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Materials & Techniques wove paper

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Work Type intaglio print

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Height [cm] 41

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William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
John Scott Aske Hall
Print made by John Scott, 1774–1828
Aske Hall
1821
Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
Samuel Middiman High Street, Oxford
Etched by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1812
James T. Willmore Destruction of Both Houses of Parliament
Print made by James T. Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
Edward Goodall Cologne
Print made by Edward Goodall, 1795–1870
Cologne
1824
William Henry Boucher Over the Nuts and Wine!
Print made by William Henry Boucher, 1842–1906
Over the Nuts and Wine!
1889
John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Print made by John Harris the elder, 1767–1832
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
George Shaw Twelve Short Walks 09
Print made by George Shaw, born 1966
Twelve Short Walks 09
2005
George Shaw Twelve Short Walks 12
Print made by George Shaw, born 1966
Twelve Short Walks 12
2005
George Shaw Twelve Short Walks 10
Print made by George Shaw, born 1966
Twelve Short Walks 10
2005
George Shaw Twelve Short Walks 11
Print made by George Shaw, born 1966
Twelve Short Walks 11
2005
James Dobie Horae Serenae
Print made by James Dobie, 1849–1911
Horae Serenae
1896
Thomas Oldham Barlow The Death of Chatterton
Print made by Thomas Oldham Barlow, 1824–1889
The Death of Chatterton
1860
Charles Fox John Burnet, Author of "Practical Hints on Painting"
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
James Basire the younger Plate XI: St Stephen's Chapel
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
James Basire Plate XIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Print made by Francesco Bartolozzi, 1728–1815
Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
before 1797
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
Robert Walker Macbeth The Bathers
Print made by Robert Walker Macbeth, 1848–1910
The Bathers
1888
David Hockney Panama Hat
David Hockney, born 1937
Panama Hat
1972
Jane Dixon Camouflage I (Second State)
Print made by Jane Dixon, born 1963
Camouflage I (Second State)
2004
John Russell Lunar Planisphere, Hypothetical Oblique Light
Print made by John Russell, 1745–1806
Lunar Planisphere, Hypothetical Oblique Light
1806
James T. Willmore Fire at Sea
Print made by James T. Willmore, 1800–1863
Fire at Sea
1835
Samuel Arlent Edwards Juliette Récamier
Print made by Samuel Arlent Edwards, 1861–1938
Juliette Récamier
undated
Francis Dodd Winter Afternoon
Print made by Francis Dodd, 1874–1949
Winter Afternoon
1910
George Dawe Benjamin West, Esqr.
Print made by George Dawe, 1781–1829
Benjamin West, Esqr
1804
Samuel Cousins The Countess of Blessington
Print made by Samuel Cousins, 1801–1887
The Countess of Blessington
1837
George H. Phillips Lady Wallscourt
Print made by George H. Phillips, active 1819–1825
Lady Wallscourt
1839
William Say Hagar and Ishmael
Print made by William Say, 1768–1834
Hagar and Ishmael
1812
Henri Emile Lefort Benjamin Franklin
Print made by Henri Emile Lefort, 1852–1916
Benjamin Franklin
1896
unknown artist The Landlord's Daughter
Print made by unknown artist
The Landlord's Daughter
1798
Johann Jacobus Haid Man Wearing a Hat
Print made by Johann Jacobus Haid, 1704–1767
Man Wearing a Hat
undated
Johann Jacobus Haid S. Andreas
Print made by Johann Jacobus Haid, 1704–1767
S. Andreas
undated
Johann Jacobus Haid S. Ionnes
Print made by Johann Jacobus Haid, 1704–1767
S. Ionnes
undated
Johann Jacobus Haid S. Philippus
Print made by Johann Jacobus Haid, 1704–1767
S. Philippus
undated
Johann Jacobus Haid S. Jacobus Major
Print made by Johann Jacobus Haid, 1704–1767
S. Jacobus Major
undated
Johann Jacobus Haid S. Bartholomaeus
Print made by Johann Jacobus Haid, 1704–1767
S. Bartholomaeus
undated
Edward Scriven George Colman, The Elder
Edward Scriven, 1775–1841
George Colman, The Elder
1813
Charles Turner William Spencer, Duke of Devonshire
Print made by Charles Turner, 1774–1857
William Spencer, Duke of Devonshire
1813
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
William Say The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
William Say, 1768–1834
The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
1811
William S. Leney Taming the Shrew, Act III, Scene II
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
unknown artist The Tenant's Daughter
Print made by unknown artist
The Tenant's Daughter
1798
Charles Wilkin The Right Honourable Lady Charlotte Duncombe
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Duncombe
1797
George H. Phillips Miss Murray
Print made by George H. Phillips, active 1819–1825
Miss Murray
1839
E. J. Dumée Connubial Happiness
Print made by E. J. Dumée, active 1790
Connubial Happiness
1786
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
Thomas Malton Lleweney Bleach Works
Thomas Malton, 1726–1801
Lleweney Bleach Works
1798
Caroline Kirkley Sir Joshua Reynolds
Print made by Caroline Kirkley, active 1796–1797
Sir Joshua Reynolds
1795
Anthony Cardon Admiral William Sidney Smith and The Seige of Acre
Anthony Cardon, 1772–1813
Admiral William Sidney Smith and The Seige of Acre
1804
unknown artist North Front of the Bank
unknown artist
North Front of the Bank
1797
Sutton Nicholls Southampton or Bloomsbury Square
Sutton Nicholls, active 1725
Southampton or Bloomsbury Square
1754
Thomas Rowlandson Undertakers Regaling
Thomas Rowlandson, 1756–1827
Undertakers Regaling
1801
Thomas Malton the Younger Kings College, the Chapel and Clare Hall in the University of Cambridge
Thomas Malton the Younger, 1748–1804
Kings College, the Chapel and Clare Hall in the University of Cambridge
1799
Thomas Malton the Younger The Great Court and Chapel of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
Thomas Malton the Younger Cambridge University: Queens College
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
Thomas Malton the Younger South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
Thomas Malton the Younger, 1748–1804
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
Thomas Malton the Younger Cambridge University: Emmanuel College
Thomas Malton the Younger, 1748–1804
Cambridge University: Emmanuel College
1799
Thomas Malton the Younger The East Front of the Library of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge
1800
William Ward Jack in the Bilboes
William Ward, 1766–1826
Jack in the Bilboes
1790