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George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
George Stubbs, 1724–1806
Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
William Ward Portrait of the Short Horned Bull Patriot
Print made by William Ward, 1766–1826
Portrait of the Short Horned Bull Patriot
1810
William Alexander The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
Samuel Cousins Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.
Print made by Samuel Cousins, 1801–1887
Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart
1833
Samuel Cousins Julia, Lady Peel
Print made by Samuel Cousins, 1801–1887
Julia, Lady Peel
1832
Richard Earlom Mordecai
Print made by Richard Earlom, 1743–1822
Mordecai
1787
Samuel Davis The Hur Rangers Encamped at Colgong
Samuel Davis, 1760–1819
The Hur Rangers Encamped at Colgong
undated
Samuel Davis Man of War Moored in Harbor, Mountains in the Background
Samuel Davis, 1760–1819
Man of War Moored in Harbor, Mountains in the Background
undated
William Dickinson A Lady and Children
Print made by William Dickinson, 1746–1823
A Lady and Children
1780
Joseph Bishop Pratt Mrs. Gregory
Print made by Joseph Bishop Pratt, 1854–1910
Mrs. Gregory
1898
Leopold Flameng Grolier with the Printer Aldus Manutius
Print made by Leopold Flameng, 1831–1911
Grolier with the Printer Aldus Manutius
1882
James Wyatt Five Designs for a House in the Gothic Style: Plan of the Chamber Story
James Wyatt, 1746–1813
Five Designs for a House in the Gothic Style: Plan of the Chamber Story
1791
Johnson The Italian Bird Catcher
Print made by Johnson, active 1766
The Italian Bird Catcher
1766
James Duffield Harding Cascades de Thiers, Auvergne
James Duffield Harding, 1798–1863
Cascades de Thiers, Auvergne
undated
Henry Richard Greville third Earl of Warwick Landscape with Old Trees by Water
Print made by Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Old Trees by Water
1803, published 1807
William Havell Study of Trees and Shrubs with Seated Figure
Print made by William Havell, 1782–1857
Study of Trees and Shrubs with Seated Figure
1804, published 1806
John Banting Untitled
John Banting, 1902–1972
Untitled
1932
C. R. W. Nevinson The Wave
C. R. W. Nevinson, 1889–1946
The Wave
1917
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Charles Rosenberg Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..
Charles Rosenberg, active 1828–1848
Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.
1831
Charles Turner The Right Honorable Lord Collingwood
after ? Charles Turner, 1774–1857
The Right Honorable Lord Collingwood
1811
George Clint General James Stuart
George Clint, 1770–1854
General James Stuart
1802
Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)
Joseph Grozer, ca. 1755–1798
Shepherdess (Miss Mary Palmer as the Young Shepherdess)
1799
unknown artist One of Eleven Designs for Houses and Shops
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
unknown artist One of Eleven Designs for Houses and Shops
unknown artist
One of Eleven Designs for Houses and Shops
ca. 1800
Scawen Honourable George, Lord Pigot
Scawen, active 1770s
Honourable George, Lord Pigot
undated
Peter Vanderbank Frederick Schomburg, 1st Duke of Schonberg, 1st Count Mertola
Peter Vanderbank, 1649–1697
Frederick Schomburg, 1st Duke of Schonberg, 1st Count Mertola
undated
Charles Turner Hon. James Yorke, Bishop of Ely
Charles Turner, 1774–1857
Hon. James Yorke, Bishop of Ely
1810
Niccoló Schiavonetti Charlotte (née Percy) Ashburnham, Viscountess St.Asaph
Niccoló Schiavonetti, 1771–1813
Charlotte (née Percy) Ashburnham, Viscountess St.Asaph
1812
James C. Allen Lowestoffe Lighthouse
Print made by James C. Allen, active 1821–1831
Lowestoffe Lighthouse
ca. 1830
Daniel Lysons Stained Glass Window of St. Catherine from Heston Church
Attributed to Daniel Lysons, 1762–1834
Stained Glass Window of St. Catherine from Heston Church
between 1796 and 1811
Edward Goodall Galileo's Villa
Print made by Edward Goodall, 1795–1870
Galileo's Villa
1830
Edward Goodall The Forum
Print made by Edward Goodall, 1795–1870
The Forum
1830
Edward Goodall Venice
Print made by Edward Goodall, 1795–1870
Venice
1830
Edward Goodall Perugia
Print made by Edward Goodall, 1795–1870
Perugia
1830
Dame Elisabeth Frink Male Portrait Head, after 1950
Dame Elisabeth Frink, 1930–1993
Male Portrait Head, after 1950
1950s
William Ward The Newbus Ox
Print made by William Ward, 1766–1826
The Newbus Ox
1812
Francesco Bartolozzi The Cottagers
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
William Dickinson Lady Charles Spencer
Print made by William Dickinson, 1746–1823
Lady Charles Spencer
1776
Edward Fisher The Ladies Amabel and Mary Jemina Yorke
Print made by Edward Fisher, 1722–1785
The Ladies Amabel and Mary Jemina Yorke
1762
John Dean Elizabeth, Countess of Derby
Print made by John Dean, 1754–1798
Elizabeth, Countess of Derby
1780
John Bounarotti Papworth Design for a Country House
John Bounarotti Papworth, 1775–1847
Design for a Country House
undated
William Callow Walenstadt, from Weesen, Switzerland
William Callow, 1812–1908
Walenstadt, from Weesen, Switzerland
1842
David Hockney Ossie Seated
David Hockney, born 1937
Ossie Seated
1966
William Watts Sheerness Dockyard
William Watts, 1752–1851
Sheerness Dockyard
1803
William Say Reverend. Shute Barrington L.L.D.
William Say, 1768–1834
Reverend. Shute Barrington L.L.D
1812
Henry Hoppner Meyer Henry Brougham, 1st Baron Brougham and Vaux
Henry Hoppner Meyer, ca. 1782–1847
Henry Brougham, 1st Baron Brougham and Vaux
undated
William Ward Compassionate Children
William Ward, 1766–1826
Compassionate Children
1793
A. M. Gauci Lady Fragrant, at 7 Years Old
Print made by A. M. Gauci, fl.1848–1869
Lady Fragrant, at 7 Years Old
1870
Alfred Henry Forrester Why... Because...
Print made by Alfred Henry Forrester, 1804–1872
Why... Because..
undated
John Banting The 100th Lie
John Banting, 1902–1972
The 100th Lie
1931
John Banting The Oracle
John Banting, 1902–1972
The Oracle
1932
William Ward The Citizens Retreat
William Ward, 1766–1826
The Citizens Retreat
1796