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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperPeriod 18th century
Remove constraint Period: 18th centuryGenre literary theme
Remove constraint Genre: literary themeSearch Results
1
- The Witches' Cavern
- between 1792 and 1793
2
- Sketchbook Drawing
- ca. 1793
3
- Sketchbook Drawing
- ca. 1793
4
- Sketchbook Drawing
- ca. 1793
5
- Sketchbook Drawing
- ca. 1793
6
- Sketchbook Drawing
- ca. 1793
7
- Sketchbook Drawing
- ca. 1793
8
- Sketchbook Drawing
- ca. 1793
9
- Sketchbook Drawing
- ca. 1793
10
- Sketchbook Drawing
- ca. 1793
11
- Sketchbook Drawing
- ca. 1793
12
- Sketchbook Drawing
- ca. 1793
13
- Sketchbook Drawing
- ca. 1793
14
- The Banquet Scene
- ca. 1792
15
- Sketchbook Drawing
- ca. 1793
16
- Sketchbook Drawing
- ca. 1793
17
- Sketchbook Drawing
- ca. 1793
18
- Sketchbook Drawing
- ca. 1793
19
- Sketchbook Drawing
- ca. 1793
20
- Sketchbook Drawing
- ca. 1793
21
- Sketchbook Drawing
- ca. 1793
22
- Sketchbook Drawing
- ca. 1793
23
- Sketchbook Drawing
- ca. 1793
24
- Sketchbook Drawing
- ca. 1793
25
- Sketchbook Drawing
- ca. 1793
26
- Sketchbook Drawing
- ca. 1793
27
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
28
- The Death of Juliet
- 1799
29
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
30
- Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
- ca. 1797
31
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
32
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
33
- Romeo and Juliet, Act IV, Scene V
- 1799
34
- The Shepherd, from Songs of Innocence
- ca. 1795
35
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
36
- Pity
- ca. 1795
37
- Introduction to the Fables, The Shepherd and the Philosopher
- 1793
38
- Fable VI. The Miser and Plutus
- 1793
39
- Fable XXII. The Goat Without a Beard
- 1793
40
- Fable XXIV. The Butterfly and the Snail
- 1793
41
- Fable XXVIII. The Persian, the Sun, and the Cloud
- 1793
42
- Fable XXX. The Setting-dog and the Partridge
- 1793
43
- Fable XLI. The Owl and the Farmer
- 1793
44
- Fable I. The Dog and the Fox
- 1793
45
- Fable XVI. The Ravens, the Sexton, and the Earth-Worm
- 1793
46
- Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
- ca. 1797
47
- Fable XVI. The Pin and the Needle
- 1793
48
- Fable XIII. The Tame Stag
- 1793
49
- Fable XII. Pan and Fortune
- 1793
50
- Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
- 1797
51
- Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
- 1797
52
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
53
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
54
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
55
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
56
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
57
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
58
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
59
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
60
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
61
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
62
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
63
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
64
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
65
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
66
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
67
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
68
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
69
- The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
- between 1797 and 1798
70
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
72
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
73
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
74
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
75
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798
76
- The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
- between 1797 and 1798
77
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
78
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
79
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
80
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
81
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
82
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
83
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
84
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
85
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
86
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
87
- Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
- 1797
88
- Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
- 1797
89
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
90
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
91
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
92
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
93
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
94
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
95
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
96
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
97
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
98
- Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
- 1797
99
- Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
- 1797
100
- Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
- 1797