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Materials & Techniques wove paper

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Date 1815

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Subject Terms men

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William Blake Copy of the Laocoön, for Rees's Cyclopædia
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
William Blake Europe. A Prophecy, Frontispiece Proof Impression
Print made by William Blake, 1757–1827
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
George Shepheard A Regency House
George Shepheard, ca. 1770–1842
A Regency House
ca. 1820
William Daniell Harwich, Essex
William Daniell, 1769–1837
Harwich, Essex
ca. 1820
Thomas Rowlandson Serving Punch
Thomas Rowlandson, 1756–1827
Serving Punch
between 1815 and 1820
Thomas Rowlandson Newbury Market Place, Berkshire
Thomas Rowlandson, 1756–1827
Newbury Market Place, Berkshire
between 1815 and 1820
unknown artist Chatham Dockyard from Upnor
unknown artist
Chatham Dockyard from Upnor
ca. 1820
John Flaxman Study for a Monument to the Reverend John Clowes
John Flaxman, 1755–1826
Study for a Monument to the Reverend John Clowes
ca. 1820
Peter DeWint Harvesters in Landscape in Sussex
Peter DeWint, 1784–1849
Harvesters in Landscape in Sussex
ca. 1820
Thomas Rowlandson A Ball at Scarborough
Thomas Rowlandson, 1756–1827
A Ball at Scarborough
ca. 1820
James Pollard The North Country Mails at The Peacock Inn, Islington
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
William Marshall Craig The Princes in the Tower
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
Thomas Rowlandson A Group of Figures
Thomas Rowlandson, 1756–1827
A Group of Figures
ca. 1820
Matthew Dubourg The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
James Pollard North-Country Mails at the Peacock, Islington
James Pollard, 1792–1867
North-Country Mails at the Peacock, Islington
1815 to 1823