<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Image Available Available

Remove constraint Image Available: Available

Search Results

Vanessa Bell Design for Omega Workshops Fabric
Vanessa Bell, 1879–1961
Design for Omega Workshops Fabric
1913
Vanessa Bell Design for an Embroidered Stool
Vanessa Bell, 1879–1961
Design for an Embroidered Stool
ca. 1925
Francis Danby Chepstow Castle on the Wye
Francis Danby, 1793–1861
Chepstow Castle on the Wye
undated
Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Francis Danby A Classical City
Francis Danby, 1793–1861
A Classical City
undated
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
Joseph Mallord William Turner Gloucester Cathedral
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
William Blake Rev. John Caspar Lavater
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
William Blake The Shepherd, from Songs of Innocence
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake The Laocoön, for Rees's Cyclopædia
William Blake, 1757–1827
The Laocoön, for Rees's Cyclopædia
1815
George Romney Figure Composition Study 3
George Romney, 1734–1802
Figure Composition Study 3
1793-1794
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Figure Composition Study 5
George Romney, 1734–1802
Figure Composition Study 5
mid-1790s
George Romney Figure Composition Study 6
George Romney, 1734–1802
Figure Composition Study 6
1795-1796
George Romney Figure Composition Study 26
George Romney, 1734–1802
Figure Composition Study 26
undated
George Romney Figure Study 3
George Romney, 1734–1802
Figure Study 3
early 1790s
George Romney Figure Composition Study 28
George Romney, 1734–1802
Figure Composition Study 28
undated
George Romney Figure Composition Study 29
George Romney, 1734–1802
Figure Composition Study 29
undated
George Romney Figure Composition Study 31
George Romney, 1734–1802
Figure Composition Study 31
undated
George Romney Figure Composition Study 32
George Romney, 1734–1802
Figure Composition Study 32
undated
George Romney Figure Composition Study 33
George Romney, 1734–1802
Figure Composition Study 33
undated
George Romney Study of a Male Figure
George Romney, 1734–1802
Study of a Male Figure
undated
George Romney Figure Composition Study 35
George Romney, 1734–1802
Figure Composition Study 35
undated
George Romney Figure Composition Study 40
George Romney, 1734–1802
Figure Composition Study 40
undated
George Romney Figure Composition Study 42
George Romney, 1734–1802
Figure Composition Study 42
undated
George Romney Figure Composition Study 41
George Romney, 1734–1802
Figure Composition Study 41
undated
George Romney Figure Composition Study 43
George Romney, 1734–1802
Figure Composition Study 43
undated
George Romney Figure Composition Study 44
George Romney, 1734–1802
Figure Composition Study 44
undated
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
undated
George Romney Figure Composition Study 46
George Romney, 1734–1802
Figure Composition Study 46
undated
George Romney Figure Composition Study 47
George Romney, 1734–1802
Figure Composition Study 47
undated
George Romney Figure Composition Study 48
George Romney, 1734–1802
Figure Composition Study 48
1793
George Romney Figure Composition Study 1
George Romney, 1734–1802
Figure Composition Study 1
1794
George Romney Figure Composition Study 7
George Romney, 1734–1802
Figure Composition Study 7
ca. 1794
George Romney Male Head 1
George Romney, 1734–1802
Male Head 1
mid- to late 1790s
George Romney Figure Composition Study 11
George Romney, 1734–1802
Figure Composition Study 11
1770s
George Romney Figure Composition Study 12
George Romney, 1734–1802
Figure Composition Study 12
mid-1790s
George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Figure Composition Study 20
George Romney, 1734–1802
Figure Composition Study 20
mid-1790s
George Romney Figure Composition Study 22
George Romney, 1734–1802
Figure Composition Study 22
undated
George Romney Figure Composition Study 23
George Romney, 1734–1802
Figure Composition Study 23
undated
George Romney Figure Composition Study 24
George Romney, 1734–1802
Figure Composition Study 24
undated
George Romney Figure Composition Study 21 with a Face
George Romney, 1734–1802
Figure Composition Study 21 with a Face
undated
Alfred William Hunt Study for Tynemouth Pier - Lighting the Lamps at Sundown
Alfred William Hunt, 1830–1896
Study for Tynemouth Pier - Lighting the Lamps at Sundown
ca. 1863
William Roberts Self-portrait, sketching
William Roberts, 1895–1980
Self-portrait, sketching
undated
Ford Madox Brown The Artist's Wife Emma, on her Wedding Day
Ford Madox Brown, 1821–1893
The Artist's Wife Emma, on her Wedding Day
1853
Richard Parkes Bonington Untitled (one of three)
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
Richard Parkes Bonington Lillebonne - Château d'Harcourt
Print made by Richard Parkes Bonington, 1802–1828
Lillebonne - Château d'Harcourt
1824
Richard Parkes Bonington Façade St. Jean
Print made by Richard Parkes Bonington, 1802–1828
Façade St. Jean
ca. 1824
Louis Francais Bords de la Seine
Print made by Louis Francais, 1814–1897
Bords de la Seine
between 1849 and 1862
Richard Parkes Bonington Untitled (one of three)
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
Richard Parkes Bonington Untitled (one of three)
