Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
3
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
4
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
5
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
6
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
7
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
8
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
9
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
10
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
11
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
12
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
13
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
14
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
15
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
16
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
17
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 7)
1794
18
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
19
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
20
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
21
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
22
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
23
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
24
William Blake, 1757–1827
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
25
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
26
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
27
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
28
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
29
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
30
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
31
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
32
Print made by William Blake, 1757–1827
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
33
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
34
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
35
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
36
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
37
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
38
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
39
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
40
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
41
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
42
Edward Lear, 1812–1888
Amada, 9:30 am, 12 February 1867
1867
43
Edward Lear, 1812–1888
A View of the Harbour at Cannes
1869
44
Edward Lear, 1812–1888
Tollygunge, Calcutta
undated
45
Edward Lear, 1812–1888
New Harbour, Malta
1866
46
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
47
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
48
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
49
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
50
Print made by Sir Frank Short, 1857–1945
Narcissus and Echo
1896
51
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam
1801
52
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
53
Samuel Davis, 1760–1819
Man of War Moored in Harbor, Mountains in the Background
undated
54
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
55
James Sowerby, 1756–1822
A Goose
undated
56
attributed to John Absolon, 1815–1895
Peasant Girls
undated
57
Print made by Edward Calvert, 1799–1883
The Flood
1829
58
Print made by Edward Calvert, 1799–1883
The Flood
1829
59
Print made by John Martin, 1789–1854
The Deluge
1828
60
Print made by James Tibbits Willmore, 1800–1863
Mercury and Argus
1841
61
Print made by James Tibbits Willmore, 1800–1863
Mercury and Argus
1841
62
Print made by James Tibbits Willmore, 1800–1863
Mercury and Argus
1841
63
Print made by James Tibbits Willmore, 1800–1863
Mercury and Argus
1841
64
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
65
John Monro, 1801–1880
Ramsgate Harbour, Kent
undated
66
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
67
Patrick Nasmyth, 1787–1831
Battersea Fields, Painted for Charles Matthews, Esq
undated
68
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
69
John Varley, 1778–1842
A Castle at the Waterside
undated
70
John Absolon, 1815–1895
Trees by a Pool
Undated
71
Henry Morton, ca. 1807–1825
Windmill on the Sea Coast Near Hastings
undated
72
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
73
William Simpson, 1823–1899
The Village Well
1864
74
Thomas Bradshaw, Born 1767
From the Beach near Fort Blanc, Oct. 4, 1819
1819
75
David Cox Jr., 1809–1885
A Merchantman Becalmed Offshore
undated
76
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
77
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
78
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
79
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
80
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
81
Thomas Rowlandson, 1756–1827
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
82
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
83
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
84
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
85
George Denholm Armour, 1864–1949
Insult to Injury
undated
86
Robert Pollard, 1755–1838
Fly Fishing
undated
87
Robert Pollard, 1755–1838
Anglers Packing Up
undated
88
Robert Pollard, 1755–1838
Bottom Fishing Near Totten Mill
undated
89
Robert Pollard, 1755–1838
Punt Fishing in the Thames
undated
90
George Jackson, active 1839–1844
A Tug Vessel
undated
91
George Jackson, active 1839–1844
Gale of Winds
undated
92
George Jackson, active 1839–1844
In Portsmouth Harbor
undated
93
John Crome, 1768–1821
A Boatload
undated
94
William Alexander, 1767–1816
A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
undated
95
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
96
Henry Thomas Alken, 1785–1851
Steeplechasing: Three Riders Taking a Brook, Spectators on Right
undated
97
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Stone Wall and Gate
undated
98
Thomas Rowlandson, 1756–1827
The Canterbury-Dover Coach Passing Vanbrugh Castle