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Materials & Techniques wove paper

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Genre literary theme

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1. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Scene from Quentin Durward

Scene from Quentin Durward
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Boy of Egremond

The Boy of Egremond
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 6 1/4 inches (29.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Berwick-on-Tweed

Berwick-on-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 7/8 × 12 1/8 inches (22.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 inches (30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Berwick on Tweed

Berwick on Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 7 1/4 × 10 inches (18.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Berwick-on-Tweed

Berwick-on-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Line engraving; early, touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 3/4 inches (11.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. The Murder on the Thames

The Murder on the Thames
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1839
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 9 1/16 x 7 7/16 inches (23 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

17. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Berwick-on-Tweed

Berwick-on-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Princes in the Tower

The Princes in the Tower
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1820
Materials & Techniques:
Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. A Scene from "The Abbot"

A Scene from "The Abbot"
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Watercolor with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

22. Here Nature List'ning Stood

Here Nature List'ning Stood
Creator:
Print made by Cornelis Apostool, 1762–1844
Date:
1795
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 6 5/16 × 8 9/16 inches (16.1 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. London. A Street: 'Henry IV Part II,' Act II, Scene I

London. A Street: 'Henry IV Part II,' Act II, Scene I
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/16 × 8 7/16 inches (15.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Creator:
Print made by William Bromley, 1769–1842
Date:
1811
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Folkestone

Folkestone
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof, touched on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Folkestone

Folkestone
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; finished engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 6 1/4 × 8 1/2 inches (15.9 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Berwick-on-Tweed

Berwick-on-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Tynemouth Priory

Tynemouth Priory
Creator:
Print made by William Miller, 1796–1882
Date:
1844-1867
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection