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Vanessa Bell Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
Vanessa Bell, 1879–1961
Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
ca. 1941
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
William Blake Thel's Motto (Plate 1)
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
William Blake The Book of Thel; Title Page (Plate 2)
Print made by William Blake, 1757–1827
The Book of Thel; Title Page (Plate 2)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake "The Traveller hasteth in the Evening" (Plate 16)
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
William Blake The Man Sweeping the Interpreter's Parlour
Print made by William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
1792-1793
George Romney MacBeth at the Witches' Cave: Second Visit
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
William Blake William Cowper, Author of "The Task"
Print made by William Blake, 1757–1827
William Cowper, Author of "The Task"
1802
William Blake William Cowper
Print made by William Blake, 1757–1827
William Cowper
1803-1804
William Blake Mrs Cowper Mother of the Poet
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
Robert Smirke Allegorical Sketch of Victory
Robert Smirke, 1752–1845
Allegorical Sketch of Victory
undated
Robert Smirke Lady Jane Grey
Robert Smirke, 1752–1845
Lady Jane Grey
undated
Sir Robert Smirke the younger An Ancient Inscription in the Post House at Argos
Sir Robert Smirke the younger, 1781–1867
An Ancient Inscription in the Post House at Argos
1802-1804
George Vertue Sir John Suckling
George Vertue, 1684–1756
Sir John Suckling
1744
William Miller Loch Katrine
Print made by William Miller, 1796–1882
Loch Katrine
1834
Thomas Watson Maria
Print made by Thomas Watson, 1743–1781
Maria
1796
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
Edward Goodall Smailholm Tower
Print made by Edward Goodall, 1795–1870
Smailholm Tower
1834
William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
Edward Goodall Valombre
Print made by Edward Goodall, 1795–1870
Valombre
1834
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
Edward Goodall Columbus and his Son
Print made by Edward Goodall, 1795–1870
Columbus and his Son
1834
Edward Goodall A Tempest – Voyage of Columbus
Print made by Edward Goodall, 1795–1870
A Tempest – Voyage of Columbus
1834
Edward Goodall Cortes and Pizarro
Print made by Edward Goodall, 1795–1870
Cortes and Pizarro
1834
George Augustus Sala Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
George Augustus Sala, 1828–1895
Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
undated
Edward Francis Burney MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV
Edward Francis Burney, 1760–1848
MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV
undated
David Allan Bauldy, Symon and Sir William Worthy
Print made by David Allan, 1744–1796
Bauldy, Symon and Sir William Worthy
1808
Edward Goodall The Alps at Daybreak
Print made by Edward Goodall, 1795–1870
The Alps at Daybreak
1834
William Bernard Cooke Newark Castle
Print made by William Bernard Cooke, 1778–1855
Newark Castle
1834
Caroline Watson Judith, or Cowper's Oak
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
David Scott Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross
ca. 1831
John Greig The Wilderness
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
John Greig The Elms
Print made by John Greig, active 1803–1853
The Elms
1803-1804
James S. Storer Olney Bridge
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804
James S. Storer The Shrubbery
Print made by James S. Storer, 1771–1853
The Shrubbery
1803-1804
John Greig The Temple in the Wilderness
Print made by John Greig, active 1803–1853
The Temple in the Wilderness
1803-1804
John Greig Weston House
Print made by John Greig, active 1803–1853
Weston House
1803-1804
James S. Storer The Rustic Bridge.
Print made by James S. Storer, 1771–1853
The Rustic Bridge
1803-1804
James S. Storer Weston Lodge
Print made by James S. Storer, 1771–1853
Weston Lodge
1803-1804
James S. Storer Views from the Alcove
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804
James S. Storer The Alcove from the Avenue
Print made by James S. Storer, 1771–1853
The Alcove from the Avenue
1803-1804
James S. Storer Cowper's Summer House
Print made by James S. Storer, 1771–1853
Cowper's Summer House
1803-1804
John Greig Olney Church
Print made by John Greig, active 1803–1853
Olney Church
1803-1804
John Greig The Peasant's Nest
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804