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Francis Danby A Classical City
Francis Danby, 1793–1861
A Classical City
undated
John Constable A View on the Orwell
attributed to John Constable, 1776–1837
A View on the Orwell
undated
John Constable Suffolk Landscape
John Constable, 1776–1837
Suffolk Landscape
undated
John Constable View near Arundel
John Constable, 1776–1837
View near Arundel
between 1834 and 1835
John Constable Landscape with Windmill
attributed to John Constable, 1776–1837
Landscape with Windmill
between 1825 and 1830
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
Samuel Palmer Streets of the Tombs, Pompeii
Samuel Palmer, 1805–1881
Streets of the Tombs, Pompeii
undated
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Robert Polhill Bevan The Meet
Robert Polhill Bevan, 1865–1925
The Meet
1898
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
1874
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner Rhodes
Joseph Mallord William Turner, 1775–1851
Rhodes
between 1823 and 1824
Joseph Mallord William Turner Fisherman's Cottage, Dover
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
Edward Lear Knowsley Hall
Edward Lear, 1812–1888
Knowsley Hall
ca. 1834
Edward Lear Villa Torlania, formerly Villa Conti, Erascati
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
Edward Lear Near Suez, evening, 15 January 1849 (43)
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
Edward Lear Near Suez, 1 pm, 16 January 1849 (48)
Edward Lear, 1812–1888
Near Suez, 1 pm, 16 January 1849 (48)
1849
Edward Lear Vjosa
Edward Lear, 1812–1888
Vjosa
1857
Edward Lear Tepelene, 19 April 1857
Edward Lear, 1812–1888
Tepelene, 19 April 1857
1857
Edward Lear Abu Simbel
Edward Lear, 1812–1888
Abu Simbel
1867
Edward Lear Abu Simbel, 9:00 am, 8 February 1867 (372A)
Edward Lear, 1812–1888
Abu Simbel, 9:00 am, 8 February 1867 (372A)
1867
Edward Lear Harb. Gozo
Edward Lear, 1812–1888
Harb. Gozo
1866
Edward Lear Vjose, 12:30 p.m., 16 April 1857
Edward Lear, 1812–1888
Vjose, 12:30 p.m., 16 April 1857
1857
Edward Lear Tepelene, 18 April 1857
Edward Lear, 1812–1888
Tepelene, 18 April 1857
1857
Edward Lear Campagna di Roma
Edward Lear, 1812–1888
Campagna di Roma
1843
Edward Lear Gebel Sheikh Embarak
Edward Lear, 1812–1888
Gebel Sheikh Embarak
1867
Edward Lear Kourayim
Edward Lear, 1812–1888
Kourayim
1867
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
Edward Lear The Pontine Marshes above Terracina
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
Edward Lear English Country Town
Edward Lear, 1812–1888
English Country Town
undated
George Romney Figure Composition Study 40
George Romney, 1734–1802
Figure Composition Study 40
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Birth of Man
George Romney, 1734–1802
Birth of Man
undated
George Romney Hell
George Romney, 1734–1802
Hell
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Two Figures, with One Male Nude Kneeling
George Romney, 1734–1802
Two Figures, with One Male Nude Kneeling
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Noah's Children Rejoicing
George Romney, 1734–1802
Noah's Children Rejoicing
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Two Sketches of a Nude Woman
George Romney, 1734–1802
Two Sketches of a Nude Woman
undated
William Blake From Antique Coins
William Blake, 1757–1827
From Antique Coins
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827
Caius Julius Cæsar
1821
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
Sir Robert Smirke the younger Porch to a Private House in Padua
Sir Robert Smirke the younger, 1781–1867
Porch to a Private House in Padua
1802-1804
Sir Robert Smirke the younger Sketch of Three Standing Gravestones
Sir Robert Smirke the younger, 1781–1867
Sketch of Three Standing Gravestones
1802-1804
Sir Robert Smirke the younger Threee Ornate Tombstones
Sir Robert Smirke the younger, 1781–1867
Threee Ornate Tombstones
1802-1804
Capt. Thomas Hastings Sketch of Ships near West Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Sketch of Ships near West Cowes, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings Near Falmouth
Capt. Thomas Hastings, 1778–1854
Near Falmouth
1834
Capt. Thomas Hastings Near the Entrance to Newport from East Cowes
Capt. Thomas Hastings, 1778–1854
Near the Entrance to Newport from East Cowes
between 1826 and 1830
Capt. Thomas Hastings Sketch of a Landscape with a Distant Harbor
Capt. Thomas Hastings, 1778–1854
Sketch of a Landscape with a Distant Harbor
between 1826 and 1830
Capt. Thomas Hastings Sketch of Sailing Boats in a Harbor
Capt. Thomas Hastings, 1778–1854
Sketch of Sailing Boats in a Harbor
between 1826 and 1830
Capt. Thomas Hastings Sketch of a Sailing Boat
Capt. Thomas Hastings, 1778–1854
Sketch of a Sailing Boat
between 1826 and 1830
Capt. Thomas Hastings Near Freshwater, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Near Freshwater, Isle of Wight
1830
Henry Swinburne Bois, France
Henry Swinburne, 1743–1803
Bois, France
undated
John Sell Cotman Harlech Castle
Print made by John Sell Cotman, 1782–1842
Harlech Castle
undated
Henry Swinburne View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
Henry Swinburne, 1743–1803
View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
1764
Henry Swinburne Valencia, Spain
Henry Swinburne, 1743–1803
Valencia, Spain
1775 to 1776
Henry Swinburne View from the Gallows Hill
Henry Swinburne, 1743–1803
View from the Gallows Hill
undated
unknown artist Horse
Print made by unknown artist
Horse
undated
unknown artist Head of a Horse
Print made by unknown artist
Head of a Horse
undated
Luigi Balugani [One of] Miscellaneous Sketches in Wrapper
Luigi Balugani, 1737–1770
[One of] Miscellaneous Sketches in Wrapper
undated
James McNeill Whistler Chelsea
Print made by James McNeill Whistler, 1834–1903
Chelsea
ca. 1882
John Wilson Carmichael A Fireworks Display
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
Sir David Wilkie Fife
Sir David Wilkie, 1785–1841
Fife
undated
Thomas Rowlandson Dr. Syntax Made Free of the Cellar
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
James Ward Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
James Ward, 1769–1859
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
John Gendall Fulham Palace, Porter's Lodge
John Gendall, 1790–1865
Fulham Palace, Porter's Lodge
undated
Samuel Howitt A Bear Attacking a Fallen Indian
Samuel Howitt, 1756–1822
A Bear Attacking a Fallen Indian
undated
Samuel Howitt A Tiger Pierced with an Arrow
Samuel Howitt, 1756–1822
A Tiger Pierced with an Arrow
undated
Samuel Howitt A Bull Attacking a Dog
Samuel Howitt, 1756–1822
A Bull Attacking a Dog
undated
Samuel Howitt Lion Attacking a Stag
Samuel Howitt, 1756–1822
Lion Attacking a Stag
undated