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Materials & Techniques wove paper
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101
- Tiger Body, Lateral View
- 1795 to 1806
102
- Tiger Body, Lateral View (Shows the third stage in dissection)
- 1795 to 1806
103
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
104
- Tiger Body, Lateral View
- 1795 to 1806
105
- Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
- 1795 to 1806
106
- Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
- 1795 to 1806
107
- Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
- 1795 to 1806
108
- Tiger Body, Lateral View (Outline drawing for a key figure)
- 1795 to 1806
109
- Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
- 1795 to 1806
110
- Leopard Body, Lateral View
- 1795 to 1806
111
- Tiger Body, Recumbent, Viewed Ventrally
- 1795 to 1806
112
- Tiger, Recumbent, Viewed Ventrally
- 1795 to 1806
113
- Leopard Body, Lateral View
- 1795 to 1806
114
- Tiger Body, Standing in Human Posture
- 1795 to 1806
115
- Fowl Skeleton, Lateral View
- 1795 to 1806
116
- Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
- 1795 to 1806
117
- Leopard Body, Lateral View
- 1795 to 1806
118
- Fowl Skeleton, Lateral View
- 1795 to 1806
119
- Fowl Skeleton, Lateral View
- 1795 to 1806
120
- Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
- 1795 to 1806
121
- Fowl Body, Lateral View (Study for key figure to Table X)
- 1795 to 1806
122
- Fowl Body, Lateral View (Study for the Key Figure to Table XV)
- 1795 to 1806
123
- Fowl Skeleton, Lateral View (Study for the key figure to Table V)
- 1795 to 1806
124
- Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
- 1795 to 1806
125
- Fowl Body, Lateral View
- 1795 to 1806
126
- Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
- between 1795 and 1806
127
- Fowl Body, Lateral View (Outline drawing, related to Table XV)
- 1795 to 1806
128
- Dorking Hen, Lateral View
- 1795 to 1806
129
- Plate VI, Human Body, Frontal View
- 1804
130
- Plate VII, Human Body, Lateral View
- 1804
131
- Plate VIII, Human Body, Posterior View
- 1804
132
- A Country Girl in the Lake District
- 1806
133
- Hampstead Heath
- 1820
134
- Aesacus and Hesperie
- 1819
135
- Thomas Hayley, the Disciple of John Flaxman, from a Medallion
- 1800
136
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
- 1819
137
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
- 1819
138
- A Visionary Head
- 1819 to 1820
139
- Thomas Hayley the Disciple of John Flaxman, from a Medallion
- 1800
140
- Studies of Camels and Egyptian Men
- 1867
141
- Howatke
- 1867
142
- Near Bajoura
- 1867
143
- Seated Men
- 1867
144
- Egyptian Man
- 1867
145
- Egyptian Man
- 1867
146
- Egyptian Men
- 1867
147
- Egyptian Man
- 1867
148
- Egyptian Man
- 1867
149
- Korti
- 1867
150
- Memphis
- 1867
151
- Memphis
- 1867
152
- Egpytian Man on Camel
- 1867
153
- Camel studies
- 1867
154
- Study of figures and a camel
- 1867
155
- Study of an Egyptian Man on a Camel
- 1867
156
- Camels
- 1867
157
- Figure Composition Study 3
- 1793-1794
158
- Figure Composition Study 4
- 1793
159
- Figure Composition Study 5
- mid-1790s
160
- Figure Composition Study 6
- 1795-1796
161
- Figure Composition Study 26
- undated
162
- Figure Study 3
- early 1790s
163
- Figure Composition Study 28
- undated
164
- Figure Composition Study 29
- undated
165
- Figure Composition Study 31
- undated
166
- Figure Composition Study 32
- undated
167
- Figure Composition Study 33
- undated
168
- Study of a Male Figure
- undated
169
- Figure Composition Study 35
- undated
170
- Figure Composition Study 40
- undated
171
- Figure Composition Study 42
- undated
172
- Figure Composition Study 41
- undated
173
- Figure Composition Study 43
- undated
174
- Figure Composition Study 44
- undated
175
- Figure Composition Study 45
- undated
176
- Figure Composition Study 46
- undated
177
- Figure Composition Study 47
- undated
178
- Figure Composition Study 48
- 1793
179
- Figure Composition Study 1
- 1794
180
- Figure Composition Study 7
- ca. 1794
181
- Figure Composition Study 11
- 1770s
182
- Figure Composition Study 12
- mid-1790s
183
- Figure Composition Study 18
- undated
184
- Figure Composition Study 20
- mid-1790s
185
- Figure Composition Study 22
- undated
186
- Figure Composition Study 23
- undated
187
- Figure Composition Study 24
- undated
188
- Figure Composition Study 21 with a Face
- undated
189
- Figures
- undated
190
- Sibyl
- undated
191
- Mother and Children
- undated
192
- Three Sketches of a Figure Asleep, Probably Adam and Eve for "Satan Discovered at the Ear of Eve"
- undated
193
- Profile of a Grotesque Head Facing Right
- late 1780s-early 1790s
194
- Rape Scene: Hell
- undated
195
- Witches' Cavern: MacBeth's Second Visit
- undated
196
- Two Sketches of Children at Play
- undated
197
- Unidentified Subject: A Man with a Child
- undated
198
- Titania's Attendants Chasing Bats
- undated
199
- Possibly Lapland Witches
- undated
200
- Demon Ruler and Subjects: "The Miserable Effects of War on John Bull..."
- undated