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Materials & Techniques wove paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms water

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Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake Urizen Swims through Dark Waters (Plate 5)
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake Urizen (Plate 22)
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake Urizen Swims through Dark Waters (Plate 7)
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 7)
1794
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake The Descent of Odin, An Ode; Title Page
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake The Bard, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
Edward Lear Amada, 9:30 am, 12 February 1867
Edward Lear, 1812–1888
Amada, 9:30 am, 12 February 1867
1867
Edward Lear A View of the Harbour at Cannes
Edward Lear, 1812–1888
A View of the Harbour at Cannes
1869
Edward Lear Tollygunge, Calcutta
Edward Lear, 1812–1888
Tollygunge, Calcutta
undated
Edward Lear New Harbour, Malta
Edward Lear, 1812–1888
New Harbour, Malta
1866
Edward Lear Wady Feiran, Peninsula of Mt. Sinai
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
Sir Frank Short Narcissus and Echo
Print made by Sir Frank Short, 1857–1945
Narcissus and Echo
1896
Thomas Rowlandson A Pier at Amsterdam
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam
1801
Thomas Rowlandson The Return of the Fleet to Great Yarmouth in 1797
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
Samuel Davis Man of War Moored in Harbor, Mountains in the Background
Samuel Davis, 1760–1819
Man of War Moored in Harbor, Mountains in the Background
undated
Thomas Rowlandson A Pier at Amsterdam (Version A)
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
James Sowerby A Goose
James Sowerby, 1756–1822
A Goose
undated
John Absolon Peasant Girls
attributed to John Absolon, 1815–1895
Peasant Girls
undated
Edward Calvert The Flood
Print made by Edward Calvert, 1799–1883
The Flood
1829
Edward Calvert The Flood
Print made by Edward Calvert, 1799–1883
The Flood
1829
John Martin The Deluge
Print made by John Martin, 1789–1854
The Deluge
1828
James Tibbits Willmore Mercury and Argus
Print made by James Tibbits Willmore, 1800–1863
Mercury and Argus
1841
James Tibbits Willmore Mercury and Argus
Print made by James Tibbits Willmore, 1800–1863
Mercury and Argus
1841
James Tibbits Willmore Mercury and Argus
Print made by James Tibbits Willmore, 1800–1863
Mercury and Argus
1841
James Tibbits Willmore Mercury and Argus
Print made by James Tibbits Willmore, 1800–1863
Mercury and Argus
1841
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
John Monro Ramsgate Harbour, Kent
John Monro, 1801–1880
Ramsgate Harbour, Kent
undated
Henry Morton Bodiam Castle
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
Patrick Nasmyth Battersea Fields, Painted for Charles Matthews, Esq.
Patrick Nasmyth, 1787–1831
Battersea Fields, Painted for Charles Matthews, Esq
undated
John Varley Old Mill at Battersea
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
John Varley A Castle at the Waterside
John Varley, 1778–1842
A Castle at the Waterside
undated
John Absolon Trees by a Pool
John Absolon, 1815–1895
Trees by a Pool
Undated
Henry Morton Windmill on the Sea Coast Near Hastings
Henry Morton, ca. 1807–1825
Windmill on the Sea Coast Near Hastings
undated
John O'Connor Belfast from Bunker's Hill / On the Road to Hollywood
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
William Simpson The Village Well
William Simpson, 1823–1899
The Village Well
1864
Thomas Bradshaw From the Beach near Fort Blanc, Oct. 4, 1819
Thomas Bradshaw, Born 1767
From the Beach near Fort Blanc, Oct. 4, 1819
1819
David Cox Jr. A Merchantman Becalmed Offshore
David Cox Jr., 1809–1885
A Merchantman Becalmed Offshore
undated
Thomas Rowlandson Comforts of Bath: The Bath
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Dive
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
Thomas Rowlandson The Annual Sculling Race for Doggett's Coat and Badge
Thomas Rowlandson, 1756–1827
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
Hablot Knight Browne The Sporting Parson: "He Then Goes in For Baptism"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
George Denholm Armour Insult to Injury
George Denholm Armour, 1864–1949
Insult to Injury
undated
Robert Pollard Fly Fishing
Robert Pollard, 1755–1838
Fly Fishing
undated
Robert Pollard Anglers Packing Up
Robert Pollard, 1755–1838
Anglers Packing Up
undated
Robert Pollard Bottom Fishing Near Totten Mill
Robert Pollard, 1755–1838
Bottom Fishing Near Totten Mill
undated
Robert Pollard Punt Fishing in the Thames
Robert Pollard, 1755–1838
Punt Fishing in the Thames
undated
George Jackson A Tug Vessel
George Jackson, active 1839–1844
A Tug Vessel
undated
George Jackson Gale of Winds
George Jackson, active 1839–1844
Gale of Winds
undated
George Jackson In Portsmouth Harbor
George Jackson, active 1839–1844
In Portsmouth Harbor
undated
John Crome A Boatload
John Crome, 1768–1821
A Boatload
undated
William Alexander A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
William Alexander, 1767–1816
A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
undated
Henry William Bunbury Patience in a Punt
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
Henry Thomas Alken Steeplechasing: Three Riders Taking a Brook, Spectators on Right
Henry Thomas Alken, 1785–1851
Steeplechasing: Three Riders Taking a Brook, Spectators on Right
undated
Henry Thomas Alken Steeplechasing: The Field taking a Stone Wall and Gate
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Stone Wall and Gate
undated
Thomas Rowlandson The Canterbury-Dover Coach Passing Vanbrugh Castle
Thomas Rowlandson, 1756–1827
The Canterbury-Dover Coach Passing Vanbrugh Castle
between 1795 and 1800
Henry Thomas Alken Snipe Shooting
Henry Thomas Alken, 1785–1851
Snipe Shooting
undated
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820