Materials & Techniques: wove paper / Height [cm]: 26 / Subject Terms: men

1. Under the Hammer

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1912 and 1913
Materials & Techniques:: Black chalk and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/16 × 12 5/16 inches (25.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Plate 100

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 26, "Such Visions Have...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Jerusalem, Plate 51

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The First Book of Urizen, Plate 4 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The First Book of Urizen, Plate 18 (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The First Book of Urizen, Plate 28 (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 15 (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The First Book of Urizen, Plate 21 (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The First Book of Urizen, Plate 3 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The First Book of Urizen, Plate 7 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Action at Kowloon

Creator:: Lt. Joseph Sparkhall Rundle, 1815–1880
Date:: 1839
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper mounted thick, moderately textured, cream wove paper
Dimensions:: Mount: 10 1/8 × 11 7/8 inches (25.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Hulks at Plymouth

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, brown ink, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 15 1/8 inches (26 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Drifting

Creator:: Thomas Alexander Graham, 1840–1906
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 3/16in. (26 x 36cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Edwin Austin Abbey Memorial Collection

30. Woodcutters in a Forest

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/2 inches (26 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Mary, Queen of Scots

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 18 3/8 inches (25.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Study for the Central Group in the "Death of Earl of Chatham"

Creator:: John Singleton Copley, 1738–1815
Date:: 1778
Materials & Techniques:: Black and white chalk on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 10 3/8 x 12 1/2 inches (26.4 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Window West End, South Aisle, Saint Vincent

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Woodcutter's Picnic

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and vermillion ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 13/16 x 15 1/16 inches (27.5 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Soldiers on a March

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 3/16 x 14 1/2 inches (25.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Innisfallen Abbey, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Ross Castle, Mouse Island, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Eagles' Nest Mountain

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Rapids between the Upper and Lower Lakes of Killarney, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Man of War Rock, Upper Lake Killarney, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Kenmare Road Tunnel, Killarney

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Part of the Killarney Lake between the Upper and Lower Lakes

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Augur's Lake, Gap of Dunloh

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Ash Valley Lake in the Gap of Dunloh, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Bull Mountain and the Hare's Bridge

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Augur's Lake, Gap of Dunloh, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. From Above the Tunnel on the Kenmare Road, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Purple Mountains, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Looking South From the Black Stream Bridge, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Glaud and Symon

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

54. Madge and Bauldy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

55. Sir William Worthy's Blessing

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

56. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 18 1/16 inches (30.4 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. An Old Coast Guard, Looking Out... A Strange Sail on the Horizon

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 18 1/8 inches (30.3 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1849
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Stephen Brought Prisoner to Empress Mathilda

Creator:: Henry Singleton, 1766–1839
Date:: undated
Materials & Techniques:: Black chalk and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 15 5/8 inches (26 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Newmarket - Pulling Up

Creator:: Lionel Edwards, 1878–1966
Date:: 1933
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Patie Rebukes Roger

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

64. Glaud and Peggy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

65. Two Riders Exercising Horses at a Gallop

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and red ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 14 9/16 inches (25.9 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper mounted to thick card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Steeplechasing: Three Riders Taking a Brook

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1825
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Night Riders of Nacton: The Last Field near Nacton Heath

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper, mounted to card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Whipper-in With a Hound, the Field Ahead at Left

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 × 16 1/16 inches (25.7 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Stag Hunting - The Meet: a Hind Released From a Van..

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Grouse Shooting

Creator:: Edwin Gill, active 1810, died 1868
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 × 13 7/16 inches (27 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Quakers' Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1810
Materials & Techniques:: Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 x 11 inches (20.8 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 9/16 inches (28.4 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Death: The Fox Hoist to a Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 17 5/16 inches (26 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Death: Huntsman Holding Fox Aloft

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 5/16 inches (26 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Steeplechasing: The Field Jumping Into and Out of a Lane

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Grouse Shooting

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 14 inches (25.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. A Lecture on Elocution, the Professor Enforcing his Precepts by Example

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/8 x 17 5/16 inches (30.8 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Rivals: Extremes Meet

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Sir Godfrey Kneller

Creator:: Print made by John Corner, 1788–1825
Date:: 1821
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 x 8 1/4 inches (27.6 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Bauldy, Symon and Sir William Worthy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

84. Frontispiece: The Progress of a Midshipman

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Sketch of Three Laborers

Creator:: Sir George Clausen, 1852–1944
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, beige wove paper mounted on thick, smooth, cream board
Dimensions:: Mount: 10 1/8 × 7 1/8 inches (25.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

