Materials & Techniques: wove paper / Exhibition History: Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19) / Collective Title: Picturesque Views in England and Wales

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Materials & Techniques wove paper

Exhibition History Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)

Collective Title Picturesque Views in England and Wales

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

Print made by James T. Willmore, 1800–1863

Llanthony, Monmouthshire

1834

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by W. R. Smith, active 1819–1851

The Entrance to Fowey Harbour, Cornwall

1829

Print made by James T. Willmore, 1800–1863

Penmaen Mawr, Caernarvonshire

1832

Print made by James T. Willmore, 1800–1863

Ullswater, Cumberland

1835

Print made by Edward Goodall, 1795–1870

Fall of the Tees, Yorkshire

1827

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

Print made by Robert Wallis, 1794–1878

Dudley, Worcestershire

1835

Print made by W. R. Smith, active 1819–1851

Lowestoffe, Suffolk

1837

Print made by William Radclyffe, 1780–1855

Salisbury, Wiltshire

1830

Print made by James T. Willmore, 1800–1863

Llanberis Lake, Wales

1834

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

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