Materials & Techniques: wove paper / Period: 18th century / Height [cm]: 40

1. The Bruiser

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

2. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. South East View of tLand-Guard Fort, in Suffolk

Creator:: Thomas Major, 1714–1799
Date:: 1754
Materials & Techniques:: Line engraving on thick, rough, cream wove paper
Dimensions:: Sheet: 15 5/8 × 23 1/2 inches (39.7 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Plate XV Back of Temple at Sheitla [sic]

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on moderately thick, slightly textured, white laid paper
Dimensions:: Sheet: 15 3/4 × 21 1/2 inches (40 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Royal Rush Light

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1798
Materials & Techniques:: Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. St. James's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1790
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/16 × 22 inches (48.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Robbing the Mail

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1790
Materials & Techniques:: Watercolor and pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 15 7/8 × 20 5/8 inches (40.3 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

Creator:: Print made by W. Pyott, active late 18th century
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

Creator:: Thomas Daniell, 1749–1840
Date:: July 1795
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 13/16 × 20 5/16 inches (45.2 × 51.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

42. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Survey of Tunstall Marshes

Creator:: Isaac Johnson, 1754–1835
Date:: 1753
Materials & Techniques:: Graphite, pen and black ink, watercolor and gouache on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 3/4 × 22 7/8 inches (40 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Palace Ruins, Pillar and Temple Gateway, Madurai, Tamil Nadu

Creator:: Thomas Daniell, 1749–1840
Date:: July 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 25 inches (40.3 x 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

45. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

Creator:: Print made by James Mason, 1710–1783
Date:: 1778
Materials & Techniques:: Line engraving on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Unloading the Shipping

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Watercolor, pen and ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Lubetkin

47. A Wood Yard on the Thames at Nine Elms

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

48. A View of the Estate at Esholt Hall, Yorkshire

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 33 5/8 inches (40 x 85.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

49. The Cherry Girl

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 11 1/4 inches (40 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Portrait of a Man wearing a Cap

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: early 1750s
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 15 7/8 x 11 5/16 inches (40.4 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. S. Simon

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 14 11/16 inches (53.9 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Lord Morpeth

Creator:: Thomas Trotter, ca. 1750–1803
Date:: 1787
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 × 11 1/4 inches (40.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Salvator Mundi

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 11 1/2 inches (40.3 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. The Moralist

Creator:: Print made by unknown artist
Date:: 1795
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 10 3/8 inches (40.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. L'Orient 1776: Map of the Port of Orient

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

56. Shanklin Chine, Isle of Wight

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1797
Materials & Techniques:: Gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 15 3/4 x 20 1/8 inches (40 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. The Country Ballad Singers

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 10 inches (40 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Fortune

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint with drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

Creator:: Robert Pollard, 1755–1838
Date:: 1790
Materials & Techniques:: Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Promenade in St. Jame's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 5/8 × 31 5/16 inches (57.5 × 79.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Lear, from King Lear, Act III, Scene ii

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1776
Materials & Techniques:: Etching, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 11/16 inches (42.9 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Caliban, from The Tempest

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1775
Materials & Techniques:: Etching, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 13 3/4in. (43.2 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 × 27 1/4 inches (53.3 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 9/16 × 22 1/4 inches (39.5 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

Creator:: J. Wellis, active 1799
Date:: 1799
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 25 1/4 inches (52.1 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Juvenis auscultans seni de divinis admonenti

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1764
Materials & Techniques:: Etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 18 3/8 x 14 5/16 inches (46.6 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Right Honourable. James Harris, 1st Earl of Malmesbury

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1797
Materials & Techniques:: Aquatint, stipple engraving and mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 11 13/16 inches (40 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Two Bunches a Penny Primroses, Two Bunches a Penny

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 15 3/4 × 11 1/2 inches (40 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey

70. Sweet China Oranges, Sweet China

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 11 1/2 inches (40 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey

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Materials & Techniques wove paper

Period 18th century

Height [cm] 40

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1. The Bruiser

2. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

3. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

4. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

5. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

6. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

7. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

8. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

9. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

10. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

11. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

12. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

13. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

14. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

15. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

16. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

17. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

18. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

19. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

20. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

21. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

22. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

23. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

24. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

25. Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

26. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

27. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

28. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

29. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

30. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

31. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

32. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

33. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

34. South East View of tLand-Guard Fort, in Suffolk

35. Plate XV Back of Temple at Sheitla [sic]

36. The Royal Rush Light

37. St. James's Park

38. Robbing the Mail

39. The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

40. Plate IX: St Stephen's Chapel

41. An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

42. Plate X: St Stephen's Chapel

43. Survey of Tunstall Marshes

44. Palace Ruins, Pillar and Temple Gateway, Madurai, Tamil Nadu

45. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

46. Unloading the Shipping

47. A Wood Yard on the Thames at Nine Elms

48. A View of the Estate at Esholt Hall, Yorkshire

49. The Cherry Girl

50. Portrait of a Man wearing a Cap

51. S. Simon

52. Lord Morpeth

53. Salvator Mundi

54. The Moralist

55. L'Orient 1776: Map of the Port of Orient

56. Shanklin Chine, Isle of Wight

57. The Country Ballad Singers

58. Fortune

59. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

60. The Promenade in St. Jame's Park

61. Lear, from King Lear, Act III, Scene ii

62. Caliban, from The Tempest

63. A View from Richmond Hill Up the River

64. Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge

65. The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

66. To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

67. Juvenis auscultans seni de divinis admonenti

68. The Right Honourable. James Harris, 1st Earl of Malmesbury

69. Two Bunches a Penny Primroses, Two Bunches a Penny

70. Sweet China Oranges, Sweet China