Materials & Techniques: wove paper / Period: 18th century / Height [cm]: 45

1. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Magicians Marching off After the Success of their Incantations

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Mordecai

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1787
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 23 5/8 inches (49.2 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. A Lady and Children

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1780
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 27 × 19 3/4 inches (68.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Five Designs for a House in the Gothic Style: Plan of the Chamber Story

Creator:: James Wyatt, 1746–1813
Date:: 1791
Materials & Techniques:: Pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 3/8 inches (45.1 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Italian Bird Catcher

Creator:: Print made by Johnson, active 1766
Date:: 1766
Materials & Techniques:: Mezzotint on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 11 1/4 inches (44.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

Creator:: John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/8 x 14 inches (48.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Shepherdess (Miss Mary Palmer as the Young Shepherdess)

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1799
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 13 13/16 inches (44.8 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Honourable George, Lord Pigot

Creator:: Scawen, active 1770s
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 1/16 × 13 7/8 inches (51 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Cottagers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 16 1/4 inches (53.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Lady Charles Spencer

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. The Ladies Amabel and Mary Jemina Yorke

Creator:: Print made by Edward Fisher, 1722–1785
Date:: 1762
Materials & Techniques:: Mezzotint (engraver's proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 17 inches (58.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. Elizabeth, Countess of Derby

Creator:: Print made by John Dean, 1754–1798
Date:: 1780
Materials & Techniques:: Mezzotint (only state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/8 × 14 3/8 inches (51.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. Compassionate Children

Creator:: William Ward, 1766–1826
Date:: 1793
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 23 × 34 1/4 inches (58.4 × 87 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Citizens Retreat

Creator:: William Ward, 1766–1826
Date:: 1796
Materials & Techniques:: Mezzotint, colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 5/16 × 26 3/16 inches (51.6 × 66.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Juvenis auscultans seni de divinis admonenti

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1764
Materials & Techniques:: Etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 18 3/8 x 14 5/16 inches (46.6 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Winter

Creator:: Victor Marie Picot, 1744–1805
Date:: 1794
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 22 1/8 inches (44.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Selling Rabbits

Creator:: William Ward, 1766–1826
Date:: 1796
Materials & Techniques:: Mezzotint, colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 1/4 × 26 inches (51.4 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. In Her Love-Darting Eyes Awakes the Fires

Creator:: Alexander van Haecken, 1701–1758
Date:: between 1735 and 1757
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 7/8 × 11 13/16 inches (45.4 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Celadon and Amelia

Creator:: Print made by William Woollett, 1735–1785
Date:: 1766
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/8 x 22 1/4 inches (46 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Sir Joshua Reynolds

Creator:: Valentine Green, 1739–1813
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 19 x 15in. (48.3 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Peter Oliver, A Celebrated Painter in the Reign of James I and Charles I

Creator:: unknown artist
Date:: ca. 1765
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 13/16 × 12 3/8 inches (45.2 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Rocky River Scene with Sepoys

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 21 1/4 × 29 3/8 inches (54 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Bothwell Castle, from the South

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1777
Materials & Techniques:: Watercolor, gouache, and graphite on thin, slightly textured, cream wove paper mounted on panel
Dimensions:: Sheet: 17 1/2 x 24 7/8 inches (44.5 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Landscape with Trees and Sheep (Park Landscape with Sheep)

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 3/4 × 23 3/4 inches (45.1 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Children Dancing

Creator:: George Townly Stubbs, 1748–1815
Date:: 1798
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 14 7/8 inches (44.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. Francis Earl of Bedford

Creator:: Print made by George Vertue, 1684–1756
Date:: 1737
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 × 10 5/8 inches (44.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

70. Rohtas Garh, Bihar

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 21 1/8 inches (37.5 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

71. Tremal Naig's Choultry, Madura

Creator:: Thomas Daniell, 1749–1840
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 19 3/8 × 25 15/16 inches (49.2 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

72. An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

Creator:: Thomas Daniell, 1749–1840
Date:: July 1795
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 13/16 × 20 5/16 inches (45.2 × 51.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

73. Procession of Queen Elizabeth

Creator:: George Vertue, 1684–1756
Date:: 1742
Materials & Techniques:: Etching on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 15/16 × 27 inches (58.3 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

74. The North Prospect of Westminster Abbey

Creator:: Print made by John Collins, active ca. 1682
Date:: between 1680 and 1710
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Lake of Albano and Castle Gandolfo

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1779
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 25 1/8 inches (44.5 x 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Bay of Naples from Capodimonte

Creator:: John Robert Cozens, 1752–1797
Date:: 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured wove paper
Dimensions:: Mount: 17 7/8 x 24 1/4 inches (45.4 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Boats near a Dutch Folly Fort, Canton

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1785
Materials & Techniques:: Watercolor, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 9/16 × 25 1/8 inches (44.6 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Madeira

Creator:: Samuel Davis, 1760–1819
Date:: 1779
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 23 5/8 inches (44.5 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Lady Charlotte Legge

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: 1794
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 19 5/8 × 15 1/2 inches (49.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. The Great Courtyard of Carlton House

Creator:: Thomas Malton, 1726–1801
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 12 7/8 × 18 15/16 inches (32.7 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Interior of an Inn

Creator:: William Mason, 1724–1797
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 24 3/4 inches (44.5 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Sir Joshua Reynolds

Creator:: Valentine Green, 1739–1813
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 x 16 3/8 inches (52.7 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Period 18th century

Height [cm] 45

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1. Night the First. On Life, Death, and Immortality; Title Page

2. 'Oft bursts my song beyond the bounds of life' (Page 16)

3. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

4. 'Emblem of that which shall awake the dead' (Page 19)

5. 'We censure nature for a span too short' (Page 23)

6. 'Time, in advance, behind him hides his wings' (Page 24)

7. 'Behold him, when past by; what then is seen' (Page 25)

8. 'Measuring his motions by revolving spheres' (Page 26)

9. 'O treacherous conscience! while she seems to sleep" (Page 27)

10. 'Tis greatly wise to talk with our past hours' (Page 31)

11. 'Like that, the dial speaks; and points to thee' (Page 33)

12. 'Swift on his downy pinion flies from woe' (Page 1)

13. 'Love, and love only, is the loan for love' (Page 37)

14. 'Angels should paint it, angels ever there' (Page 40)

15. 'One radiant mark, – the death-bed of the just' (Page 41)

16. Night the Third. Narcissa; Title Page

17. 'As if the sun could envy, check'd his beam' (Page 49)

18. 'The vale of death! that hush'd cimmerian vale' (Page 54)

19. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

20. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

21. 'This King of Terrors is the Prince of Peace' (Page 63)

22. 'What, though my soul fantastick measures trod' (Page 4)

23. The Christian Triumph; Title Page

24. 'Till death, that mighty hunter, earths them all' (Page 70)

25. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

26. 'The Sun beheld it – No, the shocking scene' (Page 75)

27. 'The thunder, if in that the Almighty dwells' (Page 80)

28. 'His hand the good man fastens on the skies' (Page 86)

29. 'Is lost in love! thou great Philanthropist' (Page 87)

30. 'That touch, with charm celestial heals the soul' (Page 90)

31. 'When faith is virtue, reason makes it so' (Page 92)

32. 'Till at Death's toll, whose restless iron tongue' (Page 7)

33. 'If angels tremble, 'tis at such a sight' (Page 93)

34. 'Death! great proprietor of all! 'tis thine' (Page 8)

35. 'The goddess bursts in thunder and in flame' (Page 95)

36. 'Disease invades the chastest temperence' (Page 10)

37. 'Its favours here are trials, not rewards' (Page 12)

38. 'The present moment terminates our sight' (Page 13)

39. 'Teaching, we learn; and giving, we retain' (Page 35)

40. 'But for the blessing wrestle not with heaven' (Page 88)

41. 'The longest night though longer far, would fail' (Page 15)

42. The Magicians Marching off After the Success of their Incantations

43. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

44. Mordecai

45. A Lady and Children

46. Five Designs for a House in the Gothic Style: Plan of the Chamber Story

47. The Italian Bird Catcher

48. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

49. Shepherdess (Miss Mary Palmer as the Young Shepherdess)

50. Honourable George, Lord Pigot

51. The Cottagers

52. Lady Charles Spencer

53. The Ladies Amabel and Mary Jemina Yorke

54. Elizabeth, Countess of Derby

55. Compassionate Children

56. The Citizens Retreat

57. Juvenis auscultans seni de divinis admonenti

58. Winter

59. Selling Rabbits

60. In Her Love-Darting Eyes Awakes the Fires

61. Celadon and Amelia

62. Sir Joshua Reynolds

63. Peter Oliver, A Celebrated Painter in the Reign of James I and Charles I

64. Rocky River Scene with Sepoys

65. Bothwell Castle, from the South

66. Landscape with Trees and Sheep (Park Landscape with Sheep)

67. Children Dancing

68. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

69. Francis Earl of Bedford

70. Rohtas Garh, Bihar

71. Tremal Naig's Choultry, Madura

72. An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

73. Procession of Queen Elizabeth