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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- The Morning of Life
- 1860-1861
2
- The Early Ploughman
- begun before 1861
3
- The Early Ploughman
- begun before 1861
4
- The Early Ploughman
- etching begun before 1861; impression printed in 1926
5
- The Morning of Life
- 1860-1861
6
- The Deluge
- between 1813 and 1823
7
- Apuleia in Search of Apuleius
- between 1813 and 1823
8
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
9
- Procris and Cephalus
- 1812
10
- A Great Tree
- ca. 1794
11
- A Cradle Song (Plate 26)
- 1789
12
- The Little Boy Lost (Plate 16)
- 1789
13
- The Lamb (Plate 18)
- 1789
14
- The Descent of Odin, An Ode; Title Page
- between 1797 and 1798
15
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
16
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
17
- Ode for Music, Performed in the Senate-House; Title Page
- between 1797 and 1798
18
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
19
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
20
- A Cradle Song (Plate 18)
- 1789
21
- On Anothers Sorrow (Plate 24)
- 1789
22
- Introduction (Plate 3)
- 1789
23
- The Lamb (Plate 8)
- 1789
24
- 'We censure nature for a span too short' (Page 23)
- 1797
25
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
26
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
27
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
28
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
29
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
30
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
31
- Elegy Written in a Country Church-Yard; Title Page
- between 1797 and 1798
32
- Ode on a Distant Prospect of Eton College; Title Page
- between 1797 and 1798
33
- A Long Story; Title Page
- between 1797 and 1798
34
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
35
- Mary Magdalen at the Sepulchre
- ca. 1805
36
- Le Repos
- 1826
37
- Allegorical Scene
- undated
38
- Study of a Woman and Child
- undated
39
- Sunday Morning, A Cottage Family Going to Church
- 1795
40
- Moon-Light
- ca. 1797
41
- Mamma at Romps
- 1810
42
- The Battle of the Cataplasm
- between 1773 and 1817
43
- Fitting out. - Plate 1
- 1820
44
- Cottage at Diss
- 1811
45
- Cat Like Courtship
- undated
46
- A Mountain Lake
- undated
47
- The Toilet
- undated
48
- The Vine Inn, Vine Yard, Aldersgate in the City of London
- undated
49
- A Large Christmas Card
- 1895
50
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
51
- La Conversation
- 1826
52
- Le Silence Favorable
- 1826
53
- Le Retour
- 1826
54
- Pierre de Vaivre
- 1827
55
- The Flood
- 1829
56
- Ideal Pastoral Life
- 1829
57
- The Flood
- 1829
58
- Ideal Pastoral Life
- 1829
59
- The Return Home
- 1830
60
- Ferdinand Reunited with his Father
- 1821
61
- Feste, as Sir Topas, addressing Malvolio
- 1822
62
- Katherina and Grumio
- 1821
63
- Master William Page and Sir Hugh Evans
- 1821
64
- The Death of Ophelia
- ca. 1810
65
- Returning from the Spring. Virginia
- after 1850
66
- Iris
- 1808
67
- Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
- 1828
68
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
69
- The Discovery
- 1788
70
- The Letter Woman
- ca. 1769
71
- The Oyster Woman
- 1769
72
- Death of the First Born
- 1836
73
- The Crucifixion
- 1834
74
- The Deluge
- 1828
75
- Marcus Curtius
76
- An Elderly Woman, Seated
- undated
77
- A Woman and Young Girl with Baskets
- undated
78
- Woman Seated on a Chair
- undated
79
- A Maiden Lady and her Family
- between 1820 and 1840
80
- Miss-Ann-Thropy
- undated
81
- Mrs. Frances Abington, (née Barton)
- 1814
82
- Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
- undated
83
- Brass Plate of a Woman from Layton Church
- between 1796 and 1811
84
- Girl in a Brown Dress
- undated
85
- Studies of Tradesmen and Grooms
- undated
86
- A Seated Peasant Woman
- before 1841
87
- Balmoral Castle
- after 1850
88
- The Belle of the Village
- 1854
89
- Balmoral Castle
- after 1850
90
- Eight Rural Subjects
- after 1850
91
- Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
- after 1850
92
- Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
- after 1850
93
- Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
- after 1850
94
- The Reunion of the Soul & the Body
- 1808, published 1813
95
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
96
- Mrs. Wodhull
- 1772
97
- The Soul Exploring the Recesses of the Grave
- 1808, published 1813
98
- Mrs. Baddely
- 1772
99
- The Thatched Cottage
- undated
100
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835