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
Richard Parkes Bonington Bergues - La Tour du Marché
Print made by Richard Parkes Bonington, 1802–1828
Bergues - La Tour du Marché
1824
Richard Parkes Bonington Caen - Eglise Saint-Sauveur
Print made by Richard Parkes Bonington, 1802–1828
Caen - Eglise Saint-Sauveur
1824
Charles W. Bartlett Udaipur, 1916
Print made by Charles W. Bartlett, 1860–1940
Udaipur, 1916
1916
David Jones Sir Gareth and Lady Lionesse
David Jones, 1895–1974
Sir Gareth and Lady Lionesse
ca. 1940
Gainsborough Dupont Rev. Sir Henry Bate Dudley
Print made by Gainsborough Dupont, 1754–1797
Rev. Sir Henry Bate Dudley
undated
Francesco Bartolozzi The Right Honorable Lady Jane Dundas
Print made by Francesco Bartolozzi, 1728–1815
The Right Honorable Lady Jane Dundas
ca. 1802
James Ward The Douglas Children
Print made by James Ward, 1769–1859
The Douglas Children
1796
Alexander van Haecken Juno
Print made by Alexander van Haecken, 1701–1758
Juno
undated
Wallerant Vaillant The Turk
Print made by Wallerant Vaillant, 1623–1677
The Turk
undated
John Dixon Mrs. Blake as Juno
Print made by John Dixon, ca. 1740–1811
Mrs. Blake as Juno
1771
William James Ward Frederick Howard, Fifth Earl of Carlisle
Print made by William James Ward, ca. 1800–1840
Frederick Howard, Fifth Earl of Carlisle
1823
Charles Turner The Dilettanti Society
Print made by Charles Turner, 1774–1857
The Dilettanti Society
between 1800 and 1820
Samuel William Reynolds Miss Emma Hart (afterwards Lady Hamilton) as a Bacchante
Print made by Samuel William Reynolds, 1773–1835
Miss Emma Hart (afterwards Lady Hamilton) as a Bacchante
undated
Richard Earlom George Augustus Elliot Lord Heathfield
Print made by Richard Earlom, 1743–1822
George Augustus Elliot Lord Heathfield
1788
Robert Dunkarton Miss Mary Horneck
Print made by Robert Dunkarton, 1744–1811
Miss Mary Horneck
1778
William Ward The Daughters of Sir Thomas Frankland
Print made by William Ward, 1766–1826
The Daughters of Sir Thomas Frankland
1797
James Ward Lady Heathcote
Print made by James Ward, 1769–1859
Lady Heathcote
1804
James Ward The Hoppner Children
Print made by James Ward, 1769–1859
The Hoppner Children
1799
William Say Lady Mildmay and Child
Print made by William Say, 1768–1834
Lady Mildmay and Child
1803
James Ward Mrs. Michael Angelo Taylor as 'Miranda'
Print made by James Ward, 1769–1859
Mrs. Michael Angelo Taylor as 'Miranda'
ca. 1798
Thomas Nugent Mrs. Sheridan and Her Son
Print made by Thomas Nugent, active 1785–1798
Mrs. Sheridan and Her Son
1800
Charles Wilkin The Right Honourable Lady Charlotte Campbell
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Campbell
1799
Charles Wilkin The Right Honourable Jane Elizabeth Viscountess Andover
Print made by Charles Wilkin, 1750–1814
The Right Honourable Jane Elizabeth Viscountess Andover
1799
Charles Wilkin The Right Honourable Charlotte Viscountess St. Asaph
Print made by Charles Wilkin, 1750–1814
The Right Honourable Charlotte Viscountess St. Asaph
1797
Charles Wilkin Lady Langham
Print made by Charles Wilkin, 1750–1814
Lady Langham
1800
Charles Wilkin The Right Honourable The Countess of Euston
Print made by Charles Wilkin, 1750–1814
The Right Honourable The Countess of Euston
1802
Charles Wilkin The Right Honourable Lady Charlotte Duncombe
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Duncombe
1797
Charles Wilkin The Right Honourable Lady Gertrude Villiers
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Gertrude Villiers
1800
Charles Wilkin The Right Honourable Lady Catherine Howard
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Catherine Howard
1802
Samuel Cousins The Calmady Children
Print made by Samuel Cousins, 1801–1887
The Calmady Children
1835
Samuel Cousins Miss Croker
Print made by Samuel Cousins, 1801–1887
Miss Croker
1828
Samuel Cousins Miss Croker
Print made by Samuel Cousins, 1801–1887
Miss Croker
1828
Samuel Cousins The Countess of Blessington
Print made by Samuel Cousins, 1801–1887
The Countess of Blessington
1837
John Raphael Smith Right Honorable John Lord Eldon
Print made by John Raphael Smith, 1752–1812
Right Honorable John Lord Eldon
1800
John Raphael Smith John Philpot Curran
Print made by John Raphael Smith, 1752–1812
John Philpot Curran
1801
Samuel Cousins Countess Gower and Her Daughter Lady Elizabeth Leveson Gower
Print made by Samuel Cousins, 1801–1887
Countess Gower and Her Daughter Lady Elizabeth Leveson Gower
1832
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
Samuel Cousins Mary Elizabeth, Countess Grey, with Her Two Children
Print made by Samuel Cousins, 1801–1887
Mary Elizabeth, Countess Grey, with Her Two Children
1831
Samuel Cousins Master Henry Thomas Hope
Print made by Samuel Cousins, 1801–1887
Master Henry Thomas Hope
1836
Samuel Cousins Lady Lyndhurst
Print made by Samuel Cousins, 1801–1887
Lady Lyndhurst
1836
Samuel William Reynolds Georgiana Elizabeth Duchess of Newcastle
Print made by Samuel William Reynolds, 1773–1835
Georgiana Elizabeth Duchess of Newcastle
1825
George H. Phillips Miss Murray
Print made by George H. Phillips, active 1819–1825
Miss Murray
1839
Samuel Cousins Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.
Print made by Samuel Cousins, 1801–1887
Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart
1833