Materials & Techniques: wove paper / Period: 19th century / Subject Terms: sitting

1. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. "Does thy God O Priest take such vengeance as this?" (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Water (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Air (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "Became a Space & an Allegory..." (Plate 85)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "Bath who is Legions..." (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Chapter 3 Frontispiece (Plate 51)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "Then all the Males conjoined into One Male..." (Plate 69)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Study for a Destroying Deity

Creator:: William Blake, 1757–1827
Date:: 1820 to 1825
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Egyptian Men

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 5/16 x 1 11/16 inches (3.3 x 4.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

13. Egyptian Man

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 11/16 x 1 3/8 inches (4.3 x 3.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. View of the Clifton Suspension Bridge

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Landscape with Oak Trees

Creator:: Print made by John Crome, 1768–1821
Date:: ca. 1812
Materials & Techniques:: Etching on moderately thick, textured, beige wove paper
Dimensions:: Sheet: 9 11/16 x 7 3/8 inches (24.6 x 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Road Scene, Trowse Hall, near Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 x 12 1/16 inches (23.5 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Cottage at Diss

Creator:: Robert Dixon, 1780–1815
Date:: 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Study for The Wedding Feast of Sir Degrevaunt

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Prospero Conjuring a Masque for Ferdinand and Miranda

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1810
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 6 9/16 inches (12.6 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Claudio and Isabella

Creator:: Robert Smirke, 1752–1845
Date:: 1823
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Lady Mortimer's Welsh Song

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Hotspur and the Plotters at Bangor

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 5 inches (16.8 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Death of Ophelia

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1810
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 x 5 7/8 inches (12.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and color woodcut on thick, smooth, cream wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.5 × 12.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Study of a Male Nude

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Pen and brown ink on medium, smooth, beige wove paper
Dimensions:: Sheet: 6 1/8 × 3 3/4 inches (15.6 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Study of a Seated Male Nude

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1806
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 3 3/4 inches (15.6 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Bacharach

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 9/16 x 2 3/8 inches (14.1 x 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Man Sitting

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1811
Materials & Techniques:: Graphite and white chalk on moderately thick, rough, gray wove paper
Dimensions:: Sheet: 6 1/8 × 10 3/8 inches (15.6 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Bacharach and View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Job's Comforters

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A Highland Interior

Creator:: Print made by Alexander George Fraser, 1786–1865
Date:: undated
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 x 3 1/2 inches (12.8 x 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

39. A Seated Man Drinking

Creator:: Print made by Alexander George Fraser, 1786–1865
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 x 4 inches (14.2 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

40. A Study of Children

Creator:: John Linnell, 1792–1882
Date:: 1811
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 8 5/8 x 9 1/4 inches (21.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Baron's Hall

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1844
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Plate: 6 7/8 x 9 13/16 inches (17.4 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Audacity of Jack Sheppard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 x 6 15/16 inches (22.2 x 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

43. "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

44. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

45. "That aint him!"

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 5 11/16 inches (20.4 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

46. Clapham Manor-House, Surry

Creator:: John Hassell, 1767–1825
Date:: between 1804 and 1822
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Wrath of Elihu

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Job Accepting Charity

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 3/4 inches (8.9 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Satan Going Forth from the Presence of the Lord

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: after 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Girl Pinning Flowers on a Hat

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 x 7 13/16 inches (17.4 x 19.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Two Boys

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 6 1/8 x 8 inches (15.5 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Woman Sitting by the Window (Evening thou Bringest All)

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1802, published 1806
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 13 5/8 inches (22.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

56. George Vertue

Creator:: M. Gauci, 1810–1846
Date:: 1821
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 12 11/16 inches (43.1 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Lecture on Elocution, the Professor Enforcing his Precepts by Example

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/8 x 17 5/16 inches (30.8 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/16 x 17 3/8 inches (30.9 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Rivals: Extremes Meet

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Parliamentary "Souvenir"

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 18 1/8 x 11 15/16 inches (46 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Queen Katherine's Dream

Creator:: George Henry Harlow, 1787–1819
Date:: 1807
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Edgware Road, London

Creator:: John Linnell, 1792–1882
Date:: 1806
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Contemporary drawn border: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Figures on a Bank, Kensington Gravel Pits

Creator:: John Linnell, 1792–1882
Date:: 1812
Materials & Techniques:: Watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 7/8 x 5 3/4 inches (9.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Widecombe Village

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Two Peasants by a Window

Creator:: attributed to William Henry Hunt, 1790–1864
Date:: undated
Materials & Techniques:: Watercolor and charcoal with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 4 3/4 inches (20 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. A Fallen Oak

Creator:: attributed to William Henry Hunt, 1790–1864
Date:: ca. 1815
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 5/8 x 21 inches (37.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Portrait of a Young Man with a Slate

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1835
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 4 1/8 inches (15.9 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A Young Scholar Goes Fishing

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 8 inches (21.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Aldenham Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Millbank

Creator:: John Linnell, 1792–1882
Date:: 1806
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 x 6 5/8 inches (21.9 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Study of a Young Girl, Seated

Creator:: Daniel Maclise, 1806–1870
Date:: undated
Materials & Techniques:: Pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 6 9/16 inches (21.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Henry Sass

Creator:: Daniel Maclise, 1806–1870
Date:: between 1830 and 1835
Materials & Techniques:: Black chalk, graphite, watercolor, and red chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 7 7/16 × 5 1/2 inches (18.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Wooded Track

Creator:: Henry Monro, 1791–1814
Date:: 1813
Materials & Techniques:: Gray wash, pen and black ink, white chalk, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 14 7/8 x 10 7/8 inches (37.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Avenue and Entrance to St. James Barracks

