Materials & Techniques: wove paper / Date: 1817 - YCBA Collections Search Search Results

Joseph Mallord William Turner, 1775–1851

A View of Boppart, with Figures on the River Bank

1817

Joseph Mallord William Turner, 1775–1851

Margate

ca. 1822

Joseph Mallord William Turner, 1775–1851

Andernach

1817

Joseph Mallord William Turner, 1775–1851

Rheinfels Looking to Katz and Goarhausen

1817

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Print made by Richard Parkes Bonington, 1802–1828

Untitled (one of three)

undated

Print made by Richard Parkes Bonington, 1802–1828

Untitled (one of three)

undated

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by Richard Parkes Bonington, 1802–1828

Untitled (one of three)

undated

Joseph Cartwright, c.1789–1829

Lord Craven's Yacht, July 23, 1817

1817

Robert Bremmel Schnebbelie, active 1803–1849

Aldgate

1817

Print made by William Sharp, 1749–1824

William Sharp

1817

Richard Parkes Bonington, 1802–1828

Road Workers, near Lillebonne

undated

W. Raddon, active 1817–1862

Study of a Youth Wearing a Cloak

undated

Samuel William Reynolds, 1773–1835

Thomas Girtin

1817

unknown artist

North West View of the Ancient Structure of Merchant-Taylors Hall and the Alms-Houses Adjoining in Threadneedle Street

1817

Print made by George Cruikshank, 1792–1878

Specimens of Waltzing

1817

Thomas Shotter Boys, 1803–1874

The Footbridge

undated

Thomas Shotter Boys, 1803–1874

Regent Street, Looking Toward Piccadilly From Waterloo Place

undated

Capt. Thomas Hastings, 1778–1854

Near Gravesend from the High Road

1817

attributed to Sir Edwin Henry Landseer, 1802–1873

Landscape

undated

Joseph Cartwright, c.1789–1829

Single Frigate, Stern Forward; Albion 20 April 1817

1817

Richard Parkes Bonington, 1802–1828

A Seascape

undated

Richard Parkes Bonington, 1802–1828

A Wooded Stream and a Farmhouse in Normandy

undated

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

Richard Parkes Bonington, 1802–1828

Study of a Seated Woman

undated

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

Thomas Shotter Boys, 1803–1874

Queen Anne Boleyn's Room, Windsor Castle

undated

Thomas Shotter Boys, 1803–1874

A Christening

undated

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith, 1766–1833

Hogarth Sitting to Roubiliac for His Bust

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817

John Thomas Smith, 1766–1833

The Eleventh Hour

1817

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

John Thomas Smith, 1766–1833

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

1817

Francis Oliver Finch, 1802–1862

Classical Scene

undated

Attributed to John Frederick Tayler, 1802–1889

Four Hooded Falcons

undated

John Frederick Tayler, 1802–1889

Six Foxhounds Resting

undated

John Frederick Tayler, 1802–1889

Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

undated

James Ward, 1769–1859

Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel

ca. 1822

Sir Edwin Henry Landseer, 1802–1873

Huntsman with Hounds

undated

John Frederick Tayler, 1802–1889

Study of a Startled Horse

undated

possibly John Frederick Tayler, 1802–1889

Hunting Scene: The Meet

undated

style of Sir Edwin Henry Landseer, 1802–1873

A Dappled Horse in a Stable

undated

Sir Edwin Henry Landseer, 1802–1873

A Herd of Deer Grazing in a Park

undated

John Frederick Tayler, 1802–1889

A Ploughboy Riding One of a Pair of Draught-horses Up a Hill

undated

Richard Parkes Bonington, 1802–1828

Ile de la Cite

undated

Print made by Richard Earlom, 1743–1822

A Landscape

1817

Print made by Richard Earlom, 1743–1822

A Study

1817

Print made by Richard Earlom, 1743–1822

Landscape with Ruins

1817

John Buckler FSA, 1770–1851

South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne

1817

John Buckler FSA, 1770–1851

North Front of Belton house Lincolnshire

1817

John Buckler FSA, 1770–1851

Flower Garden at Belton, Lincolnshire

1817

John Buckler FSA, 1770–1851

The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham

1817

John Frederick Tayler, 1802–1889

Stable Boy with Cart Horses

undated

Francis Oliver Finch, 1802–1862

Classical Landscape with Figures

undated

Sir Edwin Henry Landseer, 1802–1873

Three Sheep at Rest

undated

William Heath, 1795–1840

An Episode at the Battle of Waterloo

1817

Samuel Howitt, 1756–1822

Polecat

ca. 1817

William Henry Hunt, 1790–1864

Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

ca. 1822

William Henry Hunt, 1790–1864

Interior of the Belfry, Bushey Church

ca. 1822

John Linnell, 1792–1882

Tythrop

1817

Alexander Monro, 1802–1844

Porchester Castle

undated

Alexander Monro, 1802–1844

Boxhill from West Humble Lane

undated

Alexander Monro, 1802–1844

Buildings Belonging to Magdalen Hall, Oxford

undated

Alexander Monro, 1802–1844

Landscape at Boxhill, Surrey

undated