Materials & Techniques: wove paper / Genre: genre subject / Subject Terms: gesture

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by Agostino Brunias, 1728–1796

The Barbadoes Mulatto Girl

1779

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Print made by James Bretherton, ca. 1730–1806

I Will Pay No More Debts of Her Contracting

1772

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by John Bluck, active 1791–1831

Water Engine, Cold-Bath-Field's Prison

1808

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by Henry Thomas Alken, 1785–1851

The Justice

1824

Print made by Henry Thomas Alken, 1785–1851

The School-Boy

1824

John Eginton, active 1763–1800

The Affectionate Daughter

1792

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by Benjamin Comte, 1760–1851

Tynemouth Castle and Priory, Northumberland

1802

William Ellis, 1747–1810

The House of William Russell, Esq., Showell Green: English and French Text

1792

Print made by Axel Herman Haig, 1835–1921

An Old Hanse Town

undated

Print made by John Henry Amshewitz, 1882–1942

The Fortune Teller

undated

Sir David Wilkie, 1785–1841

La Mancha

1828

J. Findlay, active 1825–1857

Peter Callam & Elvira

undated

unknown artist

Brighton Town and Church

ca. 1780

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene V

ca. 1802

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene IV

ca. 1802

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene II

ca. 1802

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene VI

ca. 1802

Print made by Rowney & Forster, active 1820–1822

The Show

after 1821