Materials & Techniques: wove paper / Date: 1794 - YCBA Collections Search Search Results

101. The Market Lass

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

102. The Squire's Daughter, Lamenting the Loss of her Robin

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

103. Archery

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 11 inches (41.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

104. Making a Cast at a Fault

Creator:: Print made by Thomas Burford, ca. 1710–after 1774
Date:: 1794
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

105. On the River Wye with Wilton Castle Ruins on a Bend in the River

Creator:: John Glover, 1767–1849
Date:: after 1794
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 11 5/8 inches (20.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Sir John Hawkins

Creator:: Print made by R. Clamp, fl.1789–1798
Date:: 1794
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 5 5/16 inches (18 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

107. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

Creator:: Robert Mitchell Meadows, Died before 1812
Date:: 1794
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

109. Sir William Chambers

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1794
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 11/16 inches (34.9 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Honorable Sylvester Douglas, 1st Baron Glenbervie of Kincardine

Creator:: Edward Harding, 1755–1840
Date:: 1794
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 9 11/16 inches (32.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Form Open Column in Rear of Right

Creator:: James Pattison Cockburn, 1779–1847
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and white gouache on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 3 7/8 × 5 7/8 inches (9.8 × 15 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Portrait of a Priest of the Bohras

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: 1794
Materials & Techniques:: Watercolor, pen and ink, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 6 inches (24.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. The Cottagers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 16 1/4 inches (53.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

114. The Country Ballad Singers

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 10 inches (40 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

115. Archery

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

116. Shrewsbury House, Isleworth, Middlesex

Creator:: Charles Tomkins, 1757–1823
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 7 1/2 × 8 5/8 inches (19.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Joseph Baretti

Creator:: James Hardy, active 1770s
Date:: 1794
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 8 3/4 inches (28.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. A Blue Tit

Creator:: James Sowerby, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 8 inches (33 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Coursing: Setting Out

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Coursing: The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor, with pen, in black ink and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Study of a Hound: Head and Shoulders, Facing Right

Creator:: George Morland, 1763–1804
Date:: 1794
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 15/16 × 5 15/16 inches (17.6 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Joiner's Hall

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 inches (13.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Dyer's Hall

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 1/4in. (12.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Catharine of Aragon Pleading Her Own Cause Before King Henry the Eighth

Creator:: William Ward, 1766–1826
Date:: 1794
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 23 5/8 × 32 11/16 inches (60 × 83 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 × 12 7/16 inches (22.7 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Sir James Wishart

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: between 1794 and 1798
Materials & Techniques:: Etching and stipple engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/2 × 3 3/4 inches (13.9 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Queen Charlotte

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 6 15/16 inches (25.7 x 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Ticket: For the Benefit of Mr. Salomon

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 11/16 x 4 5/8 inches (9.4 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Summers Evening

Creator:: Victor Marie Picot, 1744–1805
Date:: 1794
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 22 1/4 inches (45.7 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Winter

Creator:: Victor Marie Picot, 1744–1805
Date:: 1794
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 22 1/8 inches (44.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Winter's Tale, Act III, Scene III

Creator:: Samuel Middiman, ca. 1750–1831
Date:: 1794
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 5/16 × 27 3/8 inches (54.1 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

132. Cobham Hall, Kent: Elevation of Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1794
Materials & Techniques:: Watercolor and gray wash over pen, graphite and black ink on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 × 20 1/4 inches (36.2 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Near St. Malo

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: undated
Materials & Techniques:: Watercolor, black chalk with scratching out on medium, slightly textured white wove paper, mounted to card
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Pembroke College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Trees and a Rocky Stream

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite, with gum and scratching out on medium, slightly textured, wove cream paper
Dimensions:: Sheet: 8 1/4 x 11 9/16in. (21 x 29.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Dead Calm: Boats off Cowes Castle

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, white gouache, and scratching out on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 18 1/2 inches (24.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. The Spanish Pointer

Creator:: John Buckler FSA, 1770–1851
Date:: ca. 1799
Materials & Techniques:: Watercolor, pen and gray ink, black ink, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 9/16 × 21 inches (39.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Haymakers

Creator:: Cornelius Varley, 1781–1873
Date:: after 1794
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 11 3/8 inches (16.5 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. The Sleepwalking Scene in Macbeth

Creator:: Henry Pierce Bone, 1779–1855
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, graphite and traces of white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 7/8 x 13 7/8 inches (50.5 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

140. Dartmouth Castle

Creator:: Paul Sandby, 1731–1809
Date:: 1794
Materials & Techniques:: Gouache and graphite on medium, slightly textured, cream wove paper mounted on canvas
Dimensions:: Mount: 19 3/4 x 28 1/8 inches (50.2 x 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Cobham Hall, Kent: Plan of the Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1794
Materials & Techniques:: Black wash with pen and black ink over traces of graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 x 20 1/8 inches (36.2 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Incantation Scene

Creator:: Henry Pierce Bone, 1779–1855
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 23 5/8 inches (50.2 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Cottage and Foot Bridge

Creator:: William Henry Pyne, 1769–1843
Date:: 1794
Materials & Techniques:: Watercolor, graphite, pen and gray ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 × 6 7/8 inches (12.9 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Woman on a Horse with Two Standing Women Overlooking a Landscape

