The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
14
John Nixon, ca. 1760–1818
Brighton Races
1805
15
Print made by Edward Goodall, 1795–1870
An Old Oak
1834
16
Alfred Diston, active 1818–1829
Square in the Village of Los Silos, Tenerife
1827
17
Print made by Robert Wallis, 1794–1878
Virginia Water No. 1
1828-1832
18
Print made by Robert Wallis, 1794–1878
Virginia Water No. 1
1828-1832
19
James Valentine, 1815–1879
Study of the Royal Stag
ca. 1865
20
James Valentine, 1815–1879
Study of the Royal Stag
ca. 1865
21
Jack Butler Yeats, 1871–1957
The Last Bank
1897
22
Print made by John Doyle ('H.B.'), 1797–1868
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847
23
Print made by John Doyle ('H.B.'), 1797–1868
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
1849
24
unknown artist
Lancier d'Orleans
undated
25
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
26
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
27
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
28
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
29
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
30
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
31
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
32
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
33
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
34
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
35
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
36
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
37
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
38
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
39
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
40
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
41
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
42
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
43
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
44
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
45
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
46
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
47
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
48
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
49
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
50
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
51
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
52
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
53
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
54
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
55
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
56
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
57
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
58
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
59
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
60
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
61
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Right with a Sportsman
undated
62
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
63
Edward Duncan, 1803–1882
Pheasant Shooting
1825
64
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
65
William Heath, 1795–1840
Woodcock Shooting
undated
66
James Pollard, 1792–1867
Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
undated
67
Thomas Rowlandson, 1756–1827
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
68
James Pollard, 1792–1867
Partridge Shooting
undated
69
James Pollard, 1792–1867
Snipe Shooting
undated
70
James Pollard, 1792–1867
Grouse Shooting
undated
71
William Turner of Oxford, 1789–1862
The Exeter College Eight on the Isis, Oxford
1824
72
Henry Thomas Alken, 1785–1851
Snipe Shooting
undated
73
Henry Thomas Alken, 1785–1851
The St. Leger, Doncaster: The Finish
undated
74
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
75
Henry Thomas Alken, 1785–1851
"Topping a Park fence and doing the thing easy"
1827
76
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
77
Henry Thomas Alken, 1785–1851
Foxhunting: The Death
ca. 1830
78
Henry Thomas Alken, 1785–1851
Foxhunting: The Meet
1822
79
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
80
Joseph Crawhall, 1861–1913
Barnett Fair, putting him through his paces
1896
81
unknown artist
A Dangerous Leap
ca. 1850
82
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
83
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
84
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
85
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
86
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
87
James Ward, 1769–1859
Hereford Boar
ca. 1803
88
unknown artist
Epsom
1896
89
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
90
Print made by Edward Goodall, 1795–1870
An Old Oak
1834
91
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
92
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
93
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
94
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
95
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
96
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
97
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
98
Henry Thomas Alken, 1785–1851
Two Riders and a Couple of Hounds Clearing a Wall
1845
99
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
100
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country