Materials & Techniques: wove paper / Genre: sporting art / Work Type: drawing

John R. Skeaping, 1901–1980

Key to the Mint

1974

Robert Polhill Bevan, 1865–1925

Huntsman and Hounds

ca. 1896

Robert Polhill Bevan, 1865–1925

Over the Bank, Exmoor

ca. 1895

Robert Polhill Bevan, 1865–1925

The Kill

undated

John R. Skeaping, 1901–1980

Coming Home Alone

1963

John R. Skeaping, 1901–1980

No Danger

1963

John R. Skeaping, 1901–1980

Setting Off, No. 1

1963

John R. Skeaping, 1901–1980

Taking Down Steady

1963

John R. Skeaping, 1901–1980

Pulling Up

1962

Robert Polhill Bevan, 1865–1925

The Flying Pack

undated

Robert Polhill Bevan, 1865–1925

Hounds in Covert

ca. 1896

Robert Polhill Bevan, 1865–1925

The Meet

between 1901 and 1925

Robert Polhill Bevan, 1865–1925

The Meet

1898

Robert Polhill Bevan, 1865–1925

Huntsman and Hounds

ca. 1898

Robert Polhill Bevan, 1865–1925

The Hunt

undated

John Frederick Lewis, 1804–1876

Game Keeper and Boy Ferreting a Rabbit

ca. 1828

John Frederick Lewis, 1804–1876

Tyrolese Hunters

between 1827 and 1828

James Ward, 1769–1859

Ferrets

undated

Patrick Nasmyth, 1787–1831

Sportsman and His Dogs

1828

unknown artist

The Eton Boat on the Towpath of the Thames: Windsor Castle in Background

ca. 1845

William Jefferys, 1730–ca. 1805

Maidstone, Kent

undated

James Ward, 1769–1859

Head and Shoulders of a Cart Horse

undated

John Nixon, ca. 1760–1818

Brighton Races

1805

George Morland, 1763–1804

A Sportsman Loading His Gun

undated

John Buckler FSA, 1770–1851

The Spanish Pointer

ca. 1799

James Ward, 1769–1859

Study of a Turkey

undated

Susannah Wales, Lady Malet, 1779–1868

A Cheetah Hunting Party with Charles Warre Malet

undated

Alfred Diston, active 1818–1829

Square in the Village of Los Silos, Tenerife

1827

Thomas Rowlandson, 1756–1827

Drawing Cover

undated

Thomas Rowlandson, 1756–1827

Landscape with a Hunting Party

undated

Lionel Edwards, 1878–1966

`Now then! Are you ready?'

1905

Jack Butler Yeats, 1871–1957

The Last Bank

1897

unknown artist

Lancier d'Orleans

undated

Heneage Finch fourth Earl of Aylesford, 1751–1812

The Race of Daldey

undated

Philip William May, 1864–1903

A Man and a Boy Riding on a Beach

undated

James Ward, 1769–1859

Study of a Plunging Eagle

undated

Thomas Rowlandson, 1756–1827

The Enraged Vicar

undated

Tessa Pullan, born 1953

Racing Scene: three racehorses with jockeys up

1994

unknown artist

Morning

1799

George Alken, 1794–active 1837

Foxhunting: Rider, Taking a Fence

undated

Henry Thomas Alken, 1785–1851

"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

1823

Henry Thomas Alken, 1785–1851

"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

1823

Henry Thomas Alken, 1785–1851

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Knight Falling From His Horse at a Squire's Tilt

undated

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Henry Thomas Alken, 1785–1851

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

between 1831 and 1832

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

undated

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing the Down Leap

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing it No How

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing it Somehow

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" The Down Leap Done

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

1818

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting a Dive

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting into a Bog

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

between 1848 and 1851

Henry Thomas Alken, 1785–1851

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

between 1809 and 1823

Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Henry Thomas Alken, 1785–1851

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

between 1822 and 1827