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Materials & Techniques wove paper

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Date 1836

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Work Type intaglio print

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1. Longships Lighthouse, Lands End

Longships Lighthouse, Lands End
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, 1st published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 3/8 × 22 inches (41.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Lyme Regis, Norfolk

Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Mount: 15 1/8 × 20 15/16 inches (38.4 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Sea The Sea (vignette)

The Sea The Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 11 5/16 inches (43.2 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Sea The Sea (vignette)

The Sea The Sea (vignette)
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. View between the Roofs of King's College Chapel

View between the Roofs of King's College Chapel
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1836
Materials & Techniques:
Etching on moderately thick, textured, brown wove paper
Dimensions:
Sheet: 10 11/16 × 16 1/2 inches (27.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

6. Harbour Scene with Town

Harbour Scene with Town
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 7 3/8 inches (13.8 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable

7. Harbour Scene with Town

Harbour Scene with Town
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 x 8 11/16 inches (15 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable

8. Scene at Colgong on the Ganges

Scene at Colgong on the Ganges
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1836
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

9. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1836
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Plate XXXVIII: House of Lords, as Fitted up in 1835

Plate XXXVIII: House of Lords, as Fitted up in 1835
Creator:
Print made by T. Clarke, 1799–1839
Date:
1836
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. William Mulready, R. A.

William Mulready, R. A.
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
after 1836
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 11/16 x 7 1/16 inches (27.1 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Not Again-Not Again

Not Again-Not Again
Creator:
Printed by George Cruikshank, 1792–1878
Date:
1836
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

13. The Portrait

The Portrait
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1836
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

14. Goats in Glencoe

Goats in Glencoe
Creator:
Print made by Newton Limbird Smith Fielding, 1799–1856
Date:
1836
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

15. Fallow Deer

Fallow Deer
Creator:
Print made by Newton Limbird Smith Fielding, 1799–1856
Date:
1836
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

16. William Cavendish, Duke of Newcastle

William Cavendish, Duke of Newcastle
Creator:
after Sir Anthony Van Dyck, 1599–1641
Date:
1836
Materials & Techniques:
Stipple engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 × 6 7/8 inches (26.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

17. The Most Noble Henry Pelham Duke of Newcastle K.G.

The Most Noble Henry Pelham Duke of Newcastle K.G.
Creator:
after Henry William Pickersgill, 1782–1875
Date:
1836
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

18. Havre De Grace

Havre De Grace
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

19. Approach to Thiers, France

Approach to Thiers, France
Creator:
Print made by John Cousen, 1804–1880
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

20. Château de Monas, Near Orange, France

Château de Monas, Near Orange, France
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

21. Town Hall, Bruges

Town Hall, Bruges
Creator:
Print made by R. Wrightson, active ca. 19th century
Date:
ca. 1841
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

22. The Grèves from the Summit of Mount St Michael

The Grèves from the Summit of Mount St Michael
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

23. Pilgrims at the Sacred Fair of Hurdwar

Pilgrims at the Sacred Fair of Hurdwar
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

24. Fall of Foyers, Invernesshire

Fall of Foyers, Invernesshire
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

25. My good friends, 'favete linguis'

My good friends, 'favete linguis'
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1836
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

26. The Captain of Knockdunder

The Captain of Knockdunder
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1836
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

27. Whiles-at brose-time

Whiles-at brose-time
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1836
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

28. A 'summat' to Eat and Drink

A 'summat' to Eat and Drink
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1836
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

29. Fray at the Jeanie Mac Alpine's

Fray at the Jeanie Mac Alpine's
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1836
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30. F. Osbaldistone at Squire Inglewood's

F. Osbaldistone at Squire Inglewood's
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1836
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

31. Caleb Catering for Wolf's Crag

Caleb Catering for Wolf's Crag
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1836
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

32. His Majesty King WIlliam IV

His Majesty King WIlliam IV
Creator:
after Sir Thomas Lawrence, 1769–1830
Date:
1836
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

