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Materials & Techniques wove paper

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Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
William Blake The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
William Blake The First Book of Urizen, Plate 21 (Bentley 27)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 27)
1794
William Blake The First Book of Urizen, Plate 5 (Bentley 12)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 5 (Bentley 12)
1794
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 15 (Bentley 14)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
William Blake The First Book of Urizen, Plate 3 (Bentley 22)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 3 (Bentley 22)
1794
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 7 (Bentley 12)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7 (Bentley 12)
1794
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
William Miller Loch Achray
Print made by William Miller, 1796–1882
Loch Achray
1834
George Cruikshank Jack Sheppard's Escape from the Cage at Willesden
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
George Cruikshank Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
George Augustus Sala Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
George Augustus Sala, 1828–1895
Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
undated
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
George Cruikshank Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Print made by George Cruikshank, 1792–1878
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
George Cruikshank Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
undated
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
Edward Goodall Carlisle
Print made by Edward Goodall, 1795–1870
Carlisle
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
George Baxter Little Red Riding Hood
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
Robert Smirke Christopher Sly and the Page, as His Wife
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
Robert Smirke Capulet Railing at his Daughter, Juliet
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
Robert Smirke Katherina and Grumio
Robert Smirke, 1752–1845
Katherina and Grumio
1821