Materials & Techniques: wove paper / Date: 1822 - YCBA Collections Search Search Results

Samuel Palmer, 1805–1881

A Moonlit Scene with a Winding River

ca. 1827

unknown artist

Heidelberg

1822

Print made by William Bernard Cooke, 1778–1855

Margate

1822

Print made by William Bernard Cooke, 1778–1855

Margate

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Henry Le Keux, 1787–1868

Simmer Lake near Askrig

1822

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Robert Wallis, 1794–1878

Linlithgow Palace

1822

Sir George Hayter, 1792–1871

Kitchen: Interior, Stone Crouch

1822

James Ward, 1769–1859

A Stunted Oak

1822

Joseph Nash, 1808–1878

Street Activity

ca. 1827

Aaron Edwin Penley, 1807–1870

Sheet of Studies of Deer, Figures and Landscape

undated

Aaron Edwin Penley, 1807–1870

Cloud Study

undated

Print made by William Bernard Cooke, 1778–1855

Margate

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by George Cooke, 1781–1834

Crichton Castle

1822

Print made by Henry Le Keux, 1787–1868

Heriot's Hospital

1822

Print made by Robert Wallis, 1794–1878

Linlithgow Palace

1822

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

ca. 1827

Aaron Edwin Penley, 1807–1870

River Landscape

undated

Henry Morton, ca. 1807–1825

The Fish Ponds

undated

Henry Morton, ca. 1807–1825

Strand Gateway, Winchelsea

undated

Henry Morton, ca. 1807–1825

Windmill on the Sea Coast Near Hastings

undated

Thomas Henry Wyatt, 1807–1880

Design for the Mechanics' Institution, Basingstoke: Elevation

undated

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

John Buckler FSA, 1770–1851

South West View of Thornbury Castle, Gloucestershire

1822

John Buckler FSA, 1770–1851

North View of Thornbury Castle, Gloucestershire

1822

John Buckler FSA, 1770–1851

West Front of Thornbury Catle, Gloucestershire

1822

Sir George Hayter, 1792–1871

Sir George Hayter

1822

Thomas Henry Wyatt, 1807–1880

Design for St. David, Pantasaph, Flintshire. East Elevation

undated

Henry Thomas Alken, 1785–1851

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed

between 1822 and 1827

Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Henry Thomas Alken, 1785–1851

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

between 1822 and 1827

Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Henry Thomas Alken, 1785–1851

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Foxhunting: The Meet

1822

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

Attributed to William Capon, 1757–1827

Elevation of Buildings Fronting Westminster Hall

1822

John Buckler FSA, 1770–1851

South View of Thornbury Castle, Gloucestershire

1822

Henry Thomas Alken, 1785–1851

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun

between 1822 and 1827

Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Henry Thomas Alken, 1785–1851

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Morning Ride

between 1822 and 1823

Sir David Wilkie, 1785–1841

Two Riders Seen from Behind, Oct. 10, 1822

1822

unknown artist

Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P

1822

John Buckler FSA, 1770–1851

South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart

1822

John Buckler FSA, 1770–1851

South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart

1822

Henry Thomas Alken, 1785–1851

Foxhunting: The Start

1822

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Print made by unknown artist

Illustration for 'Spenser'

1822

Print made by Samuel Howitt, 1756–1822

Fallow Deer

1822

Print made by H. Winkles, Active 1834–1840

Imperial Riding School, St. Michael's Platz, Vienna

1822

Print made by William Heath, 1795–1840

The New Petty Coat Administration

ca. 1827

Print made by William Heath, 1795–1840

Druming Out. Or Making an Example of a Mutineer

ca. 1827

Print made by William Heath, 1795–1840

Sailors on Shore at Navarino

ca. 1827

John Sell Cotman, 1782–1842

Caverns Excavated in the Rock within the Castle of Château Gaillard, near Andelys, Normandy

1822

John Sell Cotman, 1782–1842

Round Tower, Castle of Lillebonne, Normandy

1822

imitator of John Sell Cotman, 1782–1842

Coast Scene with a Castle

ca. 1827

Richard Corbould, 1757–1831

Design for a Monument for the North British Insurance Company

ca. 1827

Print made by unknown artist

Winding Silk

1822

Print made by William Woolnoth, active 1806–1830

Ulm Cathedral

1822

Published by Rudolf Ackermann, 1764–1834

The Castle of Isola, Italy

1822

Print made by Josiah Henshall, 1806–1869

St. Stephan's Dom-Kirche, from Stock Am Eisen, Vienna

1822

Print made by William Tombleson, ca.1795–1835

Frauen Capelle, Haupt Markt

1822

Print made by William Tombleson, ca.1795–1835

St. Stephan's Dom-Kirche, Vienna

1822

Robert Smirke, 1752–1845

Olivia and Maria

1822

Print made by Henry Le Keux, 1787–1868

Heriot's Hospital

1822

Print made by William Radclyffe, 1780–1855

Hornby Castle, from Tatham Church

1822

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Robert Isaac Cruikshank, 1789–1856

Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1

1822

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841

Bouvignes and Dinant

1822

Henry Morton, ca. 1807–1825

Bodiam Castle

undated

Henry Morton, ca. 1807–1825

Winchelsea Castle

undated

Robert Smirke, 1752–1845

Malvolio abusing Maria, Fabian and Sir Toby

1822

Robert Smirke, 1752–1845

Isabella and Mariana Kneeling Before the Duke

1822

Bartholomew Howlett, 1767–1827

North Front of Bedford House, Bloomsbury Square

1822

unknown artist

A Ground Plan of Bermondsey Abbey

1822

unknown artist

View of the Bank of England

1822

Anker Smith, 1759–1819

Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action

1822

Robert Smirke, 1752–1845

Viola and Olivia

1822

Robert Smirke, 1752–1845

Feste, as Sir Topas, addressing Malvolio

1822

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1822