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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperPeriod 18th century
Remove constraint Period: 18th centurySearch Results
1
- A Procession of the Damned: Study for Dante's "Inferno"
- 1780s
- On view at YUAG
2
- A Sleeping Leopard
- 1791
3
- A Tiger and a Sleeping Leopard
- 1788
4
- A Prancing Horse, Facing Right
- ca. 1790
5
- Study for the Self-portrait in Enamel
- ca. 1781
6
- The Creation of the Heavens
- ca. 1790
- On view at YUAG
7
- Grotesque Female Head
- undated
8
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
9
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
10
- Auction of Pictures, &c
- 1799
11
- Auction of Pictures, &c
- 1799
12
- The Invasion, Plate I, France
- 1768
13
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
14
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
15
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
16
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
17
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
18
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
19
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
20
- Sketches from Pen and Ink Drawings, Character and Caricatura
- 1794
21
- Concert Ticket, Mary's Chappel
- 1799
22
- Concert Ticket, Mary's Chappel
- 1799
23
- Concert Ticket, Mary's Chappel
- 1799
24
- Concert Ticket, Mary's Chappel
- 1799
25
- Concert Ticket, Mary's Chappel
- 1799
26
- Concert Ticket, Mary's Chappel
- 1799
27
- Concert Ticket, Mary's Chappel
- 1799
28
- Satire on False Perspective
- 1799
29
- Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
- 1768
30
- Satire on False Perspective
- 1799
31
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
32
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
33
- The Bruiser
- 1763
34
- View of Ely Cathedral
- ca. 1796
35
- Christ Church Gate, Canterbury
- ca. 1792–1794
36
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
37
- Landscape with Barn
- ca. 1795
38
- A Three Storied Georgian House in a Park
- ca. 1795
39
- South Porch and Tower of an Unidentified Church
- between 1790 and 1795
40
- The Bridge over the River Rye at Helmsley, with the Castle Beyond
- between 1798 and 1799
41
- Villa in a Valley near Vietri sul Mare
- ca. 1794
42
- Villa Salviati on the Arno
- between 1796 and 1797
43
- Sir William Hamilton's Villa
- ca. 1795
44
- Santa Lucia, A Convent near Caserta
- ca. 1795
45
- A River View near Grindelwald, Looking towards the Wetterhorn
- ca. 1794–7
46
- From the Isola Borromena, Lago Maggiore
- ca. 1795
47
- Landscape with Waterfall
- ca. 1796
48
- Landscape with Trees and Figures
- ca. 1796
49
- Dent de Lion, near Margate
- ca. 1791
50
- Villa d'Este
- ca. 1796
51
- Fisherman's Cottage, Dover
- ca. 1790s
52
- Man with Horse and Cart Entering a Quarry
- ca. 1797
53
- Autumn Sowing of the Grain
- ca. 1794
54
- Newark-upon-Trent
- ca. 1794
55
- The Hurries: Coal Boats Loading, Whitehaven
- ca. 1795
56
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
57
- St. Augustine's Gate, Canterbury
- ca. 1793
58
- Interior of St. John's Palace, Eltham
- ca. 1793
59
- Tivoli with the Temple of the Sybil and the Cascades
- ca. 1794–97
60
- The Angler
- 1794
61
- North East View of Grantham Church, Lincolnshire
- ca. 1797
62
- Windsor
- ca. 1798
63
- A Great Tree
- ca. 1794
64
- False Perspective Exemplified
- 1799
65
- The Angel (Plate 40)
- 1794
66
- Thel's Motto (Plate 1)
- 1789
67
- The Book of Thel, Title Page (Plate 2)
- 1789
68
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
69
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
70
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
71
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
72
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
73
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
74
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
75
- Night the Third. Narcissa; Title Page
- ca. 1797
76
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
77
- The Divine Image (Plate 24)
- 1789
78
- The Little Girl Found (Plate 22)
- 1789
79
- Night (Plate 30)
- 1789
80
- Infant Joy (Plate 28)
- 1789
81
- A Cradle Song (Plate 26)
- 1789
82
- Introduction (Plate 34)
- 1794
83
- Songs of Experience, Frontispiece (Plate 32)
- 1794
84
- Songs of Experience, Title Page (Plate 33)
- 1794
85
- Earth's Answer (Plate 35)
- 1794
86
- Nurses Song (Plate 37)
- 1794
87
- London (Plate 39)
- 1794
88
- Holy Thursday (Plate 38)
- 1794
89
- The Clod & the Pebble (Plate 36)
- 1794
90
- A Poison Tree (Plate 41)
- 1794
91
- The Tyger (Plate 42)
- 1794
92
- A Little Girl Lost (Plate 44)
- 1794
93
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
94
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
95
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
96
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
97
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
98
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
99
- The Chimney Sweeper (Plate 45)
- 1794
100
- The Human Abstract (Plate 46)
- 1794