Materials & Techniques: wove paper / Date: 1806 - YCBA Collections Search Search Results

1. Leatherhead Church, Near Epsom, from the Northeast

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 4 1/4 inches (17.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Country Girl in the Lake District

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 x 2 3/4 inches (17.1 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Two Studies of Dedham Church from the East

Creator:: John Constable, 1776–1837
Date:: between 1806 and 1808
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/4 x 8 inches (17.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. East Bergholt Church, Looking Out the South Archway of the Ruined Tower

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/8 inches (18.7 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Borrowdale: Evening after a Fine Day, 1 October 1806

Creator:: John Constable, 1776–1837
Date:: 1806
Materials & Techniques:: Watercolor over graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Weymouth

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1811
Materials & Techniques:: Watercolor, pen and brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. View in St. Helena

Creator:: Samuel Davis, 1760–1819
Date:: 1806
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 21 1/16 × 29 3/8 inches (53.5 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Wychwood Forest

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1806
Materials & Techniques:: Black and gray wash and gouache over pen and brown ink on moderately thick, moderately textured, beige laid paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Mount: 20 × 25 inches (50.8 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Sleeping Infant's Arm

Creator:: Sir David Wilkie, 1785–1841
Date:: 1806
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 2 x 3 1/8 inches (5.1 x 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Arms of the Girl Standing in the Center

Creator:: Sir David Wilkie, 1785–1841
Date:: 1806
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 2 x 4 5/8 inches (5.1 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Design for a Monument

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on smooth, thick, cream wove paper
Dimensions:: Sheet: 8 3/4 × 6 3/4 inches (22.2 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Millbank

Creator:: John Linnell, 1792–1882
Date:: 1806
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 x 6 5/8 inches (21.9 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Variant Designs for the Somerset Monument: Elevation

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on smooth, thick, cream wove paper
Dimensions:: Sheet: 10 1/2 × 7 inches (26.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. A Dance in Jamaica

Creator:: Emeric Essex Vidal, 1791–1861
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 14 1/4 inches (25.4 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Sarcophagus in a Church

Creator:: John Kendall, 1766–1829
Date:: May 10, 1806
Materials & Techniques:: Gray and brown wash with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 7 1/8 inches (19.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Edgware Road, London

Creator:: John Linnell, 1792–1882
Date:: 1806
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Contemporary drawn border: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A Scene in the Edgware Road, London

Creator:: John Linnell, 1792–1882
Date:: 1806
Materials & Techniques:: Black and white chalk on medium, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 4 1/2 x 6 1/4 inches (11.4 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. An Actress

Creator:: Samuel De Wilde, 1748–1832
Date:: 1806
Materials & Techniques:: Watercolor, graphite, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 9 1/4 inches (37.8 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Child's Broken Cart and Fiddler's Wife's Arm

Creator:: Sir David Wilkie, 1785–1841
Date:: 1806
Materials & Techniques:: Graphite with red and white chalk on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 1/2 x 5 inches (11.4 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Head of Girl Standing in the Center

Creator:: Sir David Wilkie, 1785–1841
Date:: 1806
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 x 3 3/4 inches (10.2 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Design for a Tudoresque Villa

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Design for a Tudoresque Villa

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 × 12 inches (21.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Thames at Kew, February 9, 1806

Creator:: unknown artist
Date:: 1806
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper laid to medium, slightly textured, brown wove paper
Dimensions:: Sheet: 5 x 7 7/8 inches (12.7 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Horatio Walpole, Earl of Orford

Creator:: Print made by T. Evans, active 19th century
Date:: ca. 1811
Materials & Techniques:: Stipple engraving on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lauren E. Brown

25. View of Eton from Windsor Castle

Creator:: Henry Edridge, 1769–1821
Date:: 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 15 7/8 inches (24.4 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Canal at Shenstone's, The Leasowes

Creator:: William Ellis, 1747–1810
Date:: 1806
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightlhy textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 11 1/8 inches (16.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Nether Hall, Essex

Creator:: Henry Edridge, 1769–1821
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Custom House, London

Creator:: Henry Edridge, 1769–1821
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 3/4 inches (12.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Temple of Theseus, Athens

Creator:: John Foster, ca. 1787–1846
Date:: ca. 1811
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 18 1/4 inches (29.5 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Oak Door Discovered in the Speaker's State Dining Room

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Design for a Chapel at Enfield: Longitudinal Section

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 13/16 inches (32.1 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. James Barry, Esq.

