Materials & Techniques: wove paper / Date: 1827 / Classification: Prints

Print made by William Blake, 1757–1827

The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

1827

Print made by William Blake, 1757–1827

The Whirlwind of Lovers (Plate 1)

1827

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

Print made by William Blake, 1757–1827

Ciampolo the Barrator Tormented by the Devils (Plate 2)

1827

Print made by William Blake, 1757–1827

The Serpent Attacking Buoso Donati (Plate 5)

1827

Print made by William Blake, 1757–1827

The Pit of Disease: The Falsifiers (Plate 6)

1827

Print made by William Blake, 1757–1827

Dante Striking against Bocca Degli Abati (Plate 7)

1827

Prints made by William Blake, 1757–1827

Illustrations to Dante's Divine Comedy

1827

Carl Trautmann, active 1835

Ansicht vom Schact und Tunnel unter Themse zu London

1827

Print made by Samuel Cousins, 1801–1887

La Surprise

1827

Print made by Richard Parkes Bonington, 1802–1828

Campos sur les bords du Rio das Velhas

1827

Print made by Richard Parkes Bonington, 1802–1828

Croix de Moulin les Planches

1827

Print made by Richard Parkes Bonington, 1802–1828

Pierre de Vaivre

1827

Print made by Richard Parkes Bonington, 1802–1828

Ruines de Château d'Arlay

1827

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale des Ruines du Château d'Arlay

1827

Print made by Thomas Goff Lupton, 1791–1873

Calais Pier - English Packet Arriving

1827

John Martin, 1789–1854

Joshua Commanding the Sun to Stand Still

1827

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

Print made by Henry Heath, active 1824–1835

Extravaganza's of 1827

1827

Print made by Augustus Welby Northmore Pugin, 1812–1852

Bishop's Chapel Bishop Eton (built c. 1845-1850)

undated

Print made by George Richmond, 1809–1896

The Fatal Bellman

1827

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by George Cruikshank, 1792–1878

Blear-Eyed Moll

ca. 1832

George Gladwin, active 1820s–1830s

York House: Longitudinal Section from North to South

1827

George Gladwin, active 1820s–1830s

York House: Plan of Principle Floor

1827

George Gladwin, active 1820s–1830s

York House: Plan of the Ground Floor

1827

Print made by Samuel Freeman, 1773–1857

Statue of Achilles in Hyde Park

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Augustus Welby Northmore Pugin, 1812–1852

Eight Groups of Designs for Gothic holy Objects

undated

Print made by Augustus Welby Northmore Pugin, 1812–1852

Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects

undated

Print made by Augustus Welby Northmore Pugin, 1812–1852

Three Sketches of: a House, A Gothic Spires and Ornamentation

undated

Print made by Augustus Welby Northmore Pugin, 1812–1852

The Annunciation

undated

Augustus Welby Northmore Pugin Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.

Print made by Augustus Welby Northmore Pugin, 1812–1852

Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4

undated

Print made by Augustus Welby Northmore Pugin, 1812–1852

Design for a Town Hall

undated

Print made by Augustus Welby Northmore Pugin, 1812–1852

Designs for Architectural Ornamentation: Columns, Capitals and Pilasters

undated

Print made by Augustus Welby Northmore Pugin, 1812–1852

Sketch of a Portion of a Gothic Wall

undated

Print made by unknown artist

Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head

undated

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Lancaster from the Aqueduct Bridge

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Colchester, Essex

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by W. R. Smith, active 1819–1851

Saltash, Cornwall

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Florence, from San Miniato

1827

Print made by Robert Wallis, 1794–1878

St. Maurice

1827

Engraved by Welby Sherman, active 1827

The Shepherd

between 1827 and 1836

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by George Richmond, 1809–1896

The Shepherd

1827

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

Print made by Edward Goodall, 1795–1870

Florence, from San Miniato

1827

Print made by Edward Goodall, 1795–1870

Florence, from San Miniato

1827

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Print made by Augustus Welby Northmore Pugin, 1812–1852

Designs for Gothic Candle Sticks and Branches

undated

Print made by Robert Wallis, 1794–1878

St. Maurice

1827

Print made by J. C. Varrall, active 1815–1827

Walton Bridge on Thames, Surrey

1827-1838

Print made by Edward Goodall, 1795–1870

Old London Bridge and Vicinity

1827

Print made by Edward Francis Finden, 1791–1857

Temple of Minerva, Cape Colonna

ca. 1832

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1827

James Redway, active 1827–1838

Althorp Castle, Northamptonshire

undated

Print made by Christopher Hewetson, 1737/38–1798

Westdean House, the Seat of Lord Selsey

1827

Print made by George Cooke, 1781–1834

The Remaining Tower of Cardinal Wolsey's Palace at Esher in the Domain of John Spicer. Esq

1827

Print made by unknown artist

Perridge House:The Seat of Henry Limbrey Toll, Esq

1827

Print made by Thomas Landseer, 1795–1880

Hookey Walker

1827

Print made by Henry Dawe, 1790–1848

Duke of Clarence

1827

Print made by unknown artist

Mr. Matthews in America

ca. 1832

Print made by George Cooke, 1781–1834

Canonbury House, Islington

1827

Print made by George Cooke, 1781–1834

Hanover Terrace, Regent's Park

1827

Print made by George Cooke, 1781–1834

Hanover Terrace, Regent's Park

1827

Print made by R.C. Roffe, active in London 1806–1835

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

1827

R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench

1827

Print made by R.C. Roffe, active in London 1806–1835

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c

1827

Published by Fisher, Son & Co., active 1821–1848

The Duke of York Forcing His Way through the Enemy near Roubiax

1827

Print made by Frederick James Havell, 1801–1840

The Limehouse Dock, Regent's Canal

1827

Charles Fox, 1749–1809

John Burnet, Author of "Practical Hints on Painting"

1827

Print made by Henry Heath, active 1824–1835

The Buck-Basket. A scene from the Merry Wives of Windsor

1827

Print made by John Cochran, active 1825–1854

Sir William Jones

ca. 1832

Print made by Henry Heath, active 1824–1835

Out of Court. Auspicium Melioris Devi

1827

Print made by Henry Heath, active 1824–1835

A Complete Turn-Out among the Cabinet-Makers

1827

Print made by Henry Heath, active 1824–1835

Diogenes in Search of an Honest Ministry

1827

Print made by Henry Heath, active 1824–1835

A Parti Carré for a Crown

1827

Engraved by Henry Pyall, 1795–1833

Mail Coach Behind Time

1827

Print made by unknown artist

Achilles in the Sulks after his Retreat, or, The Great Captain on the Stool of Repentance!!

1827

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Materials & Techniques wove paper

Date 1827

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Date 1827

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