Materials & Techniques: wove paper / Date: 1774 / Work Type: intaglio print - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques wove paper

Date 1774

Work Type intaglio print

1. Lady Mary O'Bryen

Lady Mary O'Bryen

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1774
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 15 1/8 inches (52.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Mrs. Pope, Daughter of Samuel Cooper, Painter; & Mother of Alexander Pope

Mrs. Pope, Daughter of Samuel Cooper, Painter; & Mother of Alexander Pope

Creator:: Print made by Charles Carter, 1665–1745
Date:: 1774
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 15/16 x 7 1/2 inches (25.2 x 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Florence and Maynard Mack

3. Eucomis Punctata, Plate 208 from Les Liliacées, volume 4, Paris, 1802-1816

Eucomis Punctata, Plate 208 from Les Liliacées, volume 4, Paris, 1802-1816

Creator:: Pierre-Joseph Redouté, 1759–1840
Date:: undated
Materials & Techniques:: Color-printed stipple engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 17 1/2 inches (58.4 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000

4. Galazia Ovata / Galaxia à Feuilles Ovales, Plate 246 from Les Liliacées, volume 5, Paris, 1802-1816

Galazia Ovata / Galaxia à Feuilles Ovales, Plate 246 from Les Liliacées, volume 5, Paris, 1802-1816

Creator:: Pierre-Joseph Redouté, 1759–1840
Date:: undated
Materials & Techniques:: Color-printed stipple engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 17 1/2 inches (58.4 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ira Brind and David Brind, Yale BA 2000