Creator:: Print made by James Heath, 1757–1834
Date:: after 1806
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 15/16 × 4 7/16 inches (17.7 × 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 9/16 × 13 7/8 inches (24.3 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Design for a Chapel at Enfield: Transverse Sections of the East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 9/16 inches (32.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Design for a Chapel at Enfield: Longitudinal Section

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 11/16 x 17 15/16 inches (32.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Design for a Chapel at Enfield: Transverse Sections, East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 7/16 inches (31.6 x 46.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Eight Illustrations of Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Ozias Humphry

Creator:: Print made by William Daniell, 1769–1837
Date:: 1806
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 10 13/16 inches (43.5 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. South East View of Newby Hall, Yorkshire, the Seat of the Right Hon'ble Lord Grantham

Creator:: John Buckler FSA, 1770–1851
Date:: 1806
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Ormond Castle

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1806
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

45. A Brace of Brimstones

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1806
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

46. The Enraged Musician

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1806
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

47. Portrait of Thomas Estcourt Esq. of Estcourt

Creator:: Henry Edridge, 1769–1821
Date:: 1806
Materials & Techniques:: Graphite blue and red chalk on medium, smooth, brown wove paper mounted on card
Dimensions:: Sheet: 10 3/8 x 8 3/8 inches (26.4 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

48. Near Pontaberglaslyn

Creator:: John Warwick Smith, 1749–1831
Date:: 1806
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 7/8 inches (14.3 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Lunar Planisphere, Hypothetical Oblique Light

Creator:: Print made by John Russell, 1745–1806
Date:: 1806
Materials & Techniques:: Stipple and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 16 3/8 inches (43.2 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Font at Happisburgh Church, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1811
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. River Scene with an Unidentified Country House

Creator:: Samuel Davis, 1760–1819
Date:: between 1806 and 1818
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 16 inches (26.7 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. An Observation Tower

Creator:: Samuel Davis, 1760–1819
Date:: after 1806
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 15/16 × 21 1/2 inches (60.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A Font in Walsoken Church, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1811
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 5 1/4 inches (17.8 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Lady Macartney's Villa at Chiswick

Creator:: William Alexander, 1767–1816
Date:: after 1808
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 x 11 7/8 inches (21 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. St. Lorenz Kirche, Nurnberg

Creator:: Print made by William Woolnoth, active 1806–1830
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

56. St. Vincent's Rock, Near Clifton, Glocestershire

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1806
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

57. The Enraged Musician

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1806
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

58. William Cavendish, Duke of Newcastle

Date:: 1806
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

59. William Cavendish, first Duke of Newcastle-upon-Tyne

Date:: 1806
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

60. Ozias Humphry

Creator:: Print made by William Daniell, 1769–1837
Date:: 1806
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 9 9/16 inches (32.2 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

61. Fruit Piece

Creator:: Print made by Jonathan Peter Pichler, 1765–1807
Date:: 1806
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 16 3/4 inches (58.4 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Flower Piece

Creator:: Print made by Jonathan Peter Pichler, 1765–1807
Date:: 1806
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/4 × 16 7/8 inches (59.1 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. William Henry Cavendish Scott-Bentinck, Duke of Portland, when Marquess of Titchfield

Creator:: Print made by William Walker, 1791–1867
Date:: undated
Materials & Techniques:: Mezzotint (proof, private plate) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 16 1/4 inches (53.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. The Pavilion & Steyne at Brighton

Creator:: James Mitan, 1776–1822
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 7/16 × 28 7/16 inches (46.8 × 72.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A View of Rochester, the Town and Harbour

Creator:: Henry Gastineau, 1791–1876
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, gouache, graphite, gum arabic, and scratching out on very thick, moderately textured, beige wove paper
Dimensions:: Sheet: 21 × 28 5/16 inches (53.3 × 71.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Study of a Male Nude

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Pen and brown ink on medium, smooth, beige wove paper
Dimensions:: Sheet: 6 1/8 × 3 3/4 inches (15.6 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Admiral William Carnegie, 7th Earl of Northesk

Creator:: James Godby, 1767–1849
Date:: 1806
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/16 × 8 11/16 inches (28.4 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Elevation and Plan of the Unfortunate Mr. Blight's House, Rotherhithe

Creator:: unknown artist
Date:: 1806
Materials & Techniques:: Engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 8 3/16 × 5 1/8 inches (20.8 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Stoke Park, Buckingshire

Creator:: William Woolnoth, active 1806–1830
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Mount: 24 × 17 1/4 inches (61 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Ground Plan of Mr. Blight's House and Premises

Creator:: unknown artist
Date:: 1806
Materials & Techniques:: Engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 8 1/8 × 4 11/16 inches (20.6 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Study of a Reclining, Nude Figure

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Black chalk and white chalk on medium, rough, brown wove paper
Dimensions:: Sheet: 10 1/2 × 12 11/16 inches (26.7 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Study of a Seated Male Nude

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 3 3/4 inches (15.6 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Study of a figure Sitting

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/16 × 3 13/16 inches (16 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Study of a Nude, Leaning Forward, with Arms Extended Out

