attributed to Joseph Mallord William Turner, 1775–1851
The Hurries: Coal Boats Loading, Whitehaven
ca. 1795
13
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
14
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
15
Print made by William Blake, 1757–1827
Pity
ca. 1795
16
George Romney, 1734–1802
Figure Composition Study 5
mid-1790s
17
George Romney, 1734–1802
Figure Study 3
early 1790s
18
George Romney, 1734–1802
Male Head 1
mid- to late 1790s
19
George Romney, 1734–1802
Figure Composition Study 12
mid-1790s
20
George Romney, 1734–1802
Figure Composition Study 20
mid-1790s
21
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
22
Print made by unknown artist
The Welcome Home
1790
23
Jonathan Girtin, ca.1780–aft.1820
Coastal Scene
undated
24
John Webber, 1752–1793
Queen Charlotte's Sound, New Zealand
1790
25
William Ward, 1766–1826
Jack in the Bilboes
1790
26
John Beugo, 1759–1841
Adam Ferguson, L.L.D
1790
27
unknown artist
Oliver Plunket
1790
28
Luigi Schiavonetti, 1765–1810
The Mask
1790
29
Gangaram Chintaman Navgire Tambat, active 1790s
Elephant
undated
30
Gangaram Chintaman Navgire Tambat, active 1790s
An Ox
undated
31
Gangaram Chintaman Navgire Tambat, active 1790s
Praying Man
undated
32
James Wales, 1746 or 1747–1795
A Nautch or Dance
between 1790 and 1795
33
Frederick Calvert, ca. 1785–ca. 1845
Ryde, Isle of Wight
undated
34
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
35
Frederick Calvert, ca. 1785–ca. 1845
Carisbrook Castle, Isle of Wight
undated
36
Thomas Malton, 1726–1801
Principal Front of the Bank of England
1790
37
Thomas Malton, 1726–1801
Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
1790
38
James Moore, 1762–1799
Unidentified Castle
undated
39
Print made by Francesco Bartolozzi, 1728–1815
Lord FitzGibbon
1790
40
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
41
Attributed to William Alfred Delamotte, 1775–1863
Richmond Bridge
undated
42
Sir George Howland Beaumont seventh Baronet, 1753–1827
Tree
1790s
43
unknown artist
Solitude, The Reading Magdalene
undated
44
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
45
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
46
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
47
Dr. Thomas Monro, 1759–1833
Composition: Recollection of J.R. Cozen's of Nemi
between 1790 and 1820
48
Nicholas Pocock, 1740–1821
The Sailor's Departure
ca. 1795
49
unknown artist
Mountain Scene, Mist Rising
undated
50
John Augustus Atkinson, 1775–1831
The Poet
undated
51
John Augustus Atkinson, 1775–1831
Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter
undated
52
unknown artist
Gloucester Cathedral
ca. 1795
53
Francis David Soiron, Born 1764
St. James's Park
1790
54
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
55
Henry Phillip Hope, active 1799–1818
Femme Greque
undated
56
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
57
Charles Heathcote Tatham, 1772–1842
Design for a Monument to the Duke of Wellington
undated
58
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
59
Charles Heathcote Tatham, 1772–1842
Design for a Bookcase
undated
60
John Thirtle, 1777–1839
Binham Priory
undated
61
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
62
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
63
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
64
Monro School
Fanali di Villa Franca
ca. 1795
65
Monro School
Near Sterzing, Tyrol
ca. 1795
66
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
67
William Anderson, 1757–1837
A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
1790
68
unknown artist
Fishing near a Waterfall
1790
69
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
70
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
71
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
72
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
73
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
74
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
75
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
76
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
77
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
78
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
79
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
80
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
81
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
82
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
83
Henry James Brocas, ca. 1790–1846
Rustic Studies
undated
84
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
85
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
87
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
88
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
89
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
92
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
93
Thomas Rowlandson, 1756–1827
Distress
1790 to 1795
94
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
95
Thomas Rowlandson, 1756–1827
Female Dancer with a Tambourine
between 1790 and 1795
96
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
97
Thomas Rowlandson, 1756–1827
The Opera Singers
between 1790 and 1795
98
John Warwick Smith, 1749–1831
Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire