For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
4
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
5
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
6
John Martin, 1789–1854
The Rescue of Lot
1833
7
Samuel Prout, 1783–1852
Mechanical Grinder with Figures
undated
8
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
9
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
10
John Martin, 1789–1854
The Walls of Jericho
1834
11
John Linnell, 1792–1882
Figures on a Bank, Kensington Gravel Pits
1812
12
Ambrose Poynter, 1796–1886
Scenes from Life in Paris: Man Seated and Man Carrying Basket
ca. 1835
13
Sir David Wilkie, 1785–1841
Study for "Reading the Will"
1820
14
Thomas Rowlandson, 1756–1827
Three Sportsmen Sleeping at the Table in Their Chairs
undated
15
James Pattison Cockburn, 1779–1847
Cuirassiers
ca. 1832
16
unknown artist
Morning
1799
17
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
18
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
19
Gilbert Joseph Holiday, 1879 –1937
'Join the Hickers Old Boy - You're Well Rid of the Brute'
undated
20
Print made by George Cruikshank, 1792–1878
Blear-Eyed Moll
ca. 1832
21
Thomas Stothard, 1755–1834
May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255) May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
undated
22
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
23
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
24
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
25
Samuel Prout, 1783–1852
Studies of Peasants, Diligences, and Hay Wagons
undated
26
Print made by George Cruikshank, 1792–1878
The Arrest of Lord Edward Fitzgerald
undated
27
George Bryant Campion, 1796–1870
Boats Loading in a River
undated
28
Thomas Rowlandson, 1756–1827
The Miseries of the Country
undated
29
unknown artist
Mid-Day
1799
30
George Cruikshank, 1792–1878
The Fainting Fit
undated
31
William Anderson, 1757–1837
Boats and Men on Shore
undated
32
unknown artist
Ruins of The Ptolomean Library
undated
33
John Leech, 1817–1864
Being Pulled by a Crowd
undated
34
Print made by Charles William Cain, 1893–1962
Evening Calm
undated
35
Print made by Charles William Cain, 1893–1962
In Silent Waters
1921
36
Print made by Charles William Cain, 1893–1962
Bridge of Boats, Baghdad
1921
37
George Augustus Sala, 1828–1895
Sentry halting Gentleman at Gate
undated
38
Edmund Thomas Parris, 1793–1873
Studies of Tradesmen and Grooms
undated
39
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
40
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
41
Print made by Alexander George Fraser, 1786–1865
A Highland Interior
undated
42
Print made by Ebenezer Challis, active 1837–1859
Entrance to Lincoln Cathedral
1837
43
John Greig, active 1803–1853
Cloisters of Worcester Cathedral
1807
44
Frederick James Havell, 1801–1840
The Stone Bow, Lincoln
1836
45
Print made by unknown artist
Boston Church and Grand Sluice, Lincolnshire
undated
46
Charles Samuel Keene, 1823–1891
Portrait Sketch of Two Men
undated
47
Print made by Robert Barnes, 1840–1895
Three Men and Two Boys Sitting on a Pier
undated
48
Thomas Higham, 1796–1844
Benacre Hall, Suffolk
1819
49
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
50
Benjamin Robert Haydon, 1786–1846
Study of a Biblical Scene
undated
51
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
52
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington