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Materials & Techniques wove paper

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Work Type watercolor

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Height [cm] 40

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Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
Ceri Richards Piano Recital
Ceri Richards, 1903–1971
Piano Recital
1943
James Bruce Plate XV Back of Temple at Sheitla [sic]
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
Sir Charles Barry Perspective View: the New Houses of Parliament
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
Samuel Austin Church of Notre Dame, Bruges
Samuel Austin, 1796–1834
Church of Notre Dame, Bruges
undated
Thomas Barker Woodland Landscape
Thomas Barker, 1769–1847
Woodland Landscape
undated
William Green Landscape with River and a Bridge
William Green, 1760–1823
Landscape with River and a Bridge
undated
William Green The Devil's Bridge, Kirkby Lonsdale
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
William Green Landscape with Vale and Mountains
William Green, 1760–1823
Landscape with Vale and Mountains
undated
William Alexander Wigmore Castle, Herefordshire
William Alexander, 1767–1816
Wigmore Castle, Herefordshire
undated
George Moutard Woodward The Royal Rush Light
George Moutard Woodward, ca. 1760–1809
The Royal Rush Light
1798
Samuel Prout The Monnow Bridge, Monmouthshire
Samuel Prout, 1783–1852
The Monnow Bridge, Monmouthshire
before 1814
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
Sir John Soane Design for Hyde Park and St. James' Park Entrance
Sir John Soane, 1753–1837
Design for Hyde Park and St. James' Park Entrance
ca. 1826
George Vicat Cole The Mill Pond, Evelyn Woods
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
William Green Landscape, Castle and Cattle
William Green, 1760–1823
Landscape, Castle and Cattle
undated
Julius Caesar Ibbetson Robbing the Mail
Julius Caesar Ibbetson, 1759–1817
Robbing the Mail
ca. 1790
William Green Landscape, Castle by a River
William Green, 1760–1823
Landscape, Castle by a River
undated
Richard Henry Nibbs Hay and Log Barges on the Conway
Richard Henry Nibbs, 1816–1893
Hay and Log Barges on the Conway
undated
John Buckler FSA The Spanish Pointer
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
Unknown artist (Company style) Widow with the Burning Corpse of her Husband Becoming a Sati, Patna
Unknown artist (Company style)
Widow with the Burning Corpse of her Husband Becoming a Sati, Patna
between 1820 and 1830
John Ruskin Study after the Story of Apollo and Daphne
Attributed to John Ruskin, 1819–1900
Study after the Story of Apollo and Daphne
undated
Unknown artist (Company style) A Muslim Wedding Procession by Night, Patna
Unknown artist (Company style)
A Muslim Wedding Procession by Night, Patna
between 1820 and 1830
Edward Duncan Study of Fishermen and Gear
Edward Duncan, 1803–1882
Study of Fishermen and Gear
undated
Lionel Grimston Fawkes Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
1881
Lionel Edwards The Lodge Gate
Lionel Edwards, 1878–1966
The Lodge Gate
1922
John Leech The Hunting Doctor
Attributed to John Leech, 1817–1864
The Hunting Doctor
undated
Samuel Davis Ceapen Pichan Bridge, Moelwyn Mawr
Samuel Davis, 1760–1819
Ceapen Pichan Bridge, Moelwyn Mawr
undated
Samuel Scott A Wood Yard on the Thames at Nine Elms
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
Samuel Scott A View of the Estate at Esholt Hall, Yorkshire
Samuel Scott, 1701/2–1772
A View of the Estate at Esholt Hall, Yorkshire
undated
Sir Jeffry Wyatville Elevation of an Unidentified Church
Studio of Sir Jeffry Wyatville, 1766–1840
Elevation of an Unidentified Church
undated
Sir Jeffry Wyatville Wollaton Hall, Nottingham: Elevation
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Hall, Nottingham: Elevation
ca. 1801
John Varley Harlech Castle and Twgwyn Ferry
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
John Varley Saint Peter's Church, Hereford, from Butcher's Row
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
Hugh William "Grecian" Williams View of the Forum in Rome
Hugh William "Grecian" Williams, 1773–1829
View of the Forum in Rome
1828
Joseph Cartwright Single Brigantine, Sails Furled
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
Joseph Cartwright Lord Craven's Yacht, July 23, 1817
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
unknown artist L'Orient 1776: Map of the Port of Orient
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
Paul Sandby Munn Shanklin Chine, Isle of Wight
Paul Sandby Munn, 1773–1845
Shanklin Chine, Isle of Wight
1797
Richard Banks Harraden Emanuel College from St. Andrews Street, Cambridge
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
Charles Johnson Payne "Snaffles" The Galloping Major, The Cottesmore
Charles Johnson Payne "Snaffles", 1884–1967
The Galloping Major, The Cottesmore
1956
J. Singleton Design for a War Memorial
J. Singleton, active ca. 1920
Design for a War Memorial
ca. 1920