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Materials & Techniques wove paper

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Joseph Mallord William Turner Interior of St. John's Palace, Eltham
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
John Varley View on the Thames at Battersea
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
Lewis Vaslet The Spoiled Child, Scene VI
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
Sir David Wilkie The Manse, Cults, Fife: The Artist's Old Home
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
William Simpson Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855
William Simpson, 1823–1899
Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855
1855
Thomas Sunderland Landscape at Ambleside
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
Thomas Rowlandson Dr Graham's Bathing Establishment
Thomas Rowlandson, 1756–1827
Dr Graham's Bathing Establishment
undated
Thomas Rowlandson A Group of Trees
Thomas Rowlandson, 1756–1827
A Group of Trees
undated
John Doyle ('H.B.') The Man Wot "Whips the House Out"
Print made by John Doyle ('H.B.'), 1797–1868
The Man Wot "Whips the House Out"
1849
Augustus Edwin John Gwen John, Ida Nettleship and Ursula Tyrwhitt
Augustus Edwin John, 1878–1961
Gwen John, Ida Nettleship and Ursula Tyrwhitt
ca. 1899
Joshua Cristall A Groom, Berkshire
Joshua Cristall, 1768–1847
A Groom, Berkshire
ca. 1816
William Evans of Bristol The 'Royal' Coach Outside the White Lion Inn
William Evans of Bristol, 1809–1858
The 'Royal' Coach Outside the White Lion Inn
ca. 1845
Thomas Rowlandson A Horse Sale in Hopkins's Repository, Barbican
Thomas Rowlandson, 1756–1827
A Horse Sale in Hopkins's Repository, Barbican
between 1798 and 1800
Thomas Rowlandson How to Vault in the Saddle
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
Thomas Rowlandson Four O'Clock in the Country
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
François-Séraphin Delpech Ratisbonne
Print made by François-Séraphin Delpech, 1778–1825
Ratisbonne
between 1818 and 1825
James Gillray A Morning Ride
James Gillray, 1756–1815
A Morning Ride
1804
Keith Vaughan Night Despatch Rider - Tea in a Café
Keith Vaughan, 1912–1977
Night Despatch Rider - Tea in a Café
1943
Samuel Freeman Mamma at Romps
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
James Bretherton I Will Pay No More Debts of Her Contracting
Print made by James Bretherton, ca. 1730–1806
I Will Pay No More Debts of Her Contracting
1772
Philip Dawe The Letter Woman
Print made by Philip Dawe, ca.1745–ca.1809
The Letter Woman
ca. 1769
Welby Sherman The Shepherd
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
Richard Parkes Bonington Campos sur les bords du Rio das Velhas
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
Richard Parkes Bonington Croix de Moulin les Planches
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
Richard Parkes Bonington Rue du Gros Horloge
Print made by Richard Parkes Bonington, 1802–1828
Rue du Gros Horloge
1824
Richard Parkes Bonington Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
Francesco Bartolozzi The Daughters of Guercino
Print made by Francesco Bartolozzi, 1728–1815
The Daughters of Guercino
1772
John Samuel Hayward Newlyn, October 15, 1807
John Samuel Hayward, 1778–1822
Newlyn, October 15, 1807
1807