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Materials & Techniques wove paper
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1
- Woman Ironing
- ca. 1895
2
- A Sussex Barn
- undated
3
- Ivy Cottage, Shoreham
- undated
4
- Tiger Body, Lateral View
- 1795 to 1806
5
- Study for Hay Carts, Cumberland Market
- ca. 1915
6
- The Meet
- between 1901 and 1925
7
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
8
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
9
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
10
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
11
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
12
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
13
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
14
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
15
- "My son! my Son!" (Plate 10)
- 1826
16
- "I want! I want!" (Plate 11)
- 1826
17
- "Help! Help!" (Plate 12)
- 1826
18
- Aged Ignorance (Plate 13)
- 1826
19
- "Does thy God O Priest take such vengeance as this?" (Plate 14)
- 1826
20
- "Fear & hope are -- Vision" (Plate 15)
- 1826
21
- "The Traveller hasteth in the Evening" (Plate 16)
- 1826
22
- Death's Door (Plate 17)
- 1826
23
- "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
- 1826
24
- "To The Accuser who is The God of This World..." (Plate 19)
- 1826
25
- "What is Man!"; Frontispiece (Plate 2)
- 1826
26
- "He meets his Saviour in the Grave..." (Plate 20)
- 1826
27
- "I found him beneath a Tree" (Plate 3)
- 1826
28
- Water (Plate 4)
- 1826
29
- Earth (Plate 5)
- 1826
30
- Air (Plate 6)
- 1826
31
- Fire (Plate 7)
- 1826
32
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
33
- Alas! (Plate 9)
- 1826
34
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
35
- La Cava, 19 July 1838
- 1838
36
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
37
- Hitch in the Roman Triumph
- undated
38
- Mademoiselle Baccelli
- 1783
39
- Studies for Armour
- undated
40
- William Howley, Archbishop of Canterbury
- 1839
41
- Richard Cosway, R. A
- 1811
42
- Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
- undated
43
- Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan
- undated
44
- Dieppe
- undated
45
- L'Orient 1776: Map of the Port of Orient
- 1776
46
- Toulon
- 1777
47
- The Monument and the Pool of London from Southwark
- undated
48
- Camp at Chobham, 1853 with Officers and Sentry
- 1853
49
- Miss Emma Hart (afterwards Lady Hamilton) as a Bacchante
- undated
50
- Miss Croker
- 1828
51
- Miss Croker
- 1828
52
- La Surprise
- 1827
53
- A French Lady
- 1830
54
- Louise von Hartefeld
- undated
55
- Salvator Mundi
- undated
56
- The Welcome Home
- 1790
57
- The Market Lass
- 1794
58
- The Squire's Daughter, Lamenting the Loss of her Robin
- 1794
59
- The Nosegay Girl
- 1795
60
- Fortune
- 1796
61
- The Cherry Girl
- 1796
62
- The Moralist
- 1795
63
- The North-West Porch of Salisbury Cathedral
- 1832
64
- Shanklin Chine, Isle of Wight
- 1797
65
- Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
- 1824
66
- Canterbury Gate, Christ Church, Oxford
- 1903
67
- S. O. S
- undated
68
- Man Seated while Speaking to a Soldier Who is Standing
- undated
69
- Château des Comtes de Flandre, Ghent
- ca. 1833
70
- Royal Horse Artillery, 1843
- 1843
71
- Rocket Practice in the Marshes
- 1845
72
- Royal Artillery Repository Exercises, 1844
- 1844
73
- Iris
- 1808
74
- Sir James Thornhill
- 1732
75
- Harwich
- 1841
76
- Jack in the Bilboes
- 1790
77
- Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
- 1798
78
- Kings College, the Chapel and Clare Hall in the University of Cambridge
- 1799
79
- The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
- 1799
80
- Cambridge University: Emmanuel College
- 1799
81
- South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
- 1799
82
- A Mythological Battle
- 1853
83
- Lear, from King Lear, Act III, Scene ii
- 1776
84
- Gadshill
- 1796
85
- Southampton or Bloomsbury Square
- 1754
86
- A View Taken near Mr. Smith's House at Battersea, Looking up the Thames
- 1752
87
- The Young Roscius
- 1804
88
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
89
- "Then go, bid the huntsmen wake them with their horns"
- 1802
90
- Taming the Shrew, Act III, Scene II
- 1793
91
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
92
- Fallstaff Playing the Prince, The Prince Playing the King
- 1796
93
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
94
- Sir William Chambers
- 1794
95
- William Davidson of Muirhouse
- 1793
96
- Duchess of Devonshire and Lady Georgina Cavendish
- 1787
97
- The Right Honourable Thomas Grenville
- 1805
98
- John Smith, D.D.F.S.A
- 1797
99
- Temple of Vesta at Tivoli
- 1802-1804
100
- Interior of a Church
- 1802-1804