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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomHeight [cm] 33
Remove constraint Height [cm]: 33Search Results
1
- The Vine
- 1852
2
- Dorking Hen Body, Lateral View (Outline drawing of the muscles)
- 1795 to 1806
3
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
4
- Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
- 1795 to 1806
5
- Dorking Hen, Lateral View
- 1795 to 1806
6
- Horses Threshing, Pont Aven
- 1893
7
- The Bruiser
- 1763
8
- Glaucus and Scylla
- 1813 to 1823
9
- Interior of St. John's Palace, Eltham
- ca. 1793
10
- Moon-Light
- ca. 1797
11
- Mamma at Romps
- 1810
12
- I Will Pay No More Debts of Her Contracting
- 1772
13
- Single Corvette. Bow Forward
- undated
14
- Le Port de Rochefort: Vu Du Point A Marque sur le Plan
- undated
15
- Rouen: A Map of the City and Surrounding Areas
- undated
16
- Levens, Westmoreland, The Small Drawing Room
- 1873
17
- Sheet of Figure Sketches
- undated
18
- Miss Murray
- 1839
19
- Her Royal Highnes the Princess Elizabeth
- 1801
20
- Louise von Hartefeld
- undated
21
- Archery
- 1794
22
- A Hedge Sparrow
- undated
23
- Eurasian treecreeper
- undated
24
- A Marsh Tit
- undated
25
- Eurasian Woodcock
- undated
26
- Eurasian Magpie
- undated
27
- A Crow
- undated
28
- Common Blackbird
- undated
29
- A Partridge?
- undated
30
- A Redwing Thrush
- undated
31
- Woodlark
- undated
32
- Eurasian blue tit
- undated
33
- Winter wren
- undated
34
- Mistle Thrush
- undated
35
- A Fieldfare
- undated
36
- A Starling
- undated
37
- Campos sur les bords du Rio das Velhas
- 1827
38
- Croix de Moulin les Planches
- 1827
39
- Rue du Gros Horloge
- 1824
40
- Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
- 1824
41
- Aloys Senefelder
- 1819
42
- Study of a Tree
- 1802, published 1807
43
- Content and Innocence
- 1797
44
- Joanni Wootton
- 1730
45
- Cottage Scene
- undated
46
- The Letter Woman
- ca. 1769
47
- Henry James Pye, Esq
- 1801
48
- Southampton or Bloomsbury Square
- 1754
49
- The Young Roscius
- 1804
50
- The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
- 1805
51
- Reflections on Clarissa Harlow
- 1785
52
- Sleeping Boy
- 1812
53
- Doric Order Septastyle Temple
- between 1802 and 1804
54
- Sitting Up and Taking Nourishment
- undated
55
- Lord Morpeth
- 1787
56
- Oliver Plunket
- 1790
57
- Sir Joshua Reynolds
- 1795
58
- Castel Sant' Angelo
- 1802-1804
59
- Tomb of Sir Robert Stanley and his Children, Gerdinand and Henriette Maria from Chelsea Church
- between 1796 and 1811
60
- Tomb of Catherine, Countess of Huntingdon, and Lady Jane Guildeford, Duchess of Northumberland of Chelsea Church
- between 1796 and 1811
61
- Memorial to Sir Thomas Chaloner
- between 1796 and 1811
62
- Twenty Designs for Gothic Friezes
- 1830
63
- Within Carisbrooke Castle Grounds, Isle of Wight
- between 1826 and 1830
64
- Crewkerne Abbey, 24 May 1833
- 1833
65
- Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
- ca. 1825
66
- The Rialto
- 1900
67
- Old Saumur
- 1905
68
- Mother and Child XIII
- 1983
69
- The Four Elements
- undated
70
- Robert Blair, The Grave, Title Page
- 1808, published 1813
71
- A Perfect Horse
- 1760
72
- Lord Wennan's Mare Flora
- 1749
73
- A Horse
- 1760
74
- A Horse and Three Groomers
- 1760
75
- Horse Dressed in Blanket
- 1760
76
- Boats at Sea
- undated
77
- A Horse
- undated
78
- Several Battleships at Battle: Row Boats with Figures
- undated
79
- Night Despatch Rider - Tea in a Café
- 1943
80
- Age of Innocence
- 1836
81
- Lady Hamilton as a Bacchante
- 1797
82
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
83
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
84
- Hogarth Declaring His Love to Miss Thornhill
- 1817
85
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
86
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
87
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
88
- The Smock Exposed
- 1817
89
- The Reconcilation
- 1817
90
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
91
- Hogarth Drawing Sarah Malcolm
- 1817
92
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
93
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
94
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
95
- Hogarth Sitting to Roubiliac for His Bust
- 1817
96
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
97
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
98
- The Eleventh Hour
- 1817
99
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
100
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817