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Materials & Techniques wove paper
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Remove constraint Work Type: watercolorHeight [cm] 21
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1
- Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
- 1972
2
- Swiss Cottage, Hampstead
- between 1912 and 1913
3
- At Hailsham, Sussex: a Storm Approaching
- 1821
4
- Windsor Castle and Park with Deer
- undated
5
- Man with Horse and Cart Entering a Quarry
- ca. 1797
6
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
7
- Europe. A Prophecy; Frontispiece
- ca. 1820
8
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
9
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
10
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
11
- Fettered Urizen Weeping (Plate 12)
- 1794
12
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
13
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
14
- "I see thy Form O lovely mild Jerusalem..." (Plate 86)
- 1804 to 1820
15
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
16
- "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
- 1804 to 1820
17
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
18
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
19
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
20
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
21
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
22
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
23
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
24
- "Elevate into the Region of Brotherhood..." (Plate 34)
- 1804 to 1820
25
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
26
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
27
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
28
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
29
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
30
- "When those who disregard all Mortal Things..." (Plate 55)
- 1804 to 1820
31
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
32
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
33
- "The clouds of Albions Druid Temples..." (Plate 60)
- 1804 to 1820
34
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
35
- "By those who drink their blood & the blood of their Covenant..." (Plate 67)
- 1804 to 1820
36
- "O Skofield why art thou cruel?..." (Plate 68)
- 1804 to 1820
37
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
38
- Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
39
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
40
- Five Vignettes of Scenes from Antiquity
- undated
41
- Scene from Don Quixote
- undated
42
- The Great Bath of the Alhambra
- 1775 to 1776
43
- Side View of Single Barque
- undated
44
- Adelaide: Side View of Schooner
- undated
45
- Single Brig (?) Another Sailing Vessel Against Outline of City on Background
- undated
46
- Thornbury Castle, Gloucestershire
- undated
47
- Harvesters Resting in a Corn Field
- between 1805 and 1810
48
- Haymakers
- undated
49
- A Dog
- undated
50
- Great Blue Turaco
- undated
51
- A Cockatoo
- undated
52
- A Pier at Amsterdam (Version A)
- 1792
53
- Specimens of the Private Houses of Venice
- 1802-1804
54
- Another Specimen of the Same Style
- 1802-1804
55
- Specimens of a Private House in Venice
- 1802-1804
56
- Gateway to a House in Ancona
- 1802-1804
57
- View of the Interior of One of the Churches in Ancona
- 1802-1804
58
- In One of the Churches of Ancona
- 1802-1804
59
- The Plains of Senta
- 1803
60
- Ruins of the Temple of Jupiter on the Plains of Nemea
- 1803
61
- Kalamata, Greece
- 1802-1804
62
- Kalamata, Greece
- 1802-1804
63
- A Carita - On the Walls of a Hospital or Public School, Venice
- 1802-1804
64
- The Amphitheatre at Nîmes
- 1803
65
- Pass in the Mountains Between Nisa and Villa Velha
- 1809
66
- The Facade of the Royal Naval College, Greenwich
- undated
67
- Praying Man
- undated
68
- Boats and Men on Beach
- undated
69
- South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory
- undated
70
- Stowe House, Buckingham
- 1797
71
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
72
- Self-Portrait with Two Young Men
- between 1730 and 1740
73
- Government House from St. Andrew's Library - Calcutta
- between 1833 and 1838
74
- A Parrot
- undated
75
- A European Goldfinch
- undated
76
- Meadow Pipit
- undated
77
- A Bird
- undated
78
- A Shrew
- undated
79
- A Storm Damaged Windmill
- undated
80
- Sketch of a Monument in the Basilica of Saint Anthony of Padua
- 1802-1804
81
- Battle Abbey, Sussex
- undated
82
- Richmond Bridge
- undated
83
- A Struggle With a Load of Clay
- 1855
84
- Exercising a Racehorse
- undated
85
- Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
- undated
86
- A Woodcock
- undated
87
- "Hark": Startled Horse and Alert Rider
- undated
88
- Two Riders Taking a Double Fence
- undated
89
- "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
- undated
90
- Madhavrao Ballajirao Peshwa
- between 1760 and 1800
91
- "Fanny's Colt", July 26, 1886
- 1886
92
- Horse Guards, Whitehall
- undated
93
- The Sessions House, Junction of Farringdon and Clerkenwell Roads
- undated
94
- Banqueting House, Whitehall
- undated
95
- A Yorkshire Farm
- undated
96
- Officers and Their Ladies Dancing to a Band of Musicians..
- undated
97
- St. George's Chapel, Windsor, West End, July 19, 1832, 10 am
- 1832
98
- Backswords
- 1810
99
- A Vole
- undated
100
- Gentleman and a Lady
- undated