: An Iillustration in "Punch", Aug. 11, 1877

ca. 1877

Henry Thomas Alken, 1785–1851

Foxhunting: The Toast

undated

James Pollard, 1792–1867

Cottager's Hospitality to Travellers of The Coach Broke Down

1819

Thomas Rowlandson, 1756–1827

Four O'Clock in the Country

between 1788 and 1790

Print made by unknown artist

Messrs. Morgan & Sanders, Catherine St., Strand

1809

Print made by Francesco Bartolozzi, 1728–1815

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Augustus Welby Northmore Pugin Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

Print made by Augustus Welby Northmore Pugin, 1812–1852

Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4

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Print made by Alfred W. Cooper, active 1850–1901

About Cats

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Print made by Alfred W. Cooper, active 1850–1901

Christmas

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J. Findlay, active 1825–1857

Sir Violet Sighaway & Mr. Villiers

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J. Findlay, active 1825–1857

Peter Callam & Elvira

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