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Materials & Techniques wove paper

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Date 1850

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Work Type relief print

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1. The Farmer's Boy

The Farmer's Boy
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 1/16 inches (21.8 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. View near Bingen

View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Bacharach

Bacharach
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Eight colour prints

Eight colour prints
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Eight Rural Subjects

Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Farmer's Boy & The Rustic Angler

The Farmer's Boy & The Rustic Angler
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 6 5/16 inches (11.1 x 16.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 5/16 x 3 1/4 inches (11 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Haddon Hall

Haddon Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 3/8 inches (14.1 x 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Newstead Abbey

Newstead Abbey
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Balmoral Castle

Balmoral Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Nightingale

The Nightingale
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 3/16 inches (26.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Deserted Nest (tail piece)

The Deserted Nest (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 7 1/4 inches (19.8 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Nightingale (tail piece)

The Nightingale (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 7 5/16 inches (17.8 x 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Young Squire (tail piece)

The Young Squire (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 7 7/8 inches (16.9 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Lambing Time (tail piece)

Lambing Time (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 x 5 1/4 inches (11.2 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Deserted Nest

The Deserted Nest
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 7 3/16 inches (14.9 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Excelsior

Excelsior
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 x 7 9/16 inches (18.6 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A River (tail piece)

A River (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 x 7 1/2 inches (14.1 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Burn

The Burn
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 x 5 7/16 inches (12.9 x 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Fishing Village

A Fishing Village
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 6 11/16 inches (21.8 x 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. By the Sea

By the Sea
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 15/16 x 6 5/8 inches (12.5 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. By the Sea (tail piece)

By the Sea (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 9/16 x 5 7/8 inches (9 x 15 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Burn (tail piece)

The Burn (tail piece)
Creator:
Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 13/16 x 4 7/16 inches (9.7 x 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Rabbits (tail piece)

Rabbits (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 x 6 inches (10.5 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. A Fishing Village (tail piece)

A Fishing Village (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 x 6 5/8 inches (10.2 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. A-Hunting We Will Go (tail piece)

A-Hunting We Will Go (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/16 x 5 1/16 inches (8.8 x 12.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Balmoral Castle

Balmoral Castle
Creator:
Engraved by George Baxter, 1804–1867
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:
Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Bacharach and View near Bingen

Bacharach and View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Eaton Hall

Eaton Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/16 x 3 1/4 inches (11.3 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Hampton Court

Hampton Court
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Osborne House

Osborne House
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Returning from the Spring. Virginia.

Returning from the Spring. Virginia.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 11 5/16 inches (15 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, aquatint and color woodcut on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 × 7 13/16 inches (25.6 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Rabbits

Rabbits
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 x 6 7/8 inches (14.1 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. About Cats

About Cats
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 x 6 7/16 inches (11.2 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Christmas

Christmas
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 9/16 x 4 3/16 inches (11.6 x 10.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Young Squire

The Young Squire
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 x 7 13/16 inches (17.7 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Lambing Time

Lambing Time
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 x 6 13/16 inches (12.8 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The River

The River
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 6 5/8 inches (20.6 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Farmer's Boy (tail piece)

The Farmer's Boy (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 15/16 inches (9.2 x 12.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Frost and Snow

Frost and Snow
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 6 5/8 inches (20.8 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Frost and Snow (tail piece)

Frost and Snow (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. A-Hunting We Will Go

A-Hunting We Will Go
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 15/16 x 5 3/16 inches (12.6 x 13.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Greek set

No cover image available
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into eight scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 2 13/16 x 7/8 inches (7.2 x 2.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Landing of Her Majesty at Cove, Ireland in 1849

No cover image available
Creator:
Print made by George Baxter, 1804–1867
Date:
1850
Materials & Techniques:
Baxter print on medium, slightly textured, cream wove paper mounted to gold card
Dimensions:
Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

55. Ben Nevis

No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:
Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Highland Dancers

No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Stipple engraving, etching and colored woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:
Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Constantinopole

No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into six scenes and mounted on medium, smooth, beige wove paper
Dimensions:
Image: 2 1/8 x 1 1/16 inches (5.4 x 2.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Constantinople

No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Stipple engraving, etching, aquatint and color woodcut on moderately thick, smooth, cream wove paper mounted on moderately thick, smooth, beige laid paper
Dimensions:
Image: 2 1/8 x 1 inches (5.4 x 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Turkish Scenes

No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:
Image: 2 11/16 x 7/8 inches (6.8 x 2.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Country Scenes

No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:
Image: 2 3/4 x 7/8 inches (7 x 2.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Review of the Troops

No cover image available
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into six scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 2 1/16 x 1 1/16 inches (5.3 x 2.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Scottish Scenes. Albanian Scenes.

No cover image available
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into six scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 2 15/16 x 13/16 inches (7.4 x 2.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Scottish Scenes. Albanian Scenes.

No cover image available
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint and stipple engraving, with color woodcut on moderately thick, slightly textured, cream wove paper cut into two rows of five scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 2 7/8 x 7/8 inches (7.3 x 2.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection