Materials & Techniques: wove paper / Work Type: intaglio print / Width [cm]: 54

1. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Kirkby Lonsdale Churchyard

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 5/16 × 21 1/4 inches (38.9 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Rye, Sussex

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. East & West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 15/16 × 21 1/16 inches (37.9 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Penmaen Mawr, Caernarvonshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof (completed) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 1/16 inches (38.4 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Cologne

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Four Silver Candlesticks

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

14. Silver Sauce Tureen

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

15. Two Silver Candlesticks

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

16. Silver Jug

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

17. Broken Jug

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

18. Silver Sugar Bowl

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

19. Pierced Basket

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

20. Thirty Pieces of Silver (Exposed) Portfolio

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: 21 Polymer photogravures and book in a portfolio box on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

21. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Waterworks at Marli; and St. Germain en Laye seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Plate 10

Creator:: Adrian Wisniewski, Born 1958
Date:: 1991
Materials & Techniques:: Etching, aquatint, sugar-lift, and spitbite on 350gsm Zerkall white wove paper
Dimensions:: Sheet: 22 1/2 x 21 1/4in. (57.2 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Booth-Clibborn

31. Plate 8

Creator:: Adrian Wisniewski, Born 1958
Date:: 1991
Materials & Techniques:: Etching, aquatint, and stop-out on 350gsm Zerkall white wove paper
Dimensions:: Sheet: 22 1/2 x 21 1/4in. (57.2 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Booth-Clibborn

32. Interior of Westminster Hall as Prepared for the Banquet

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Elm

Creator:: John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. Spruce Fir

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Oak

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. The Waterworks at Marli; and St. German en Laye seen in the distance

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Palm

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. View of St. Cloud and Mount Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Elevation of the River Front

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: ca. 1835
Materials & Techniques:: Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Silver Sauce Tureens

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

43. Jug on a Table

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

44. Silver Trophy

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

45. Silver Bullet Teapot

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

46. Broken Tureen

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

47. Silver Basket

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

48. Broken Pot

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

49. Shadowy Pot

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

50. Shadowy Candlesticks

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

51. Broken Basket

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

52. Silver Tray

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

53. Candlesticks with Slanting Shadows

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

54. Silver Tankard

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

55. Coffee Pot Hit by a Hammer

Creator:: Print made by Cornelia Parker, born 1956
Date:: 2015
Materials & Techniques:: Polymer photogravure on Fabriano Tiepolo Bianco 290gsm white wove paper
Dimensions:: Sheet: 26 1/8 × 21 3/8 inches (66.3 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

56. Susanna and the Elders

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 21 1/4 inches (46.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Southampton or Bloomsbury Square

Creator:: Sutton Nicholls, active 1725
Date:: 1754
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Rural Cott

Creator:: William Woollett, 1735–1785
Date:: 1797
Materials & Techniques:: Engraving; proof on moderately thick, slightly textured, cream wove paper, with chine collé
Dimensions:: Sheet: 19 1/8 × 24 1/8 inches (48.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Aspin

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Beech

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 1/4 inches (36.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Weeping Willows

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Cedar

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Birch

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/4 × 21 1/4 inches (36.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Italian Pine and Cypress

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 1/2 × 21 3/8 inches (36.8 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Hawthorn

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1789
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:: Mount: 14 3/8 × 21 1/8 inches (36.5 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. Oxford from North Hinksey

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1841
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Heidelberg from the Opposite bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Heidelberg from the Opposite Bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with beige chine-collé
Dimensions:: Sheet: 29 × 38 1/8 inches (73.7 × 96.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Lady Harriet Clive

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1840
Materials & Techniques:: Mezzotint and line engraving (first published state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/8 × 21 1/8 inches (67 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. The Cornfield

Creator:: Print made by David Lucas, 1802–1881
Date:: 1833
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/8 inches (68.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Lock

Creator:: Print made by David Lucas, 1802–1881
Date:: 1834
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 7/8 × 21 1/4 inches (68.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Materials & Techniques wove paper

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Width [cm] 54

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1. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

2. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

3. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

4. View of the Pantheon taken from the Arsenal

5. Gledhow

6. St. Agatha's Abbey, Easby

7. Kirkby Lonsdale Churchyard

8. Rye, Sussex

9. East & West Looe, Cornwall

10. The Entrance to Fowey Harbour, Cornwall

11. Penmaen Mawr, Caernarvonshire

12. Cologne

13. Four Silver Candlesticks

14. Silver Sauce Tureen

15. Two Silver Candlesticks

16. Silver Jug

17. Broken Jug

18. Silver Sugar Bowl

19. Pierced Basket

20. Thirty Pieces of Silver (Exposed) Portfolio

21. View of St. Cloud and Mount Calvary taken from Pont de Seve

22. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

23. View of the Pantheon taken from the Arsenal

24. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

25. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

26. The Waterworks at Marli; and St. Germain en Laye seen in the distance

27. View of the Palace and Village of Choisi on the Banks of the Seine

28. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

29. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

30. Plate 10

31. Plate 8

32. Interior of Westminster Hall as Prepared for the Banquet

33. Elm

34. Spruce Fir

35. Oak

36. The Waterworks at Marli; and St. German en Laye seen in the distance

37. View of the Palace and Village of Choisi on the Banks of the Seine

38. View of the Pantheon taken from the Arsenal

39. Palm

40. View of St. Cloud and Mount Calvary taken from Pont de Seve

41. Elevation of the River Front

42. Silver Sauce Tureens

43. Jug on a Table

44. Silver Trophy

45. Silver Bullet Teapot

46. Broken Tureen

47. Silver Basket

48. Broken Pot

49. Shadowy Pot

50. Shadowy Candlesticks

51. Broken Basket

52. Silver Tray

53. Candlesticks with Slanting Shadows

54. Silver Tankard

55. Coffee Pot Hit by a Hammer

56. Susanna and the Elders

57. Oxford from North Hinksey

58. Southampton or Bloomsbury Square

59. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

60. The Rural Cott

61. French Barracks

62. Aspin

63. Beech

64. Weeping Willows

65. Cedar

66. Birch

67. Italian Pine and Cypress

68. Hawthorn

69. Oxford from North Hinksey

70. Heidelberg from the Opposite bank of the Neckar

71. Heidelberg from the Opposite Bank of the Neckar

72. Lady Harriet Clive

73. The Cornfield