Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
2
Print made by William Blake, 1757–1827
Pity
ca. 1795
3
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
4
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
5
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
7
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
8
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
18
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
19
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
20
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
21
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
22
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
23
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
24
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
25
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
26
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
27
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
34
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
35
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
36
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
38
Henry Swinburne, 1743–1803
Albano
1777 to 1778
39
Henry Swinburne, 1743–1803
Theatre of Sagunto, Spain
1775 to 1776
40
Henry Swinburne, 1743–1803
Valencia, Spain
1775 to 1776
41
Henry Swinburne, 1743–1803
Isle of Capri Seen on the South
1777 to 1778
42
Henry Swinburne, 1743–1803
Sketch of a Walled City
undated
43
Henry Swinburne, 1743–1803
Brindisi from the HIll South of the New Channel
1777 to 1780
44
Henry Swinburne, 1743–1803
Villeneuve-lès-Maguelone, France
undated
45
Henry Swinburne, 1743–1803
Palestrina, Italy
1777 to 1778
46
Henry Swinburne, 1743–1803
Lang House Farm
undated
47
Henry Swinburne, 1743–1803
Ruins of a Circular Stone Keep
undated
48
Henry Swinburne, 1743–1803
Stone Bridge
undated
49
Henry Swinburne, 1743–1803
Château de Chaumont
undated
50
Henry Swinburne, 1743–1803
Personalized Design
1776
51
Henry Swinburne, 1743–1803
Landscape, with River and Church in the Distance
undated
52
Benjamin West, 1738–1820
The Three Marys
1783
53
Robert Marris, 1750–1827
Waterfall near Lynton
1780
54
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
55
Print made by John Harris the elder, 1767–1832
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
56
Joseph Farington, 1747–1821
View of the Convent of the Clarisses at Valenciennes after the Seige
1793
57
Joseph Farington, 1747–1821
View of St. Nicholas Church at Valenciennes after the Siege
1793
58
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
59
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
60
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
61
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
62
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
63
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
64
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
65
Thomas Girtin, 1775–1802
Peterborough Cathedral, Cambridgeshire
ca. 1794
66
Samuel Scott, 1701/2–1772
A Town House on the Thames
undated
67
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
68
Print made by unknown artist
The Landlord's Daughter
1798
69
Print made by Johann Jacobus Haid, 1704–1767
Man Wearing a Hat
undated
70
Print made by Johann Jacobus Haid, 1704–1767
S. Andreas
undated
71
Print made by Johann Jacobus Haid, 1704–1767
S. Ionnes
undated
72
Print made by Johann Jacobus Haid, 1704–1767
S. Philippus
undated
73
Print made by Johann Jacobus Haid, 1704–1767
S. Jacobus Major
undated
74
Print made by Johann Jacobus Haid, 1704–1767
S. Bartholomaeus
undated
75
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
76
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
77
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
78
Print made by unknown artist
The Tenant's Daughter
1798
79
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Duncombe
1797
80
Print made by E. J. Dumée, active 1790
Connubial Happiness
1786
81
Henry Swinburne, 1743–1803
Gates of the Alhambra: Puerta de los Siete Suelos
1775 to 1776
82
Henry Swinburne, 1743–1803
Court of the Lions in the Alhambra of Granada
1775 to 1776
83
Henry Swinburne, 1743–1803
Castle of Elmo &c
1777 to 1778
84
Henry Swinburne, 1743–1803
Landscape of Buildings Along a Cliff
undated
85
Henry Swinburne, 1743–1803
Near Guadix
1775 to 1776
86
Henry Swinburne, 1743–1803
Málaga
1775 to 1776
87
Henry Swinburne, 1743–1803
Mürzzuschlag, Austria
1779
88
Henry Swinburne, 1743–1803
Carmona
1775 to 1776
89
Henry Swinburne, 1743–1803
Tynemouth Castle and Priory, England
undated
90
Henry Swinburne, 1743–1803
Landscape with Figure, Standing on Large Rock
undated
91
Henry Swinburne, 1743–1803
View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought
1777 to 1778
92
Henry Swinburne, 1743–1803
Mountain Landscape View of a River Flowing through a Town