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 11/16 × 3 11/16 inches (14.4 × 9.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Study of Figures Sitting Under a Tree

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 9/16 × 5 3/4 inches (9 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Old Cottages

Creator:: Print made by William Henry Pyne, 1769–1843
Date:: 1806, published 1807
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 5/8 inches (21.3 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Study of an Old Oak Tree

Creator:: Print made by George Samuel, active 1785–died 1823
Date:: 1806, published 1807
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 9 inches (32.4 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. On the Stour near West Gate, Canterbury

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 1/2 inches (22 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Castle of Canterbury

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1806
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 1/2 inches (17.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Canterbury

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 8 inches (13.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Landscape with Fallen Tree

Creator:: Print made by Richard Cooper the Younger, 1740–1814
Date:: 1806
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 3/4 inches (25.3 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

82. Billy's Ghost, or, Seasonable Admonition

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1806
Materials & Techniques:: Etching with hand coloring in watercolor on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

83. No rest in the grave, or the second appearance of Miss Bailey's ghost

Creator:: Print made by unknown artist
Date:: 1806
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 10 1/8 inches (23.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

84. Title Page for "A Father's Memoirs of his Child" by B. Malkin

Creator:: Print made by Robert Hartley Cromek, 1770–1812
Date:: 1806
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/8 × 5 3/8 inches (21.2 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles J. Rosenbloom, B.A. 1920

YCBA Collections Search

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Materials & Techniques wove paper

Date 1806

Search Results

1. Leatherhead Church, Near Epsom, from the Northeast

2. A Country Girl in the Lake District

3. Two Studies of Dedham Church from the East

4. East Bergholt Church, Looking Out the South Archway of the Ruined Tower

5. Borrowdale: Evening after a Fine Day, 1 October 1806

6. Weymouth

7. View in St. Helena

8. Wychwood Forest

9. Sleeping Infant's Arm

10. Arms of the Girl Standing in the Center

11. Design for a Monument

12. Millbank

13. Variant Designs for the Somerset Monument: Elevation

14. A Dance in Jamaica

15. Sarcophagus in a Church

16. Edgware Road, London

17. A Scene in the Edgware Road, London

18. An Actress

19. Child's Broken Cart and Fiddler's Wife's Arm

20. Head of Girl Standing in the Center

21. Design for a Tudoresque Villa

22. Design for a Tudoresque Villa

23. The Thames at Kew, February 9, 1806

24. Horatio Walpole, Earl of Orford

25. View of Eton from Windsor Castle

26. Canal at Shenstone's, The Leasowes

27. Nether Hall, Essex

28. The Custom House, London

29. Temple of Theseus, Athens

30. Oak Door Discovered in the Speaker's State Dining Room

31. Design for a Chapel at Enfield: Longitudinal Section

32. James Barry, Esq.

33. The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

34. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

35. Design for a Chapel at Enfield: Transverse Sections of the East and West End

36. Design for a Chapel at Enfield: Longitudinal Section

37. Design for a Chapel at Enfield: Transverse Sections, East and West End

38. Eight Illustrations of Westminster

39. Ozias Humphry

40. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

41. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

42. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

43. South East View of Newby Hall, Yorkshire, the Seat of the Right Hon'ble Lord Grantham

44. Ormond Castle

45. A Brace of Brimstones

46. The Enraged Musician

47. Portrait of Thomas Estcourt Esq. of Estcourt

48. Near Pontaberglaslyn

49. Lunar Planisphere, Hypothetical Oblique Light

50. Font at Happisburgh Church, Norfolk

51. River Scene with an Unidentified Country House

52. An Observation Tower

53. A Font in Walsoken Church, Norfolk

54. Lady Macartney's Villa at Chiswick

55. St. Lorenz Kirche, Nurnberg

56. St. Vincent's Rock, Near Clifton, Glocestershire

57. The Enraged Musician

58. William Cavendish, Duke of Newcastle

59. William Cavendish, first Duke of Newcastle-upon-Tyne

60. Ozias Humphry

61. Fruit Piece

62. Flower Piece

63. William Henry Cavendish Scott-Bentinck, Duke of Portland, when Marquess of Titchfield

64. The Pavilion & Steyne at Brighton

65. A View of Rochester, the Town and Harbour

66. Study of a Male Nude

67. Admiral William Carnegie, 7th Earl of Northesk

68. The Elevation and Plan of the Unfortunate Mr. Blight's House, Rotherhithe

69. Stoke Park, Buckingshire

70. Ground Plan of Mr. Blight's House and Premises

71. Study of a Reclining, Nude Figure

72. Study of a Seated Male Nude

73. Study of a figure Sitting

74. Study of a Nude, Leaning Forward, with Arms Extended Out