33. Royat, France

Royat, France
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

34. The Stable

The Stable
Creator:
Print made by Newton Limbird Smith Fielding, 1799–1856
Date:
1836
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

35. Jaffa, the Antient Joppa, from the Sea

Jaffa, the Antient Joppa, from the Sea
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

36. The Sea! The Sea!

The Sea! The Sea!
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 9 5/16 × 5 3/4 inches (23.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Reform Bill receiving The King's Assent by Royal Commission

The Reform Bill receiving The King's Assent by Royal Commission
Creator:
Samuel William Reynolds, 1773–1835
Date:
1836
Materials & Techniques:
Mezzotint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 33 1/4 × 23 3/4 inches (84.5 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Llanthony, Monmouthshire

Llanthony, Monmouthshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving and stipple engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Longships Lighthouse, Lands End

Longships Lighthouse, Lands End
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Llanthony, Monmouthshire

Llanthony, Monmouthshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving and stipple engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Beaumaris, Isle of Anglesea

Beaumaris, Isle of Anglesea
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 14 15/16 inches (27.9 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line-engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Lyme Regis, Norfolk

Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Lyme Regis, Norfolk

Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 14 inches (26.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Flint Castle, North Wales

Flint Castle, North Wales
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1836
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 14 15/16 inches (27.9 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Powis Castle, Montgomery

Powis Castle, Montgomery
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1836
Materials & Techniques:
Line engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Worcester, Worcestershire

Worcester, Worcestershire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/16 × 14 15/16 inches (28.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Durham Cathedral

Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Lady Lyndhurst

Lady Lyndhurst
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1836
Materials & Techniques:
Mezzotint (first published state) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 15 3/4 inches (49.5 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. The Thames at Mortlake

The Thames at Mortlake
Creator:
Print made by William John Cooke, 1797–1865
Date:
1836-1838
Materials & Techniques:
Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Thames at Mortlake

The Thames at Mortlake
Creator:
Print made by William John Cooke, 1797–1865
Date:
1836-1838
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Thames at Mortlake

The Thames at Mortlake
Creator:
Print made by William John Cooke, 1797–1865
Date:
1836-1838
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Age of Innocence

Age of Innocence
Creator:
Print made by Charles Turner, 1774–1857
Date:
1836
Materials & Techniques:
Mezzotint (first state) on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 20 13/16 × 16 inches (52.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

55. Master Henry Thomas Hope

Master Henry Thomas Hope
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1836
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 12 15/16 inches (40 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

56. Age of Innocence

Age of Innocence
Creator:
Print made by Charles Turner, 1774–1857
Date:
1836
Materials & Techniques:
Mezzotint and etching (proof) on moderately thick, moderately textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 13 7/8 × 10 3/8 inches (35.2 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

57. The Thames at Mortlake

The Thames at Mortlake
Creator:
Print made by William John Cooke, 1797–1865
Date:
1836 to 1838
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Death of the First Born

Death of the First Born
Creator:
John Martin, 1789–1854
Date:
1836
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 30 inches (55.6 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1836
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/8 × 9 5/16 inches (15.6 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Stone Bow, Lincoln

The Stone Bow, Lincoln
Creator:
Frederick James Havell, 1801–1840
Date:
1836
Materials & Techniques:
Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Thames at Mortlake

The Thames at Mortlake
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1836-1838
Materials & Techniques:
Line engraving; engraver's proof on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. View of the Port of Liverpool

View of the Port of Liverpool
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1836
Materials & Techniques:
Color printed etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 × 27 1/8 inches (54 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Inverlochy Castle, Invernesshire

Inverlochy Castle, Invernesshire
Creator:
Henry Griffiths, 1835–1849
Date:
1836
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Spanish Mother

The Spanish Mother
Creator:
Abraham Raimbach, 1784–1868
Date:
1836
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 21 3/4 × 30 5/16 inches (55.2 × 77 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Rocks at Colgong on the Ganges

No cover image available
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1836
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund