Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
3
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
4
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
5
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
7
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
8
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
18
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
19
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
20
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
21
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
22
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
23
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
24
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
25
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
26
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
27
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
34
Ceri Richards, 1903–1971
Piano Recital
1943
35
James Bruce, 1730–1794
Plate XV Back of Temple at Sheitla [sic]
undated
36
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
37
Samuel Austin, 1796–1834
Church of Notre Dame, Bruges
undated
38
Thomas Barker, 1769–1847
Woodland Landscape
undated
39
William Green, 1760–1823
Landscape with River and a Bridge
undated
40
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
41
William Green, 1760–1823
Landscape with Vale and Mountains
undated
42
William Alexander, 1767–1816
Wigmore Castle, Herefordshire
undated
43
George Moutard Woodward, ca. 1760–1809
The Royal Rush Light
1798
44
Samuel Prout, 1783–1852
The Monnow Bridge, Monmouthshire
before 1814
45
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
46
Sir John Soane, 1753–1837
Design for Hyde Park and St. James' Park Entrance
ca. 1826
47
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
48
William Green, 1760–1823
Landscape, Castle and Cattle
undated
49
Julius Caesar Ibbetson, 1759–1817
Robbing the Mail
ca. 1790
50
William Green, 1760–1823
Landscape, Castle by a River
undated
51
Richard Henry Nibbs, 1816–1893
Hay and Log Barges on the Conway
undated
52
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
53
Unknown artist (Company style)
Widow with the Burning Corpse of her Husband Becoming a Sati, Patna
between 1820 and 1830
54
Attributed to John Ruskin, 1819–1900
Study after the Story of Apollo and Daphne
undated
55
Unknown artist (Company style)
A Muslim Wedding Procession by Night, Patna
between 1820 and 1830
56
Edward Duncan, 1803–1882
Study of Fishermen and Gear
undated
57
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
1881
58
Lionel Edwards, 1878–1966
The Lodge Gate
1922
59
Attributed to John Leech, 1817–1864
The Hunting Doctor
undated
60
Samuel Davis, 1760–1819
Ceapen Pichan Bridge, Moelwyn Mawr
undated
61
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
62
Samuel Scott, 1701/2–1772
A View of the Estate at Esholt Hall, Yorkshire
undated
63
Studio of Sir Jeffry Wyatville, 1766–1840
Elevation of an Unidentified Church
undated
64
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Hall, Nottingham: Elevation
ca. 1801
65
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
66
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
67
Hugh William "Grecian" Williams, 1773–1829
View of the Forum in Rome
1828
68
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
69
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
70
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
71
Paul Sandby Munn, 1773–1845
Shanklin Chine, Isle of Wight
1797
72
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge