Materials & Techniques: wove paper / Height [cm]: 36 - YCBA Collections Search Search Results

1. Rome from San Spirito

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown wash black chalk and graphite with white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 23 3/8 inches (35.9 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

3. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

4. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

5. Two Bridges

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1912-1913
Materials & Techniques:: Charcoal and watercolor; squared for transfer on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 3/8 inches (36.2 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Deluge

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Corpo di Cava, 28 June 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and gouache on moderately thick, moderately textured, green-gray wove paper
Dimensions:: Sheet: 14 1/8 x 9 13/16 inches (35.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Santa Decca, Corfu, 28 May 1848 (126)

Creator:: Edward Lear, 1812–1888
Date:: 1848
Materials & Techniques:: Pen and brown ink, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 14 x 19 7/8 inches (35.6 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Joseph and Potiphar's Wife

Creator:: William Blake, 1757–1827
Date:: 1803 to 1805
Materials & Techniques:: Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Visions of the Daughters of Albion, Plate 2, Title Page

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Visions of the Daughters of Albion, Plate 1, Frontispiece

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. French Songs

Creator:: Print made by John Copley, 1875–1950
Date:: 1946
Materials & Techniques:: Etching with gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 18 5/8 inches (35.8 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Sir Richard Steele's Cottage

Creator:: Print made by David Lucas, 1802–1881
Date:: 1845
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. View of the Clifton Suspension Bridge

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The River at Dusk

Creator:: Albert Goodwin, 1845–1932
Date:: 1865
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 19 3/8 inches (35.6 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Friends of British Art at Yale

21. Trio

Creator:: Print made by John Copley, 1875–1950
Date:: 1940
Materials & Techniques:: Etching and drypoint with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 15 5/8 inches (35.9 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. Cobham Hall, Kent: Unidentified Plan for a Passage

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink on thick, medium, beige wove paper
Dimensions:: Sheet: 14 1/4 x 10 3/8 inches (36.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Head of a Woman (The Artist's First Wife?)

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Philip L. Goodwin, Yale BA 1907, transfer from the Yale University Art Gallery

24. Deposition

Creator:: Sir Stanley Spencer, 1891–1959
Date:: 1910
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping out on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 14 5/16 x 9 3/4 inches (36.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. Illustration to Tonson's Ovid Metamorphosis (two of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Cobham Hall, Kent: Plan of the Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1794
Materials & Techniques:: Black wash with pen and black ink over traces of graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 x 20 1/8 inches (36.2 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 × 20 1/2 inches (35.6 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Valombre

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/16 × 9 inches (36.4 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Fall of the Tees

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/16 × 19 5/8 inches (35.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Edinburgh from Leith Harbour, Vignette Title to Vol. II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Caulking the Schooner, Falmouth Harbour

Creator:: Joseph Severn, 1793–1879
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. General Joseph Sabine

Creator:: Attributed to Edward Byng, c. 1676–1753
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, and gray wash on thin, slightly textured, beige wove paper, mounted to medium, slightly textured, brown wove paper
Dimensions:: Sheet: 11 3/4 × 10 1/4 inches (29.8 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View of Westminster Hall and Abbey from the Bridge

Creator:: John Gendall, 1790–1865
Date:: 1818
Materials & Techniques:: Watercolor with white gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 3/4 inches (35.6 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Peep Show / 42 Street

Creator:: Paul Arthur Hogarth, 1917–2001
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 x 10 5/8 inches (35.6 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

37. Portrait of a Young Man

Creator:: Edward Matthew Ward, 1816–1879
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 × 10 inches (36.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Villa Madama (vignette)

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Orfordness

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 20 9/16 inches (35.9 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Entrance to Pidcock's Exhibition Tent at a Fair

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/16 x 12 3/4in. (35.7 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View from Craig-y-Barns, Dunkeld, Looking South

Creator:: John Henry Mole, 1814–1886
Date:: 1855
Materials & Techniques:: Watercolor and white gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 21 1/8 inches (35.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Cobham Hall, Kent: Elevation of Dairy

Creator:: James Wyatt, 1746–1813
Date:: 1794
Materials & Techniques:: Watercolor and gray wash over pen, graphite and black ink on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 × 20 1/4 inches (36.2 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 x 20 1/8 inches (35.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Birds of Paradise

Creator:: Thomas William Wood, 1855–1872
Date:: 1862
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Ganges

Creator:: William Simpson, 1823–1899
Date:: 1863
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 14 1/2 x 20 5/8 inches (36.8 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Acacia Tree - Figures in a Park

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 3/8 inches (35.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Notes at an Irish Election

Creator:: Samuel Lover, 1797–1868
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 22 inches (36.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

48. Old Church and House

Creator:: Amelia Long, 1762–1837
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 10 1/4in. (36.4 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Ruskin's Residence, "Brandtwood", from Lake Coniston

Creator:: Arthur Severn, 1842–1931
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 20 inches (35.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. James T. Babb

50. Hartwell, Buckinghamshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1833
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 21 1/16 inches (36.4 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Monument of King Henry III, in Westminster Abbey

Creator:: Jacob van Schley, 1715–1779
Date:: 1735
Materials & Techniques:: Engraving on medium, slightly textured, white wove paper
Dimensions:: Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

52. The Abbazia, Venice

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 9 3/4 inches (35.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

53. St. Laumer-Blois

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1903
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 1/8 inches (35.6 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

54. St. Mark's No. 2

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 9 3/8 inches (35.6 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

55. Mother and Child XXVIII

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

56. Mother and Child VIII

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

57. Cottage

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Drifting

Creator:: Edward John Gregory, 1850–1909
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 × 10 inches (35.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

59. Study of a Lioness

Creator:: John Frederick Lewis, 1804–1876
Date:: ca. 1824
Materials & Techniques:: Watercolor and gouache over graphite on buff wove paper
Dimensions:: Sheet: 14 5/16 x 16 9/16 inches (36.4 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Landscape Set in an Oval (Mountain Landscape Through an Oval Window)

Creator:: George Barret, ca. 1728/32–1784
Date:: ca. 1775
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 18 1/2 × 23 1/2 inches (47 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Rocky Landscape

Creator:: Alfred Parsons, 1847–1920
Date:: undated
Materials & Techniques:: Gray wash, black wash and gouache on very thick, rough, cream wove paper
Dimensions:: Sheet: 14 × 12 5/16 inches (35.6 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

62. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Parnassus

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/16 × 11 7/8 inches (36 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Crichton Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/16 × 20 1/4 inches (36.4 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Graphite, black ink, pen, watercolor and gouache on medium, smooth, brown wove paper
Dimensions:: Sheet: 14 1/8 × 6 3/4 inches (35.9 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Ardfert Cathedral, Kerry, Ireland

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 20 1/8 inches (35.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Keep and Gate, Ludlow Castle, Shropshire

Creator:: Thomas Lound, 1802–1861
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 1/8 × 19 3/4 inches (35.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Dilkoosha, Lucknow in the Distance

Creator:: William Simpson, 1823–1899
Date:: 1866
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 x 21 1/4 inches (35.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Study for the View of Cambridge from Castle Hill

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Brown ink over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 × 21 7/8 inches (35.6 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Dust Storm Coming On, near Jeypore, Rajpootana

Creator:: William Simpson, 1823–1899
Date:: 1863
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 × 20 inches (35.5 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Colosseum, Rome

Creator:: George Robertson, 1749–1788
Date:: undated
Materials & Techniques:: Pen and gray ink and watercolor on medium, slightly textured, beige wove paper laid down on card
Dimensions:: Sheet: 12 11/16 x 16 7/16 inches (32.2 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Illustration to Tonson's Ovid Metamorphosis (three of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 1/2 inches (35.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Illustration to Tonson's Ovid Metamorphosis (one of four)

Creator:: unknown artist
Date:: ca. 1710
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 8 1/2 inches (35.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Samuel Palmer

Creator:: George Richmond, 1809–1896
Date:: 1830
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 14 × 10 1/4 inches (35.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Temple of Venus Monday, March 18th, 1782

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1782
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 × 19 9/16 inches (35.6 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry

Creator:: Studio of Thomas Telford, 1757–1834
Date:: 1819
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 13/16 × 21 1/2 inches (37.6 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A Street in Florence with the Duomo and Campanile in the Background

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 18 1/4 x 22 1/2 inches (46.3 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Wreck of the Apollo Frigate, 1803

Creator:: William H. Overend, 1851–1898
Date:: undated
Materials & Techniques:: Gray wash, white gouache, and pen and black ink on very thick, smooth, cream wove card
Dimensions:: Sheet: 14 × 10 3/8 inches (35.6 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

80. A Sportsman Loading His Gun

Creator:: George Morland, 1763–1804
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 9 1/4in. (35.6 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Landscape with Cottage and Figures on Horseback

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 x 20 9/16 inches (39.4 x 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A Regency House

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on Very thick, slightly textured, brown wove paper
Dimensions:: Sheet: 14 3/16 × 20 3/16 inches (36 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Picnic

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 7/16 inches (27.8 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. High Cliff Castle (Hants)

Creator:: Adam Callander, active 1780–1811
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on slightly textured, medium, white wove paper
Dimensions:: Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Destruction of Sodom and Gomorrah

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 19 × 24 13/16 inches (48.3 × 63 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. H.M.S. 'Time' in Deptford Dry Dock

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 × 19 inches (36.8 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Dover from Shakespeare's Cliff

Creator:: Print made by William Chapman, 1817–1879
Date:: 1860
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 16 1/2 inches (36.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Venice, The Rialto - Moonlight

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 9 5/8 inches (36.2 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Memorials to Richard Carmarden and Thomas Wigg, Chislehurst

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 11 1/8 inches (35.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Tomb and Brass Plate of Alan Porter, from Chiselhurst Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Environs of London: Brass Plate for cleric illegible inscription, from West Wickham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 7/8 inches (35.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Brass Plate for John Heygge, from Hayes Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Brass Plate for William and Jane Smith from Enfield Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Memorial to Thomas Bonde from Fulham Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watecolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 1/2 inches (35.9 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Memorial to Thomas Lant also to Robert Harington from Hornsey Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 5/8 inches (36.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Memorial to Lady Caroline Adair, her two children, Caroline and Amelia and her husband Robert Adair form Acton Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 1/2 inches (35.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Memorial to Samuel Buckley, also to Burrage and Elizabeth Angler

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Memorial to Thomas Cartwright and to John Reynolds

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Memorial to Hannah Towers, Samuel Towers and Five of their Children

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 3/4 inches (36.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Brass Plate for George Ray from Hornsey Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Height [cm] 36

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1. Rome from San Spirito

2. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

3. The First Stage of Cruelty: Children Torturing Animals

4. The Fourth Stage of Cruelty: The Reward of Cruelty

5. Two Bridges

6. The Deluge

7. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

8. Corpo di Cava, 28 June 1838

9. Santa Decca, Corfu, 28 May 1848 (126)

10. Joseph and Potiphar's Wife

11. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

12. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

13. Visions of the Daughters of Albion, Plate 2, Title Page

14. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

15. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

16. Visions of the Daughters of Albion, Plate 1, Frontispiece

17. French Songs

18. Sir Richard Steele's Cottage

19. View of the Clifton Suspension Bridge

20. The River at Dusk

21. Trio

22. Cobham Hall, Kent: Unidentified Plan for a Passage

23. Head of a Woman (The Artist's First Wife?)

24. Deposition

25. Illustration to Tonson's Ovid Metamorphosis (two of four)

26. Cobham Hall, Kent: Plan of the Dairy

27. Ivy Bridge, Devonshire

28. Valombre

29. Florence, from the Chiesa al Monte

30. Fall of the Tees

31. Edinburgh from Leith Harbour, Vignette Title to Vol. II

32. Tantallon Castle

33. Caulking the Schooner, Falmouth Harbour

34. General Joseph Sabine

35. View of Westminster Hall and Abbey from the Bridge

36. Peep Show / 42 Street

37. Portrait of a Young Man

38. Villa Madama (vignette)

39. Orfordness

40. Entrance to Pidcock's Exhibition Tent at a Fair

41. View from Craig-y-Barns, Dunkeld, Looking South

42. Cobham Hall, Kent: Elevation of Dairy

43. Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End

44. Birds of Paradise

45. The Ganges

46. The Acacia Tree - Figures in a Park

47. Notes at an Irish Election

48. Old Church and House

49. Ruskin's Residence, "Brandtwood", from Lake Coniston

50. Hartwell, Buckinghamshire

51. The Monument of King Henry III, in Westminster Abbey

52. The Abbazia, Venice

53. St. Laumer-Blois

54. St. Mark's No. 2

55. Mother and Child XXVIII

56. Mother and Child VIII

57. Cottage

58. Drifting

59. Study of a Lioness

60. Landscape Set in an Oval (Mountain Landscape Through an Oval Window)

61. Rocky Landscape

62. Plymouth Dock from Mount Edgecumbe

63. Parnassus

64. Edinburgh Castle, Vignette Title to Vol. I

65. Crichton Castle

66. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

67. Ardfert Cathedral, Kerry, Ireland

68. The Keep and Gate, Ludlow Castle, Shropshire

69. The Dilkoosha, Lucknow in the Distance

70. Study for the View of Cambridge from Castle Hill

71. Dust Storm Coming On, near Jeypore, Rajpootana

72. The Colosseum, Rome

73. Illustration to Tonson's Ovid Metamorphosis (three of four)

74. Illustration to Tonson's Ovid Metamorphosis (one of four)