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George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
Thomas Stothard The Tenth Day of the Decameron
Thomas Stothard, 1755–1834
The Tenth Day of the Decameron
ca. 1825
Henry Fuseli Study for 'Finding of the Body of Bassanio'
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
Henry Le Keux Loch Coriskin
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
William Miller The Dead Eagle - Oran
Print made by William Miller, 1796–1882
The Dead Eagle - Oran
1837
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878
Kelso
1834
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
William Miller Edinburgh from Blackford Hill
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
William Miller Loch Katrine
Print made by William Miller, 1796–1882
Loch Katrine
1834
William Miller Melrose
Print made by William Miller, 1796–1882
Melrose
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Skiddaw
Print made by William Miller, 1796–1882
Skiddaw
1834
William Miller Berwick on Tweed
Print made by William Miller, 1796–1882
Berwick on Tweed
1834
William Miller Melrose
Print made by William Miller, 1796–1882
Melrose
1834
William Miller Edinburgh from Blackford Hill
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1834
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878
Kelso
1834
George Cruikshank Jonathan Wild Discovers Darrell in the Loft
Print made by George Cruikshank, 1792–1878
Jonathan Wild Discovers Darrell in the Loft
1835
David Allan Bauldy, Symon and Sir William Worthy
Print made by David Allan, 1744–1796
Bauldy, Symon and Sir William Worthy
1808
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
unknown artist Scene from Macbeth: Apparition of Banquo
unknown artist
Scene from Macbeth: Apparition of Banquo
undated
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
Thomas Watson Maria
Print made by Thomas Watson, 1743–1781
Maria
1796
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
William Miller Dryburgh
Print made by William Miller, 1796–1882
Dryburgh
1834
William Miller Melrose
Print made by William Miller, 1796–1882
Melrose
1834
William Miller Edinburgh from Blackford Hill
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
Henry Le Keux Loch Coriskin
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
Robert Smirke Scene from Don Quixote
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
unknown artist Thomas Percy, Bishop of Dromore
unknown artist
Thomas Percy, Bishop of Dromore
undated
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1833
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
William Miller Edinburgh from Blackford Hill
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
William Miller Loch Katrine
Print made by William Miller, 1796–1882
Loch Katrine
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
William Miller Skiddaw
Print made by William Miller, 1796–1882
Skiddaw
1834
Robert Brandard Jedburgh Abbey
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
Robert Wallis Kelso
Print made by Robert Wallis, 1794–1878
Kelso
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882
Dryburgh Abbey
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Francesco Bartolozzi And Ah! Let Pity Turn Her Dewy Eyes...
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
Edward Goodall Caerlaverock Castle
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
Charles Shannon The Captive Pegasus
Print made by Charles Shannon, 1863–1937
The Captive Pegasus
1897
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
unknown artist William Cavendish Marquis of Newcastle
Print made by unknown artist
William Cavendish Marquis of Newcastle
undated
William Strang The Mutiny of the Mavericks
Print made by William Strang, 1859–1921
The Mutiny of the Mavericks
1900