87. Como

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and gouache, with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 5/8 inches (26.3 × 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Sea Walls, from the Leigh Wood Quarry, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

89. Dundry Tower, Leigh Wood, Hotwell House, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 3/8 x 12 5/16 inches (26.3 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

90. Fish Porter in a Straw Hat

Creator:: George Chambers, 1803–1840
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 7 inches (25.7 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Quay at Straddon Point Near Plymouth

Creator:: Print made by William Daniell, 1769–1837
Date:: 1825
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, sightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

92. Conversion of Elizabeth Trelawney

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1909
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 9/16 inches (25.5 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

93. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

94. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

95. Interior, Abery

Creator:: Print made by N. Hanhart, active 1841–1852
Date:: 1856
Materials & Techniques:: Chromolithograph on moderately thick, smooth, beige wove paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 15 1/4 x 12 3/8 inches (38.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of the Reverend DeWolf Perry

96. Sir Anthony van Dyck

Creator:: Print made by John Corner, 1788–1825
Date:: 1825
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, moderately textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/16 × 9 1/8 inches (33.1 × 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Bridge of Boats, Baghdad

Creator:: Print made by Charles William Cain, 1893–1962
Date:: 1921
Materials & Techniques:: Drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 15 7/16 inches (25.5 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

98. Water Engine, Cold-Bath-Field's Prison

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

99. Monstrosities of 1822 - Pt. 5

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. "Antony and Cleopatra," Act III, Scene XI

Creator:: Georg Goldberg, 1830–1894
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/16 inches (28.2 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Materials & Techniques wove paper

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1. Under the Hammer

2. Jerusalem, Plate 100

3. Jerusalem, Plate 26, "Such Visions Have...."

4. Jerusalem, Plate 51

5. The First Book of Urizen, Plate 4 (Bentley 24)

6. The First Book of Urizen, Plate 18 (Bentley 21)

7. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

8. The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

9. The First Book of Urizen, Plate 28 (Bentley 27)

10. The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

11. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

12. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

13. The First Book of Urizen, Plate 15 (Bentley 14)

14. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

15. The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

16. The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

17. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

18. The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

19. The First Book of Urizen, Plate 21 (Bentley 16)

20. The First Book of Urizen, Plate 23 (Bentley 9)

21. The First Book of Urizen, Plate 3 (Bentley 22)

22. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

23. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

24. The First Book of Urizen, Plate 7 (Bentley 12)

25. The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

26. Action at Kowloon

27. Florence, from the Chiesa al Monte

28. Hulks at Plymouth

29. Drifting

30. Woodcutters in a Forest

31. Florence, from the Chiesa al Monte

32. Mary, Queen of Scots

33. Study for the Central Group in the "Death of Earl of Chatham"

34. Window West End, South Aisle, Saint Vincent

35. Florence, from the Chiesa al Monte

36. A Woodcutter's Picnic

37. Soldiers on a March

38. Innisfallen Abbey, 4 September 1841

39. Ross Castle, Mouse Island, 4 September 1841

40. Eagles' Nest Mountain

41. The Rapids between the Upper and Lower Lakes of Killarney, September 1841

42. Man of War Rock, Upper Lake Killarney, 4 September 1841

43. Kenmare Road Tunnel, Killarney

44. Part of the Killarney Lake between the Upper and Lower Lakes

45. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

46. Augur's Lake, Gap of Dunloh

47. Ash Valley Lake in the Gap of Dunloh, September 1841

48. Bull Mountain and the Hare's Bridge

49. Augur's Lake, Gap of Dunloh, 6 September 1841

50. From Above the Tunnel on the Kenmare Road, 4 September 1841

51. The Purple Mountains, 6 September 1841

52. Looking South From the Black Stream Bridge, 6 September 1841

53. Glaud and Symon

54. Madge and Bauldy

55. Sir William Worthy's Blessing

56. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

57. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

58. Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

59. An Old Coast Guard, Looking Out... A Strange Sail on the Horizon

60. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

61. Stephen Brought Prisoner to Empress Mathilda

62. Newmarket - Pulling Up

63. Patie Rebukes Roger

64. Glaud and Peggy

65. Two Riders Exercising Horses at a Gallop

66. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

67. Steeplechasing: Three Riders Taking a Brook

68. Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background

69. The Night Riders of Nacton: The Last Field near Nacton Heath

70. Whipper-in With a Hound, the Field Ahead at Left

71. Stag Hunting - The Meet: a Hind Released From a Van..

72. Grouse Shooting

73. The Stable of an Inn