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Materials & Techniques wove paper

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Period 19th century

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Height [cm] 19

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Study for "The Golden Age"
Creator:
Francis Danby, 1793–1861
Date:
1827
Materials & Techniques:
Graphite and gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 7 1/2 x 10 7/8in. (19.1 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Andrew Wyld in honor of Paul Mellon
The Launch of "La Sorciére" on the Lake of Geneva
Creator:
Francis Danby, 1793–1861
Date:
undated
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 × 11 3/8 inches (19.4 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East Bergholt Church, Looking Out the South Archway of the Ruined Tower
Creator:
John Constable, 1776–1837
Date:
1806
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 5 3/8 inches (18.7 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Guildford
Creator:
Samuel Palmer, 1805–1881
Date:
1844
Materials & Techniques:
Watercolor and gouache and scraping out with some varnish over graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Old Buildings
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Brown ink, brown wash, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 10 5/8 inches (19.4 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Valley of Dolwyddelan
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor, black chalk, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 11 1/8 inches (19.4 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape Sketch
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Pink wash, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 15 3/4 inches (18.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weald of Kent
Creator:
Samuel Palmer, 1805–1881
Date:
between 1833 and 1834
Materials & Techniques:
Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bellman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 x 5 3/4 inches (18.8 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Temple of Jupiter in the Island of Aegina
Creator:
Attributed to Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Via Mala

Via Mala
Creator:
Attributed to Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 14 3/4 inches (28.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stonehenge at Daybreak
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
1815 to 1819
Materials & Techniques:
Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Whitchurch, Devonshire
Creator:
Attributed to Joseph Mallord William Turner, 1775–1851
Date:
1800
Materials & Techniques:
Graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 7 3/8 x 10 7/8 inches (18.7 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Anne Parmelee Reed Dean in memory of her grandfather, the Reverend Edward Allen Reed, and her father, Professor Edward Bliss Reed, Yale 1894
Gloucester Cathedral
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1820 and 1826
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hedging and Ditching
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Procris and Cephalus
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 11 1/2 inches (21.6 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Crowhurst

Crowhurst
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 14 7/8 inches (28.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Procris and Cephalus
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stonehenge at Daybreak
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
1815 to 1819
Materials & Techniques:
Mezzotint, printed in brown ink Modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 5/8 inches (29.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hedging and Ditching
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 11 1/8 inches (20.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Procris and Cephalus
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Catania

Catania
Creator:
Edward Lear, 1812–1888
Date:
1847
Materials & Techniques:
Pen and brown ink, pen and black ink, and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 7 5/8 × 14 1/2 inches (19.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Villa Torlania, formerly Villa Conti, Erascati
Creator:
Edward Lear, 1812–1888
Date:
ca. 1844
Materials & Techniques:
Graphite on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 5 1/4 x 9 11/16 inches (13.3 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
Garf Hassai, Malta
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:
Mount: 7 9/16 x 8 5/8 inches (19.2 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942
Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
Creator:
Edward Lear, 1812–1888
Date:
1849
Materials & Techniques:
Watercolor with pen in brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 5 1/16 inches (19.4 x 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

33. Albenga

Albenga
Creator:
Edward Lear, 1812–1888
Date:
1864
Materials & Techniques:
Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 7 5/16 x 21 1/4 inches (18.6 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
A Visionary Head
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fragment of a Doric Cornice Among the Ruins of Eleusis
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 9 3/4 inches (19.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape of Trees, and Ruins
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 7/16 × 9 11/16 inches (18.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Man in Traditional Greek Attire, Guiding a Boat, With a Line of Rope
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 4 5/8 inches (19.4 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fragment of the Capital of a Pillar
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 9 9/16 inches (19.4 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Architectural Sketch of Building with Doric Columns
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 3/4 inches (19.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch of an Entrance to a Palace in the Streets of Prague
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1804
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 9 1/2 inches (19.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of the Upper Prague Streets
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Villa in the Electoral Gardens Near Dresden
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 9 1/2 inches (19.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Official Building
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/16 × 8 15/16 inches (18.6 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Church
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 4 5/8 inches (19.1 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies of the Architecture in Litchfield Cathedral
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1807
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 9 1/4 inches (19.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Freshwater Gate from the Sea
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 inches (18.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonchurch, Isle of Wight
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Window of the Room Where Charles I Was Confined, Carisbrooke Castle
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1829
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brading Church, Isle of Wight
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1828
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch of Fishermen in a Boat
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
between 1826 and 1830
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 1/8 inches (19.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of a River from a Terrace, Macon
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on Medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newcastle-on-Tyne
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper with chine-collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch at Mulbarton
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Val d'Aosta
Creator:
Print made by Alfred Dawson, active 1860–1894
Date:
1885
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/16 x 14 1/2 inches (26.2 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith Zlotsky

55. Via Mala

Via Mala
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching, with brown wash (touched proof) on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth Declaring His Love to Miss Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Polecat

Polecat
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and black ink, pen and gray ink, and graphite on wove paper
Dimensions:
Sheet: 7 5/8 × 6 1/2 inches (19.4 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bull and Cow
Creator:
Samuel Howitt, 1756–1822
Date:
after 1813
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 5 3/4 inches (18.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crane and Frogs
Creator:
Samuel Howitt, 1756–1822
Date:
after 1813
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 5 3/4 inches (18.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Romantic Landscape with Distant Mountains
Creator:
John Varley, 1778–1842
Date:
1842
Materials & Techniques:
Watercolor, gum, white gouache, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 14 inches (19.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Macbeth and Banquo on the Heath
Creator:
George Fennell Robson, 1788–1833
Date:
ca. 1830
Materials & Techniques:
Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

68. Gledhow

Gledhow
Creator:
Print made by George Cooke, 1781–1834
Date:
1816
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq.
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 20 inches (33.7 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Observatory at Rosehill, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 5/8 inches (38.1 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vale of Heathfield, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 19 3/4 inches (34.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vale of Ashburnham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 20 3/8 inches (34.6 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowhurst, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 14 7/8 inches (30.2 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hurstmonceux Castle
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 14 1/4 inches (29.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Raby Castle, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1820
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/8 × 19 7/8 inches (33.3 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hylton Castle, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1820
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gibside, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1819
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1823
Materials & Techniques:
Open etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/16 × 18 3/4 inches (33.2 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Aske Hall

Aske Hall
Creator:
Print made by John Scott, 1774–1828
Date:
1821
Materials & Techniques:
Etching; engraver's proof (a), open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 22 1/4 inches (41 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Aske Hall

Aske Hall
Creator:
Print made by John Scott, 1774–1828
Date:
1818-1823
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/16 × 19 7/16 inches (33.2 × 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 18 3/16 inches (30.8 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Junction of the Greta and Tees at Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 17 11/16 inches (34 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brignall Church
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1821
Materials & Techniques:
Line engraving and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 13/16 × 18 1/16 inches (30 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof on very thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aysgarth Force
Creator:
Print made by John Scott, 1774–1828
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/16 × 12 3/16 inches (23 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simmer Lake near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1818-1823
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moss Dale Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1822
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simmer Lake near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1822
Materials & Techniques:
Etching; open etched state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ingleborough, from Hornby Castle Terrace
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818-1823
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hornby Castle from Tatham Church
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1822
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 15/16 × 18 3/4 inches (37.9 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hardraw Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1817
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkby Lonsdale Churchyard
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818-1823
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hornby Castle from Tatham Church
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1818-1823
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 15/16 × 19 3/8 inches (30.3 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heysham and Cumberland Mountain
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 11/16 × 18 15/16 inches (32.2 × 48.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection