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1
- Illustrations of Imitation of Eclogue I, Page 17
- 1821
2
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
3
- Illustrations of Eclogue I, Introductory, The Giant Polypheme
- 1821
4
- Epicurus
- 1821
5
- Theocritus
- 1821
6
- Octavius Augustus Cæsar
- 1821
7
- From Antique Coins
- 1821
8
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
9
- Illustrations of Imitation of Eclogue I, Page 15
- 1821
10
- Illustrations of Imitation of Eclogue I, Page 14
- 1821
11
- Caius Julius Cæsar
- 1821
12
- The Death of Juliet
- 1799
13
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
14
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
15
- Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
- ca. 1797
16
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
17
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
18
- A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
- 1804
19
- A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
- 1804
20
- Romeo and Juliet, Act IV, Scene V
- 1799
21
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
- 1819
22
- Rev. John Caspar Lavater (1787-1801)
- 1800
23
- Spring, from Songs of Innocence
- ca. 1795
24
- The Shepherd, from Songs of Innocence
- ca. 1795
25
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
26
- The Entrance Front of Hayley's House at Eartham
- 1801
27
- Joseph and Potiphar's Wife
- 1803 to 1805
28
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
29
- An Angel with a Trumpet
- between 1805 and 1808
30
- Copy of the Laocoön, for Rees's Cyclopædia
- 1815
31
- A Visionary Head
- 1819 to 1820
32
- The Parable of the Wise and Foolish Virgins
- ca. 1825
33
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
34
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
35
- Pity
- ca. 1795
36
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
37
- Mary Magdalen at the Sepulchre
- ca. 1805
38
- Thomas Alphonso Hayley, Half-Length Drawing
- ca. 1800
39
- Sealing the Stone and Setting a Watch
- 1800 to 1803
40
- Five Visionary Heads of Women
- 1819 to 1820
41
- Socrates, a Visionary Head
- ca. 1820
42
- Study for a Destroying Deity
- 1820 to 1825
43
- Introduction to the Fables, The Shepherd and the Philosopher
- 1793
44
- Fable VI. The Miser and Plutus
- 1793
45
- Fable XXII. The Goat Without a Beard
- 1793
46
- Fable XXIV. The Butterfly and the Snail
- 1793
47
- Fable XXVIII. The Persian, the Sun, and the Cloud
- 1793
48
- Fable XXX. The Setting-dog and the Partridge
- 1793
49
- Fable XLI. The Owl and the Farmer
- 1793
50
- Fable I. The Dog and the Fox
- 1793
51
- Thomas Hayley (1780-1800)
- 1800
52
- Fable XVI. The Ravens, the Sexton, and the Earth-Worm
- 1793
53
- Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
- ca. 1797
54
- Publius Virgilius Maro
- 1821
55
- Fable XVI. The Pin and the Needle
- 1793
56
- Fable XIII. The Tame Stag
- 1793
57
- Fable XII. Pan and Fortune
- 1793
58
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
- 1819
59
- Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
- 1797
60
- Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
- 1797
61
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
62
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
63
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
64
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
65
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
66
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
67
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
68
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
69
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
70
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
72
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
73
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
74
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
75
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
76
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
77
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
78
- The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
- between 1797 and 1798
79
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
80
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
81
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
82
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
83
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
84
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798
85
- The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
- between 1797 and 1798
86
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
89
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
90
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
91
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
92
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
93
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
94
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
95
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
96
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
97
- America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
- 1793
98
- Jerusalem, Plate 10, "Into the Furnaces...."
- 1804 to 1820
99
- Jerusalem, Plate 100
- 1804 to 1820
100
- Jerusalem, Plate 28 Proof Impression
- ca. 1820