Materials & Techniques: wove paper / Period: 19th century / Height [cm]: 14

1. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. Brighton Beach Looking West

Creator:: John Constable, 1776–1837
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/8 inches (11.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Monaco at Sunset from the Southwest

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1838
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Ship Aground, Brighton, with the Chain Pier Beyond

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1827
Materials & Techniques:: Watercolor, black ink, and gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Fortified Rock of Monaco from the East

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1838
Materials & Techniques:: Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. St. Mawes, Cornwall

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1823
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Shipping

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1828 and 1830
Materials & Techniques:: Brushed brown ink, pen and brown ink, gouache, graphite and white chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 3/8 x 7 3/8 inches (13.6 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Foul by God: River Landscape with Anglers Fishing From a Weir

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1830
Materials & Techniques:: Watercolor, gouache, graphite and white chalk on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 5 3/8 x 7 3/8in. (13.7 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Entrance Front of Hayley's House at Eartham

Creator:: William Blake, 1757–1827
Date:: 1801
Materials & Techniques:: Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Below Rabat, Malta

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 1/2 x 6 5/8 inches (14 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

14. Sliema

Creator:: Edward Lear, 1812–1888
Date:: 1866
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 13/16 inches (14.3 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

15. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Knowsley Hall

Creator:: Edward Lear, 1812–1888
Date:: ca. 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/16 x 15 1/16 inches (13.8 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

17. At Knowsley?

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 14 15/16 inches (13.7 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. Nice from the Genoa Road

Creator:: Edward Lear, 1812–1888
Date:: 1865
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 × 9 3/4 inches (14.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

19. Sowadi, 8:30 am, 4 January 1867 (65)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 x 9 1/4 inches (14.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Kom el Amhr, 1:00 pm, 4 January 1867 (68)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 3/16 inches (14 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. Gebel Sheikh Eredi

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 5 3/8 x 6 inches (13.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Qaw el Kebir

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 5 inches (14 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Between Bir El Abt

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Le Repos

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 7/8 inches (36.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Sentinel

Creator:: Print made by Richard Ansdell, 1815–1885
Date:: 1857
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, cream card
Dimensions:: Sheet: 5 7/16 × 8 inches (13.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Gipsy Encampment

Creator:: Print made by Samuel David Colkett, 1806–1863
Date:: 1830
Materials & Techniques:: Etching on very thick, rough, white wove paper
Dimensions:: Sheet: 11 7/16 x 15 3/4 inches (29.1 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Mill

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint with chine collé; Progress proof (e) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 14 5/8 inches (31.1 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Heath

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 13 1/2 inches (29.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Lock on the Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 17 1/8 inches (30.8 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Stoke by Neyland, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1829
Materials & Techniques:: Mezzotint and drypoint with chine collé; progress proof (g) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/8 inches (30.5 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View on the Orwell

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 16 3/4 inches (30.8 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Cader Idris

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: between 1824 and 1830
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 1/2 x 7 7/16 inches (13.9 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Mountebank, 1844

Creator:: Robert Turner, active 1844
Date:: 1844
Materials & Techniques:: Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 5/16 inches (14 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave

Creator:: Ford Madox Brown, 1821–1893
Date:: 1858
Materials & Techniques:: Watercolor, gouache, graphite and pastel on medium, slightly textured cream wove paper mounted to thick, gray card
Dimensions:: Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. The Cadger's Trot (first State)

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1823
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 1/4 inches (21 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. La Conversation

Creator:: Print made by Rose Joseph Lemercier, 1803–1887
Date:: 1826
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. La Prière

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 3/4 inches (18.5 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Le Silence Favorable

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Les Pendus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 x 8 3/8 inches (17.2 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Les Plaisirs Paternels

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 13/16 x 5 13/16 inches (19.8 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View of the Village of Chaillot Taken from the Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1800 to 1802
Materials & Techniques:: Soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 15/16 inches (13.7 x 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Viola and Olivia

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 3/8 inches (16.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Lady Mortimer's Welsh Song

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Ford in a Rage After Seeing Falstaff

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 1/2 inches (15.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Sir Richard Steele's Cottage

Creator:: Print made by David Lucas, 1802–1881
Date:: 1845
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Eaton Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Floating Dock at Rotherhithe

Creator:: James C. Allen, active 1821–1831
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 8 5/16 × 10 3/8 inches (21.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Fitting Up of the Medal Room in the Arsenal, Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Study of a Bridge

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Cathedral of Girgenti to the North

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 11/16 × 8 15/16 inches (14.4 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Monte Cassino

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 7 inches (14 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Entrance Gateway into the City of Perugia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 5/16 inches (14 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Interior of the Holy Chapel of Loretta

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Small Harbor at the Island of Premuda

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Study of Fontana Maggiore in Perugia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 5/16 inches (14 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Premuda

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Ancient Sarcophagus in the Cathedral of Cortona

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 × 8 15/16 inches (14.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Study of a Prison in Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 5 3/4 inches (14 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Premuda, Yugoslavian Landscape, Opposite, Ancona

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 5/16 inches (14 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Interior of a Church in Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 5 5/16 inches (14 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Sketch of the High Alter of the Church of, Il Redentore

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Palace in Padua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/16 inches (14 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Hall Staricase to a House in Padua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 16 11/16 inches (14 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Monument in the Garden of the Villa Altichiero Near Padua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 7/16 inches (14 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Picturesque View of a Village, With Mountains in the Background and a Stone Bridge in the Foreground

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Bown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 10 13/16 inches (18.4 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Edinburgh from Blackford Hill

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Loch Coriskin

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/2 inches (27 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Regent Street, Looking Toward Piccadilly From Waterloo Place

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Kelso

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Melrose

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Loch Coriskin

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Skiddaw

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A Horn Lantern, July 25, 1833

Creator:: Edward William Cooke, 1811–1880
Date:: 1833
Materials & Techniques:: Graphite, pen and black ink, and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/16 × 7 inches (13.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. King Charles's Statue, Whitehall

Creator:: unknown artist
Date:: ca. 1815
Materials & Techniques:: Watercolor on medium, rough, beige wove paper
Dimensions:: Sheet: 5 3/8 x 9 inches (13.7 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Westminster from Lambeth

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Pen and black ink and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 1/4 inches (13.7 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Battersea Fields, Painted for Charles Matthews, Esq.

Creator:: Patrick Nasmyth, 1787–1831
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured gray wove paper
Dimensions:: Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Noon

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Summer Morning

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Statue of Cain and Abel in the Forest near Leytonstone

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 3/4 inches (13.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Canterbury

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 8 inches (13.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Sketch of Figures Standing beneath a Stone Arch

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 4 3/8 inches (14.3 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Study of a Nude, Leaning Forward, with Arms Extended Out

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 11/16 × 3 11/16 inches (14.4 × 9.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Figure Study of a Woman

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/8 × 4 3/16 inches (13.7 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Study of a Skull

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1805
Materials & Techniques:: Black chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 3 5/8 inches (14.3 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Portrait of a Young Man

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1805
Materials & Techniques:: Gouache, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 × 3 3/16 inches (14.1 × 8.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Muscular Study of a Leg

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 × 3 1/2 inches (13.8 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Rear View Sstudy of a Nude Figure

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Blackk chalk and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 5/8 × 4 3/4 inches (14.3 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Study of Feet

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Black chalk, and red chalk on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 3/8 × 3 1/2 inches (13.7 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Study of a Hand, Balled into a Fist

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 3 9/16 inches (14 × 9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Anatomical Study of a Leg

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and gray ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 3 1/4 inches (14 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Murder of Duncan - Macbeth with the Daggers

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: between 1809 and 1811
Materials & Techniques:: Graphite, black chalk and white chalk on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 5 11/16 × 8 5/8 inches (14.4 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Study of a Man's Expressive Face

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/16 × 2 15/16 inches (13.5 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Portrait Study, of a Man's Profile

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 7/16 × 3 11/16 inches (13.8 × 9.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques wove paper

Period 19th century

Height [cm] 14

Search Results

1. The Morning of Life

2. The Morning of Life

3. Brighton Beach Looking West

4. The Morning of Life

5. Monaco at Sunset from the Southwest

6. Ship Aground, Brighton, with the Chain Pier Beyond

7. The Fortified Rock of Monaco from the East

8. St. Mawes, Cornwall

9. Rome from Monte Mario

10. Shipping

11. Foul by God: River Landscape with Anglers Fishing From a Weir

12. The Entrance Front of Hayley's House at Eartham

13. Below Rabat, Malta

14. Sliema

15. Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

16. Knowsley Hall

17. At Knowsley?

18. Nice from the Genoa Road

19. Sowadi, 8:30 am, 4 January 1867 (65)

20. Kom el Amhr, 1:00 pm, 4 January 1867 (68)

21. Gebel Sheikh Eredi

22. Qaw el Kebir

23. Between Bir El Abt

24. Le Repos

25. The Sentinel

26. The Gipsy Encampment

27. A Mill

28. A Heath

29. A Lock on the Stour, Suffolk

30. Stoke by Neyland, Suffolk

31. View on the Orwell

32. Cader Idris

33. Mountebank, 1844

34. The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave

35. The Cadger's Trot (first State)

36. La Conversation

37. La Prière

38. Le Silence Favorable

39. Les Pendus

40. Les Plaisirs Paternels

41. View of the Village of Chaillot Taken from the Pont de la Concorde

42. Viola and Olivia

43. Lady Mortimer's Welsh Song

44. Ford in a Rage After Seeing Falstaff

45. Sir Richard Steele's Cottage

46. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

47. Eaton Hall

48. Dryburgh Abbey

49. Floating Dock at Rotherhithe

50. The Fitting Up of the Medal Room in the Arsenal, Venice

51. Study of a Bridge

52. Cathedral of Girgenti to the North

53. Monte Cassino

54. Entrance Gateway into the City of Perugia

55. Interior of the Holy Chapel of Loretta

56. Small Harbor at the Island of Premuda

57. Study of Fontana Maggiore in Perugia

58. Premuda

59. Ancient Sarcophagus in the Cathedral of Cortona

60. Study of a Prison in Venice

61. Premuda, Yugoslavian Landscape, Opposite, Ancona

62. Interior of a Church in Venice

63. Sketch of the High Alter of the Church of, Il Redentore

64. Palace in Padua

65. Hall Staricase to a House in Padua

66. Monument in the Garden of the Villa Altichiero Near Padua

67. Picturesque View of a Village, With Mountains in the Background and a Stone Bridge in the Foreground

68. Jedburgh Abbey

69. Edinburgh from Blackford Hill

70. Loch Coriskin

71. Regent Street, Looking Toward Piccadilly From Waterloo Place

72. Jedburgh Abbey

73. Kelso