Creator:: Sir Augustus Wall Callcott, 1779–1844
Date:: undated
Materials & Techniques:: Pen and black ink and black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Landscape with Horses, Farmer and Dog

Creator:: George Morland, 1763–1804
Date:: 1794
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 15 3/8 x 18 5/16 inches (39.1 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Kenilworth Castle

Creator:: Print made by Letitia Byrne, 1779–1849
Date:: 1794-1837
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 17 3/8 inches (35.2 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

147. View of Montmedy

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

148. View of St. Malo in Britanny

Creator:: Published by John Sewell, active 1735–1802
Date:: 1794
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

149. Maria Theresa Charlotte, Daughter of Louis the Sixteenth

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1794
Materials & Techniques:: Stipple engraving, aquatint and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

150. Arms of the Dutchess of Kendal

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

151. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

152. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

153. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

154. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

155. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

156. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

157. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

158. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

159. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

160. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

161. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

162. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

163. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

164. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

165. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

166. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

167. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

168. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

169. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

170. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

171. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

172. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

173. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

174. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

175. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

176. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

177. False Perspective Exemplified

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

178. False Perspective Exemplified

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

179. Turris Magna or Tourmagne

Creator:: Print made by Cornelis Apostool, 1762–1844
Date:: 1794
Materials & Techniques:: Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

180. Lichfield Cathedral, Staffordshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1794
Materials & Techniques:: Watercolor with pen in gray ink over graphite on moderately thick, moderatetly textured, brown wove paper
Dimensions:: Sheet: 15 1/16 x 11 3/8 inches (38.3 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Boat Building

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/16 x 8 1/4 inches (13.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Glasgow Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: between 1794 and 1795
Materials & Techniques:: Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. A Drawing of a Part for the Map of the Moon

Creator:: John Russell, 1745–1806
Date:: 1794
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 6 1/8 inches (20.3 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. A Military Escapade

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite; verso: watercolor splotches on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 x 10 13/16 inches (38.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Barnard's Inn

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. The Inner Temple

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 6 7/8in. (13 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Lincoln's Inn Hall and Chapel

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Temple Church

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Staple Inn

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 5/8 inches (12.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Clifford's Inn

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 5/8 inches (12.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Guildhall

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 6 3/4in. (12.7 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Painter's Hall

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7in. (12.7 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Clement's Inn

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 inches (13 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Blacksmith's Hall

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Currier's Hall

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Southwest View of Middle Temple

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Sergeant's Inn

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Gray's Inn

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 inches (13 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Middle Temple Gate

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 6 1/4in. (12.7 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Barber's Hall

Creator:: Samuel Ireland, 1744–1800
Date:: between 1794 and 1800
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Date 1794

Search Results

101. The Market Lass

102. The Squire's Daughter, Lamenting the Loss of her Robin

103. Archery

104. Making a Cast at a Fault

105. On the River Wye with Wilton Castle Ruins on a Bend in the River

106. Sir John Hawkins

107. A View from Richmond Hill Up the River

108. Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

109. Sir William Chambers

110. Honorable Sylvester Douglas, 1st Baron Glenbervie of Kincardine

111. Form Open Column in Rear of Right

112. Portrait of a Priest of the Bohras

113. The Cottagers

114. The Country Ballad Singers

115. Archery

116. Shrewsbury House, Isleworth, Middlesex

117. Joseph Baretti

118. A Blue Tit

119. Coursing: Setting Out

120. Coursing: The Kill

121. Study of a Hound: Head and Shoulders, Facing Right

122. Joiner's Hall

123. Dyer's Hall

124. Catharine of Aragon Pleading Her Own Cause Before King Henry the Eighth

125. Preliminary Study for "A Game of Bowls on the Bowling Green Outside the Bunch of Grapes Inn, Hurst, Berkshire"

126. Sir James Wishart

127. Queen Charlotte

128. Ticket: For the Benefit of Mr. Salomon

129. Summers Evening

130. Winter

131. Winter's Tale, Act III, Scene III

132. Cobham Hall, Kent: Elevation of Dairy

133. Near St. Malo

134. Pembroke College, Cambridge

135. Trees and a Rocky Stream

136. Dead Calm: Boats off Cowes Castle

137. The Spanish Pointer

138. Haymakers

139. The Sleepwalking Scene in Macbeth

140. Dartmouth Castle

141. Cobham Hall, Kent: Plan of the Dairy

142. Incantation Scene

143. Cottage and Foot Bridge

144. Woman on a Horse with Two Standing Women Overlooking a Landscape

145. Landscape with Horses, Farmer and Dog

146. Kenilworth Castle

147. View of Montmedy

148. View of St. Malo in Britanny

149. Maria Theresa Charlotte, Daughter of Louis the Sixteenth

150. Arms of the Dutchess of Kendal

151. A Third Modern Military Punishment

152. A Third Modern Military Punishment

153. A Third Modern Military Punishment

154. A Third Modern Military Punishment

155. A Third Modern Military Punishment

156. A Third Modern Military Punishment

157. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

158. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

159. A Third Modern Military Punishment

160. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

161. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

162. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

163. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

164. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

165. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

166. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

167. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

168. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

169. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

170. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

171. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

172. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

173. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

174. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery