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Materials & Techniques wove paper

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Period 18th century

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Subject Terms ships

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1. The Hurries, Coal Boats Loading, North Shields

The Hurries, Coal Boats Loading, North Shields
Creator:
attributed to Joseph Mallord William Turner, 1775–1851
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 14 inches (21.9 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The River Avon: with Passing Vessels

The River Avon: with Passing Vessels
Creator:
Nicholas Pocock, 1740–1821
Date:
1785
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Ranger, Private Ship of War, with her Prizes

The Ranger, Private Ship of War, with her Prizes
Creator:
Nicholas Pocock, 1740–1821
Date:
1780
Materials & Techniques:
Pen and black ink over graphite with gray wash on moderately thick, moderately textured, cream laid paper mounted on thick, slightly textured cream wove paper
Dimensions:
Mount: 18 1/8 x 23 3/4 inches (46 x 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The North Foreland Lighthouse, Kent

The North Foreland Lighthouse, Kent
Creator:
James Malton, 1761–1803
Date:
1791
Materials & Techniques:
Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 7/16 inches (18.3 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Man of War with Other Shipping

Man of War with Other Shipping
Creator:
Captain T. Richbell, active 1792–1825
Date:
1791
Materials & Techniques:
Watercolor, pen and black ink, gray wash, and gouache on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 1/2 inches (19.4 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground

Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
Creator:
Thomas Bradshaw, Born 1767
Date:
undated
Materials & Techniques:
Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 1/4 inches (16.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Carnarvon Castle, North Wales

Carnarvon Castle, North Wales
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 x 16 1/8 inches (14 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Deptford Dockyard, Kent

Deptford Dockyard, Kent
Creator:
John Cleveley the younger, 1747–1786
Date:
undated
Materials & Techniques:
Watercolor, graphite and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Madras

Madras
Creator:
William Daniell, 1769–1837
Date:
ca. 1792
Materials & Techniques:
Gray wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 3/8 × 24 1/16 inches (41.6 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. South East View of Fort George, Madras

South East View of Fort George, Madras
Creator:
Thomas Daniell, 1749–1840
Date:
January 1793
Materials & Techniques:
Graphite on thin, slightly textured, beige laid paper
Dimensions:
Mount: 14 7/16 × 22 5/8 inches (36.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

11. Front of Fort William and River Hoogly

Front of Fort William and River Hoogly
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 20 15/16 inches (30.5 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

12. A Sea Engagement between the English and Algerines

A Sea Engagement between the English and Algerines
Creator:
Print made by Paul Fourdrinier, 1698–1758
Date:
ca. 1743
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...
Creator:
Print made by J. Carwitham, active 1720–1740
Date:
1778
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Bay with Sailing Ships

Bay with Sailing Ships
Creator:
Thomas Daniell, 1749–1840
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 3 13/16 × 6 1/2 inches (9.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

15. A Castle on a River

A Castle on a River
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. An Admiralty Yacht Running Inshore at Tenby

An Admiralty Yacht Running Inshore at Tenby
Creator:
Nicholas Pocock, 1740–1821
Date:
1792
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 16 1/2 in. (29.2 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

18. A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground

A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
Creator:
William Anderson, 1757–1837
Date:
1790
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

19. A Frigate Awaiting a Pilot

A Frigate Awaiting a Pilot
Creator:
William Anderson, 1757–1837
Date:
1797
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 3/4 inches (20 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View Near the City of Tientsin

View Near the City of Tientsin
Creator:
William Alexander, 1767–1816
Date:
1800
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 14 5/16 inches (22.9 x 36.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Thames Wharf with Westminster Bridge in the Distance

A Thames Wharf with Westminster Bridge in the Distance
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 35 3/4 inches (36.8 x 90.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

22. West Cowes, Isle of Wight

West Cowes, Isle of Wight
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown and gray wash and pen brown ink on medium, smooth, cream wove paper mounted on card
Dimensions:
Sheet: 5 5/8 x 9 1/4 inches (14.3 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Elizabeth Manwaring

23. Thomas Smith, Esq.

Thomas Smith, Esq.
Creator:
John Faber the Younger, ca. 1695–1756
Date:
1746
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 x 10 1/8 inches (36.2 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

24. British Troops Disembarking

British Troops Disembarking
Creator:
Dirk Langendyck, 1748–1805
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Return of the Fleet to Great Yarmouth in 1797

The Return of the Fleet to Great Yarmouth in 1797
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
Creator:
John William Edy, 1760–1820
Date:
1797
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall
Creator:
Print made by John Fairburn, active 19th century
Date:
1796
Materials & Techniques:
Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection