Materials & Techniques: wove paper / Genre: sporting art / Image Use: Free to Use

1. The Meet

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Found!

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Flying Pack

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Who-o-p!

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Huntsman and Hounds

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on thick, smooth, gray wove card
Dimensions:: Sheet: 7 7/8 x 6 5/8 inches (20.1 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Huntsman and Hounds

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 11/16 × 9 13/16 inches (22.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Over the Bank, Exmoor

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Kill

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black and red chalk on thin, smooth, brown wove paper
Dimensions:: Sheet: 10 3/4 x 17 5/8 inches (27.3 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

9. The Flying Pack

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 20 9/16 inches (33.8 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Hounds in Covert

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Black chalk and graphite, incised for transfer on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1901 and 1925
Materials & Techniques:: Black chalk, white chalk, and gray wash; verso: graphite and black chalk, incised for transfer on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1898
Materials & Techniques:: Pastel, graphite and charcoal on medium, smooth, cream laid paper
Dimensions:: Sheet: 5 1/4 × 7 5/16 inches (13.3 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Huntsman and Hounds

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1898
Materials & Techniques:: Black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/16 × 16 3/8 inches (28.7 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Hunt

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and red watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Game Keeper and Boy Ferreting a Rabbit

Creator:: John Frederick Lewis, 1804–1876
Date:: ca. 1828
Materials & Techniques:: Watercolor, pen and brown ink, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 5/8 inches (26.7 x 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Tyrolese Hunters

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1827 and 1828
Materials & Techniques:: Watercolor, white gouache, graphite with pen and brown ink on medium, slightly textured, beige wove paper mounted on heavy card
Dimensions:: Sheet: 11 x 8 1/8 inches (27.9 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Raby Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/8 × 19 7/8 inches (33.3 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Ferrets

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Black and white chalk on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/8 × 13 1/4 inches (25.1 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Sportsman and His Dogs

Creator:: Patrick Nasmyth, 1787–1831
Date:: 1828
Materials & Techniques:: Watercolor and gouache with scratching out over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 16 1/2 inches (31.4 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Eton Boat on the Towpath of the Thames: Windsor Castle in Background

Creator:: unknown artist
Date:: ca. 1845
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 30 3/4 inches (31.8 x 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Head and Shoulders of a Cart Horse

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 8 5/8 × 10 3/4 inches (21.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Brighton Races

Creator:: John Nixon, ca. 1760–1818
Date:: 1805
Materials & Techniques:: Watercolor, pen and gray ink, gouache, and graphite with scratching out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 × 26 3/4 inches (51.4 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A Sportsman Loading His Gun

Creator:: George Morland, 1763–1804
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 9 1/4in. (35.6 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Spanish Pointer

Creator:: John Buckler FSA, 1770–1851
Date:: ca. 1799
Materials & Techniques:: Watercolor, pen and gray ink, black ink, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 9/16 × 21 inches (39.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. An Old Oak

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 5/16 × 11 7/8 inches (44 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Study of a Turkey

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 4 1/2 x 4 1/8 inches (11.4 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. A Cheetah Hunting Party with Charles Warre Malet

Creator:: Susannah Wales, Lady Malet, 1779–1868
Date:: undated
Materials & Techniques:: Watercolor, white gouache and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 6 inches (17.8 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Square in the Village of Los Silos, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1827
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to thick brown card
Dimensions:: Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Drawing Cover

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown, gray and red-brown ink, with pen and ink line and wash border on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 3/16 x 5 9/16 inches (8.1 x 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Landscape with a Hunting Party

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite with pen and gray ink and wash line on border on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Everett V. Meeks, B.A. 1901, Fund

34. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

35. Study of the Royal Stag

Creator:: James Valentine, 1815–1879
Date:: ca. 1865
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/2 inches (11.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

36. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1849
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 5/16 inches (29.8 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Race of Daldey

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Man and a Boy Riding on a Beach

Creator:: Philip William May, 1864–1903
Date:: undated
Materials & Techniques:: Pen and black and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/4 × 7 1/2 inches (14.6 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Study of a Plunging Eagle

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Varnish over graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/2 x 13 5/8 inches (36.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Enraged Vicar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Morning

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Foxhunting: Rider, Taking a Fence

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 5/8 inches (20 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1823
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 1/16 inches (16.7 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1823
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 3/16 inches (18.3 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 9 1/8 inches (19.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Knight Falling From His Horse at a Squire's Tilt

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1842
Materials & Techniques:: Watercolor over etched outline, with gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 3/8 inches (12.2 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. "Doing the Thing: and the Thing Done:" Doing the Down Leap

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "Doing the Thing: and the Thing Done:" Doing it No How

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. "Doing the Thing: and the Thing Done:" Doing it Somehow

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. "Doing the Thing: and the Thing Done:" The Down Leap Done

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. "Some Do and Some Don't: It is All a Notion:" Getting a Dive

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. "Some Do and Some Don't: It is All a Notion:" Getting into a Bog

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1809 and 1823
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Two Pointers, Facing Right with a Sportsman

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on thick, smooth, cream wove paper
Dimensions:: Sheet: 9 3/16 × 11 inches (23.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Point-to-Point Racing

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Watercolor, charcoal, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/16 × 9 15/16 inches (13.8 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 6 5/8 inches (20.5 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. "The King and Noblemen Before the Stag is Turn'd Out"

Creator:: Robert Dighton, 1752–1814
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 13 1/2 inches (10.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Pheasant Shooting

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Wild Duck Shooting

Creator:: Edward Duncan, 1803–1882
Date:: 1825
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Woodcock Shooting

Creator:: William Heath, 1795–1840
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gum arabic, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 11/16 × 7 3/16 inches (24.6 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Coursing: Setting Out

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Coursing: The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor, with pen, in black ink and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 14 1/16 inches (14.9 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. 'How to Twist Your Neck'

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Annual Sculling Race for Doggett's Coat and Badge

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Breakfast before the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Contemporary drawn border: 6 5/8 × 7 1/8 inches (16.8 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Galloping Rider With Whip Under His Arm

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Gray wash, black wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 9 5/8 inches (21.6 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Partridge Shooting

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 15 7/8 inches (14.9 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Snipe Shooting

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 14 5/16 inches (15.2 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Grouse Shooting

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 16 5/8 inches (16 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Skating in the Park

Creator:: John James Chalon, 1778–1854
Date:: undated
Materials & Techniques:: Sepia wash and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 3/16 × 17 1/4 inches (33.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Foxhunting: Breaking Cover

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 15/16 inches (31.8 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Myles Sandys' Hounds and Huntsmen Starting a Hare

Creator:: Thomas Sunderland, 1744–1828
Date:: undated
Materials & Techniques:: Pen and brown ink, blue ink, blue wash, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/16 × 17 13/16 inches (30.6 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques wove paper

Genre sporting art

Image Use Free to Use

Search Results

1. The Meet

2. Found!

3. The Flying Pack

4. Who-o-p!

5. Huntsman and Hounds

6. Huntsman and Hounds

7. Over the Bank, Exmoor

8. The Kill

9. The Flying Pack

10. Hounds in Covert

11. The Meet

12. The Meet

13. Huntsman and Hounds

14. The Hunt

15. Huntsmen in a Wood

16. Game Keeper and Boy Ferreting a Rabbit

17. Tyrolese Hunters

18. Raby Castle, County of Durham

19. Ferrets

20. Sportsman and His Dogs

21. The Eton Boat on the Towpath of the Thames: Windsor Castle in Background

22. Head and Shoulders of a Cart Horse

23. Brighton Races

24. A Sportsman Loading His Gun

25. The Spanish Pointer

26. An Old Oak

27. Study of a Turkey

28. A Cheetah Hunting Party with Charles Warre Malet

29. Square in the Village of Los Silos, Tenerife

30. Virginia Water No. 1

31. Virginia Water No. 1

32. Drawing Cover

33. Landscape with a Hunting Party

34. Study of the Royal Stag

35. Study of the Royal Stag

36. The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring

37. Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short

38. The Race of Daldey

39. A Man and a Boy Riding on a Beach

40. Study of a Plunging Eagle

41. The Enraged Vicar

42. Morning

43. Foxhunting: Rider, Taking a Fence

44. "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

45. "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

46. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

47. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

48. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

49. Knight Falling From His Horse at a Squire's Tilt

50. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

51. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

52. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

53. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

54. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

55. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

56. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

57. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

58. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

59. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

60. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

61. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

62. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

63. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

64. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

65. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

66. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

67. "Doing the Thing: and the Thing Done:" Doing the Down Leap

68. "Doing the Thing: and the Thing Done:" Doing it No How

69. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

70. "Doing the Thing: and the Thing Done:" Doing it Somehow

71. "Doing the Thing: and the Thing Done:" The Down Leap Done

72. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

73. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty