Materials & Techniques: wove paper / Height [cm]: 25 - YCBA Collections Search Search Results

1. Sketch of a Horse

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk on thin, smooth, brown wove paper
Dimensions:: Sheet: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

2. The Meet

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Found!

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Flying Pack

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Who-o-p!

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Harrow in the Orchard

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Pen and black ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/8 inches (25.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Over the Bank, Exmoor

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Farm Buildings and Well, Poland

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1908
Materials & Techniques:: Black chalk and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 x 13 3/4 inches (24.8 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

9. Landscape with Three Trees

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 x 13 7/16 inches (25.4 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

10. Near Brimley Hill

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1915
Materials & Techniques:: Black chalk and watercolor on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 x 11 3/4 inches (25.4 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

11. The Barns

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 × 13 9/16 inches (25.4 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Wayside Smithy

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 7 3/8 inches (25.1 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Tiger Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, graphite, and red chalk, squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 14 3/8 inches (24.8 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A Tiger and a Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Leopard Body, Lateral View (First of Five Studies of Another Large Cat)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Red chalk and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 13 3/4 inches (25.1 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Leopard Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 14 inches (25.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Flying Pack

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 20 9/16 inches (33.8 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Hounds in Covert

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1896
Materials & Techniques:: Black chalk and graphite, incised for transfer on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Horses Threshing, Pont Aven

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1893
Materials & Techniques:: Black chalk and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 × 17 3/4 inches (33 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Meet

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1901 and 1925
Materials & Techniques:: Black chalk, white chalk, and gray wash; verso: graphite and black chalk, incised for transfer on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Mer de Glace, Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 12 7/8 inches (25.4 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Yarmouth Sands

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1840
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 14 3/8 inches (24.8 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. A Great Tree

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 15 1/4 inches (25.4 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Landscape with Barn

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper
Dimensions:: Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy

28. North Stoke. Oct. 21.1834.

Creator:: Edward Lear, 1812–1888
Date:: 1834
Materials & Techniques:: Graphite and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

29. Balgrate. 14. October. 1837

Creator:: Edward Lear, 1812–1888
Date:: 1837
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

30. View Across a Meadow to a Church

Creator:: Edward Lear, 1812–1888
Date:: ca. 1834
Materials & Techniques:: Graphite on thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

31. St. Giulio, Orta, 26 September 1837

Creator:: Edward Lear, 1812–1888
Date:: 1837
Materials & Techniques:: Graphite with stumping and white gouache on moderately thick, moderately textured, gray-green wove paper
Dimensions:: Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

32. S. Pietro Degli Agostiniani. Leonessa.

Creator:: Edward Lear, 1812–1888
Date:: 1844
Materials & Techniques:: Watercolor, graphite, brown wash, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/8 x 9 11/16 inches (25.1 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

33. Genezzano, 17 May 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 9 15/16 x 14 inches (25.2 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

34. People on the Road Near Kalicut, Malabar

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Watercolor, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 × 15 9/16 inches (25.4 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Segni, 6 October 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite, black chalk, and white gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 10 x 13 11/16 inches (25.4 x 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

36. Wied Zurrik (Malta)

Creator:: Edward Lear, 1812–1888
Date:: 1848
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Albion Compelling the Four Zoas to Their Proper Tasks

Creator:: William Blake, 1757–1827
Date:: 1804 to 1810
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 12 1/4 inches (25.1 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

38. The First Book of Urizen, Plate 4 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The First Book of Urizen, Plate 18 (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The First Book of Urizen, Plate 28 (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The First Book of Urizen, Plate 15 (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The First Book of Urizen, Plate 25 (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The First Book of Urizen, Plate 11 (Bentley 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The First Book of Urizen, Plate 21 (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The First Book of Urizen, Plate 3 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The First Book of Urizen, Plate 7 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. In a Garden

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 15/16 × 10 15/16 inches (25.2 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Sketch of Part of a Column

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Black wash, gray wash, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 11/16 × 7 3/4 inches (24.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Artus Wolfart

Creator:: Print made by Schelte A. Bolswert, 1586–1659
Date:: ca. 1635
Materials & Techniques:: Stipple engraving and line engraving, (2nd state) on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 7/8 × 7 inches (27.6 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Studies of Pillars

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 7 5/8 inches (24.9 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Sketch of an Ornamental Arched Entry

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 11/16 × 7 1/2 inches (24.6 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Diodorus Tuldenus

Creator:: Print made by Pieter de Jode II, ca. 1606–1674
Date:: ca. 1635
Materials & Techniques:: Engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 × 11 inches (38.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Henricus Steenwyck

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving (2nd state) on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Inimitable Mr. James Moss

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1773
Materials & Techniques:: Etching on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 11/16 x 7 1/4 inches (24.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Black Tower Norwich

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 8 3/16 inches (26.8 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Greyfriars Tower, Lynn, as it appeared 1801

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Cottage at Diss

Creator:: Robert Dixon, 1780–1815
Date:: 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Sketch at Mulbarton

Creator:: Robert Dixon, 1780–1815
Date:: between 1810 and 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Remains of the Priory, Beeston Regis

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Head of the Thorough-bred Horse "Phantom"

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Soft-ground etching on medium, slightly textured, beige wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:: Mount: 9 11/16 x 7 11/16 inches (24.6 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

84. The Siege of Namur

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 17 13/16 inches (28.5 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Battle of the Cataplasm

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Overthrow of Dr. Slop

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1773 and 1817
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 x 17 11/16 inches (28.7 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Fitting out. - Plate 1

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Crowhurst, Sussex

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1902
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. View of a Lake, Derwentwater

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 1/2 inches (24.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Royal Artillery Repository Exercises, 1844

Creator:: John Grant, Died 1873
Date:: 1844
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 15/16 x 18 inches (35.4 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Untitled

Creator:: John Banting, 1902–1972
Date:: 1932
Materials & Techniques:: Cyanotype on medium, smooth, white wove paper, mounted on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 9 7/8 × 7 3/4 inches (25.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. Ruins of the Savoy Palace, London

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Pen in black ink with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 1/4 inches (21 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Study of a Cottage by a lane

Creator:: William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 9 11/16 x 13 15/16 inches (24.6 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Boat Sailing to the Right with Mountains in the Background

Creator:: John Christian Schetky, 1778–1874
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 17 inches (25.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Crystal Palace in Hyde Park

Creator:: E. J. Stanley, active 1850
Date:: 1852
Materials & Techniques:: Watercolor, white gouache, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 15 inches (24.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Study for the Wellington Monument

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 8 inches (25.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Studies of Boats, Figures, Carts, and Buildings

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 11 3/4 inches (24.8 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Eton from the Brocas

Creator:: James Bourne, 1773–1854
Date:: 1828
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 14 1/8 inches (24.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Royal Citadel and Cattewater, Plymouth

Creator:: William Callow, 1812–1908
Date:: 1842
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 14 5/16 inches (25.1 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Naples from the Strada Nouva, Nov.26, 1830

Creator:: James Duffield Harding, 1798–1863
Date:: 1830
Materials & Techniques:: Graphite, watercolor, and gouache on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques wove paper

Height [cm] 25

Search Results

1. Sketch of a Horse

2. The Meet

3. Found!

4. The Flying Pack

5. Who-o-p!

6. A Harrow in the Orchard

7. Over the Bank, Exmoor

8. Farm Buildings and Well, Poland

9. Landscape with Three Trees

10. Near Brimley Hill

11. The Barns

12. The Wayside Smithy

13. Tiger Skeleton, Lateral View

14. A Sleeping Leopard

15. A Tiger and a Sleeping Leopard

16. Leopard Body, Lateral View (First of Five Studies of Another Large Cat)

17. Leopard Body, Lateral View

18. The Flying Pack

19. Hounds in Covert

20. Horses Threshing, Pont Aven

21. The Meet

22. The Early Ploughman

23. Mer de Glace, Valley of Chamouni, Savoy

24. Glaucus and Scylla

25. Yarmouth Sands

26. A Great Tree

27. Landscape with Barn

28. North Stoke. Oct. 21.1834.

29. Balgrate. 14. October. 1837

30. View Across a Meadow to a Church

31. St. Giulio, Orta, 26 September 1837

32. S. Pietro Degli Agostiniani. Leonessa.

33. Genezzano, 17 May 1838

34. People on the Road Near Kalicut, Malabar

35. Segni, 6 October 1838

36. Wied Zurrik (Malta)

37. Albion Compelling the Four Zoas to Their Proper Tasks

38. The First Book of Urizen, Plate 4 (Bentley 24)

39. The First Book of Urizen, Plate 18 (Bentley 21)

40. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

41. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

42. The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

43. The First Book of Urizen, Plate 28 (Bentley 27)

44. The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

45. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

46. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

47. The First Book of Urizen, Plate 15 (Bentley 14)

48. The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

49. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

50. The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

51. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

52. The First Book of Urizen, Plate 25 (Bentley 26)

53. The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

54. The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

55. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

56. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

57. The First Book of Urizen, Plate 11 (Bentley 17)

58. The First Book of Urizen, Plate 21 (Bentley 16)

59. The First Book of Urizen, Plate 23 (Bentley 9)

60. The First Book of Urizen, Plate 3 (Bentley 22)

61. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

62. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

63. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

64. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

65. The First Book of Urizen, Plate 7 (Bentley 12)

66. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

67. In a Garden

68. Sketch of Part of a Column

69. Artus Wolfart

70. Studies of Pillars

71. Sketch of an Ornamental Arched Entry

72. Diodorus Tuldenus

73. Henricus Steenwyck

74. Evening