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash, graphite, ang gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Fisherman and Dog Sitting by the Coast

Creator:: George Morland, 1763–1804
Date:: 1803
Materials & Techniques:: Graphite touched with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Mount: 18 1/4 x 20 7/8 inches (46.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Cutting Reviews

Creator:: James Smetham, 1821–1889
Date:: undated
Materials & Techniques:: Gray wash and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 × 3 13/16 inches (12.7 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. An Extraordinary Animal, Neither an Opossum nor a Kangaroo but Having Something of Both

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1835
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 17 5/8 x 11 13/16 inches (44.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

80. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Mrs. Sheppard Expostulating with her Son

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/4 x 6 15/16 inches (21 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

82. Dr. Syntax with Kitty Cowslip

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink and pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 3/16 x 8 7/16 inches (13.2 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. George Cruikshank, self-portrait

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 8 1/8 × 5 1/8 inches (20.7 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. John Hoppner, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: 1810
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 x 12 5/16 inches (47.4 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Interior of the Chapel of the Holy Trinity

Creator:: Print made by Thomas Dale, active ca. 1921
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 × 9 5/8 inches (32 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

86. A Baby Elephant sitting by a fence

Creator:: Daniel Maclise, 1806–1870
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/4 × 3 5/8 inches (10.8 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Dr. Syntax Visits a Boarding School for Young Ladies

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 x 8 5/16 inches (12.9 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Dr. Syntax Visits a Boarding School for Young Ladies

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/16 inches (13.3 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Book Auction

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 13/16 inches (15.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A Summer Idyll

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor with pen and brown ink and pen and gray ink over graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 8 3/8 x 10 15/16 inches (21.3 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Franciscan Friar

Creator:: Alfred Diston, active 1818–1829
Date:: 1828
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 1/4 inches (23.2 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Seated gardener with a shovel

Creator:: William Egley, 1798–1870
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 9 inches (31.4 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Country Folk Gathered Around a Cooking Pot

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 x 4 7/8 inches (7 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Cyril Jackson

Creator:: Charles Turner, 1774–1857
Date:: 1811
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 13/16 × 13 13/16 inches (50.3 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Turkish Scenes

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper cut into eight scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 11/16 x 7/8 inches (6.8 x 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Man Sitting Outside Tavern

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 3/4 inches (18.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Ben Nevis

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Grave, A Poem, by Robert Blair

Creator:: Prints made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching and letterpress bound in full calf with marbled endpapers on moderately thick, slightly textured, laid paper and wove paper
Dimensions:: Binding: 16 1/8 inches (41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Grave, A Poem, by Robert Blair

Creator:: Prints made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching and letterpress, bound in contemporary publisher's paper-covered boards, rebacked on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Lady Sarah Spencer, Althorp

Creator:: George Barker, active mid-19th century
Date:: 1856
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 3/8 × 4 1/4 inches (13.7 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

YCBA Collections Search

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Materials & Techniques wove paper

Period 19th century

Subject Terms sitting

Search Results

1. Apuleia in Search of Apuleius

2. "Does thy God O Priest take such vengeance as this?" (Plate 14)

3. "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

4. Water (Plate 4)

5. Air (Plate 6)

6. "Became a Space & an Allegory..." (Plate 85)

7. "Bath who is Legions..." (Plate 41)

8. Chapter 3 Frontispiece (Plate 51)

9. "Then all the Males conjoined into One Male..." (Plate 69)

10. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

11. Study for a Destroying Deity

12. Egyptian Men

13. Egyptian Man

14. View of the Clifton Suspension Bridge

15. Landscape with Oak Trees

16. Road Scene, Trowse Hall, near Norwich

17. West Tower, Wymondham Church

18. Cottage at Diss

19. Study for The Wedding Feast of Sir Degrevaunt

20. Vue Generale de l'Eglise de l'Abbaye de Tournus

21. Prospero Conjuring a Masque for Ferdinand and Miranda

22. Claudio and Isabella

23. Lady Mortimer's Welsh Song

24. Hotspur and the Plotters at Bangor

25. The Death of Ophelia

26. Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.

27. "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

28. Study of a Male Nude

29. Study of a Seated Male Nude

30. Bacharach

31. Eight Rural Subjects

32. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

33. Death's Door

34. Man Sitting

35. Bacharach and View near Bingen

36. View near Bingen

37. Job's Comforters

38. A Highland Interior

39. A Seated Man Drinking

40. A Study of Children

41. The Baron's Hall

42. Audacity of Jack Sheppard

43. "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

44. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

45. "That aint him!"

46. Clapham Manor-House, Surry

47. Florence, from the Chiesa al Monte

48. The Wrath of Elihu

49. Job Accepting Charity

50. Satan Going Forth from the Presence of the Lord

51. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

52. Girl Pinning Flowers on a Hat

53. Two Boys

54. Florence, from the Chiesa al Monte

55. A Woman Sitting by the Window (Evening thou Bringest All)

56. George Vertue

57. A Lecture on Elocution, the Professor Enforcing his Precepts by Example

58. A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order

59. An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"

60. The Rivals: Extremes Meet

61. A Parliamentary "Souvenir"

62. Queen Katherine's Dream

63. Edgware Road, London

64. Figures on a Bank, Kensington Gravel Pits

65. Widecombe Village

66. Two Peasants by a Window

67. A Fallen Oak

68. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

69. Portrait of a Young Man with a Slate

70. A Young Scholar Goes Fishing

71. Aldenham Church

72. Millbank

73. Study of a Young Girl, Seated