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Materials & Techniques wove paper

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Genre landscape

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Width [cm] 74

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Strongyli
Creator:
Edward Lear, 1812–1888
Date:
May 4, 1864
Materials & Techniques:
Brown and black ink and graphite on medium, moderately textured, brown wove paper
Dimensions:
Frame: 22 x 29 x 1 inches (55.9 x 73.7 x 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Peter R. Spokes, Yale BA 1948, in memory of C.C. and C.B. Hogan, Yale BA 1928
Moorland with Sheep and Shepherd
Creator:
Claude Hayes, 1852–1922
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 29 1/4 inches (49.2 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Side of Ludlow Castle
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, gouache, and scratching out on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 5/8 × 29 1/8 inches (54.9 × 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rock Drawings Photopiece
Creator:
Print made by Sir Richard Long, born 1945
Date:
1994
Materials & Techniques:
Screen print on 300gsm Somerset Satin white wove paper
Dimensions:
Sheet: 19 1/4 × 29 inches (48.9 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Annual Resort of Hindoos to Mundar Hill near Bhagulpore [Bhagalpur]
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and scratching out on medium, slightly textured, beige wove paper
Dimensions:
Mount: 19 9/16 × 29 inches (49.7 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Seran Raja's Palace
Creator:
Print made by Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 29 inches (54 x 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953
No cover image available
Creator:
Print made by Charles Blair Leighton, 1823–1855
Date:
1852
Materials & Techniques:
Chromolithograph; first published state on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Charles Blair Leighton, 1823–1855
Date:
1855
Materials & Techniques:
Chromolithograph; first published state on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 19 1/8 inches (34.3 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1856
Materials & Techniques:
Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1856
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/8 × 32 7/8 inches (67 × 83.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
1907
Materials & Techniques:
Etching; early proof on medium, smooth, brown wove paper
Dimensions:
Sheet: 22 × 29 inches (55.9 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund